Archive for the ‘Events’ Category

The creativity of environmental and social accountability: Q&A with artist Amy Balkin

Friday, October 17th, 2014
Amy Balkin

Amy Balkin

Complex questions about our relationship and responsibility to the physical world we inhabit lie at the heart of Amy Balkin’s creative process and the work itself. Balkin, who studied with Fine Art Chair, Vanalyne Green while attending Art Institute of Chicago, recently visited Art Center to speak about the ideas that inform her creative practice, which explores issues of environmental justice, legal borders and the geopolitics surrounding the land we inhabit and the air we breathe.

Her major projects include This is the Public Domain, an ongoing bid to create a public commons from a piece of land she purchased in Central California; Public Smog, a clean air park she opens periodically by purchasing carbon emissions; and A People’s Archive of Sinking and Melting, a collection of items from places under threat of disappearance due to political, physical and economic shifts.

Just prior to her talk at Art Center, Balkin sat down with Dotted Line to discuss her approach to these ambitious works.

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Street to Screen Car Classic 2014 is around the corner. Start revving your engines!

Wednesday, October 15th, 2014

On Sunday, October 27 2013, Pasadena’s rustic hillside played temporary home to an array of fierce creatures nonnative to these bucolic climes. On Art Center’s lawn alone, there were reported sightings of Barracudas, Mako Sharks, Stingrays, Cobras, Beetles and a herd of Italian bulls of the Lamborghini variety.

Last year’s “Inspired by Nature” theme of Art Center’s annual classic car confab inspired the above video, directed by Graduate Film student Tatyana Kim. And we have little doubt that this year’s version of the event, “Street to Screen,” celebrating the automotive stars of screens big and small, will similarly gun engines, spark plugs, charge batteries and maybe even catalyze converters.

This year’s fleet of cinematic concept cars will include Batmobiles through the ages, Bumblebee from the franchise (directed by Art Center alum, Michael Bay) and Herbie the Love Bug, among many others. Festivities kick off on October 26th at 11 am at Art Center’s Hillside campus. Advance tickets and information can be found here.

For more than 10 years, Art Center’s Car Classic has examined automotive culture and vehicle architecture through the lens of design. More than just another high-profile car show, this popular public event celebrates the very best in automotive design, showcasing the College’s strong ties to industry and honoring many of our noteworthy alumni.

This year, transportation designers, car collectors, filmmakers and auto and lifestyle enthusiasts will converge at Art Center’s annual event to hear from and meet the people who design the vehicles that we love to see cruising Sunset Boulevard, coasting along scenic byways or roaring to life on the big screen. This daylong celebration will provide attendees an up-close-and-personal look at a carefully curated selection of innovative vehicles, rare automobiles and stunning concept cars.

For those who can’t attend, keep your eyes on this space for our own video tribute to the icons of LA’s two defining industries, each dedicated to stylishly transporting us into other realities, literally and figuratively.

Uses of mapping (and failure) in design: The Toyota Lecture Series hosts theorist Peter Hall at Art Center

Tuesday, October 7th, 2014
Peter Hall

Peter Hall

The second installment of Art Center’s Toyota Lecture Series delivers a distinctly a wide-angle perspective on the present and future state of design, tracking its evolving and expanding impact and application. Design writer and educator, Peter Hall will present a talk on Thursday, October 9 at the Los Angeles Times Media Center at 7:30 pm.

The uses of Failure. Mapping as a design process.” “Weapons of Mass Persuasion: Collaborative Planning with Loaded Tools and Wicked Problems.” “Disassembly & Immateriality: How We Make Stuff Disappear.” This is just a sampling of previous lectures by the relentlessly interesting, Dr. Peter Hall, a design writer and thought-leading authority on the manifold uses of design thinking. Hall is also the design department head at Griffith University Queensland College of Art, where his research focuses on mapping and visualization.

Hall has taught at the University of Texas at Austin and Yale School of Art. He co-edited with Jan Abrams the book, Else/Where: Mapping—New Cartographies of Networks and Territories and worked as a journalist for Metropolis and I.D. Magazine. He wrote and co-edited the books Tibor Kalman: Perverse Optimist and Sagmeister: Made You Look. In 2005 he co-founded DesignInquiry, a non-profit organization devoted to researching design issues.

Art Center alumni notes: August and September 2014

Friday, October 3rd, 2014
Doug Aitken: Still Life Regen Projects, Los Angeles

Doug Aitken: Still Life
Regen Projects, Los Angeles

Art Center’s enterprising diaspora has been making a creative impact far and wide during August and September. Here’s a primer of the past two months’ worth of alumni accolades and accomplishments.

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The Toyota Lecture Series presents Anne Elizabeth Moore on labor, gender and culture with The Ladydrawers Comics Collective

Monday, September 29th, 2014
Anne Elizabeth Moore

Anne Elizabeth Moore

Art Center’s 2014 Toyota Lecture Series kicks off on Tuesday, September 30, with a talk by Anne Elizabeth Moore entitled: Our Fashion Year: Labor, Gender and culture with The Ladydrawers Comics Collective. The event will begin at 6pm in The Wind Tunnel Graduate Center for Critical Practice at 950 South Raymond Avenue. For anyone even contemplating missing this enlightening and entertaining evening, the following self-penned primer on Moore’s life and work should provide more than enough incentive to make room for, um, Moore in tomorrow night’s calendar.

Anne Elizabeth Moore is an internationally renowned cultural critic, Fulbright scholar, UN Press Fellow, USC Annenberg/Getty Arts Journalism Fellow and part of the team behind The Ladydrawers. She has written and edited several award-winning books: Cambodian Grrrl (Cantankerous Titles, 2011) received a Lowell Thomas Travel Journalism Award for best book from the Society of American Travel Writers Foundation in 2012. Hey Kidz, Buy This Book (Soft Skull, 2004) made Yes! Magazine‘s list of “Media That Set Us Free” and Reclaim the Media’s 2004 Media and Democracy Summer Reading List. The first Best American Comics made both Entertainment Weekly’s “Must List” and Publishers Weekly’s Bestsellers List. Unmarketable (The New Press, 2007) made Reclaim the Media’s 2007 Media and Democracy Summer Reading list and was named a Best Book of the Year by Mother Jones. Her recent book, New Girl Law (Cantankerous Titles, 2013), the follow-up to Cambodian Grrrl, was called “a post-empirical proto-fourth-wave feminist memoir” by Bust. Moore herself was recently called a “general phenom” by the Chicago Reader and “one of the sharpest thinkers and cultural critics bouncing around the globe today” by Razorcake.

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Science and Art collide in the REALSPACE exhibition at Art Center’s Williamson Gallery

Thursday, September 25th, 2014
Dan Goods andDavid Delgado Refraction, 2014 Theater light, water, custom electronics 19 x 25 ft., dimensions variable. Courtesy of the artists.

Dan Goods and David Delgado; Refraction, 2014; Theater light, water, custom electronics; Courtesy of the artists.

The painter Willem de Kooning once said that the idea of space “is given to the artist to change if he can.” And of the real, Robert Rauschenberg opined that a painting “is more like the real world if it’s made out of the real world.” Space in painting is measured on a scale that begins with deep illusion depicting what appears beyond the window of the canvas, and moves successively forward to tangible real tactility in front of the canvas.

Where an artist chooses to work on that illusion-to-reality scale can have meaning in and of itself. And the modern history of those choices can be viewed as a kind of archeology of existential change. The exhibition REALSPACE, opening October 4 at Art Center College of Design’s Williamson Gallery, is meant to reflect on how science intersects with that history. Poeticized by artists and studied by scientists throughout human history, the intractable reality of the natural world is examined by contemporary art and artifacts included in REALSPACE.

REALSPACE will be installed in the Williamson Gallery October 4, 2014 through January 18, 2015. The public is invited to an opening reception on Friday, October 3, from 7 to 10pm. Artists in the exhibition include Adam W. Brown and Robert Root-Bernstein, James Griffith, Dan Goods, David Delgado, Santiago Lombeyda, Rebeca Méndez and Jennifer Steinkamp. Artifacts and writings by James Ferguson (1710-1776), William Herschel (1738-1822), and Sir Isaac Newton (1642-1727), on loan from The Huntington Library, are also featured in the exhibition that combines works from contemporary art and science.  At its opening, the exhibition will be accompanied by a 20-page free booklet and, eventually, a 40-page catalog.

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Bringing outside artists in: Fine Art’s diverse programming aims to challenge assumptions

Thursday, September 18th, 2014
Still from Anuj Vaidya's short film Miss Piggy, Live with Diane Sawyer (2013)

Still from Anuj Vaidya’s short film Miss Piggy, Live with Diane Sawyer (2013)

A visiting artist and exhibition series sponsored by the undergraduate Fine Art department, open to the campus community and to the public, is bringing diverse voices and points of view to Art Center. (See full schedule of upcoming programs below.)

“Art students need to see a mix of people and perspectives, otherwise their assumptions about life, society and art are not questioned,” says Fine Art Chair Vanalyne Green. “And what is an art education for, if not to pose questions?”

The programming includes lectures, screenings, performances and exhibitions designed to expose students to artists whose work is thought-provoking and, in many cases, boundary-defying.

Last month, artist, educator and film curator Anuj Vaidya presented “Colour Me Queer: LGBTQ Voices From India,” an array of queer experimental shorts created by himself and others over the past decade.

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Selling jellyfish on the internet, and other true tales from today’s creative entrepreneurs

Tuesday, September 16th, 2014
Medusae Collection by alumna Roxy Russell.

Medusae Collection by alumna Roxy Russell.

To be bold is to be confident and courageous, willing to take risks. It’s an essential trait shared by a powerhouse group of speakers assembled for BOLD: The Art Center Symposium for Creative Entrepreneurs, a one-day confab and networking event at the College’s Hillside Campus in Pasadena.

At once motivational and practical, the September 6th program offered personal testimonials from successful entrepreneurs, along with concrete skills and strategies that participants—multidisciplinary and multigenerational—could apply to their own creative endeavors.

The question on President Lorne M. Buchman’s mind as he greeted the full house: “What does it take to create a pertinent and relevant design education today? It used to be that the education was set up to get you a job. In 2014, you realize the student body is different, millennials are different. Something has shifted—and it has everything to do with entrepreneurship. There is a power, an insight, an energy, a compulsion even, to create innovation.”

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Illustrators inspire and lead the way at global gathering

Monday, September 8th, 2014

A sell out crowd squeezed into the Portland Art Museum earlier this summer to experience ICON8, the world’s premier illustration conference, where Art Center leaders dominated the spotlight. More than a year in the planning, ICON8 is a must-go event for anyone serious about illustration and eager to mingle with all the key trade influencers.

Just being invited to speak is an honor in the illustration world, on par with headlining at SXSW, screening your film at Cannes or showing your classic wheels at Pebble. Organizers, who aim to amaze, inform and inspire, select only the top illustrators, designers, art directors, educators, reps, publishers and makers to occupy the main stage or lead workshops.

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Ike Morgan’s portraits of cultural icons inaugurate Art Center’s newest exhibition space

Friday, September 5th, 2014
Ike Morgan's paintings are the first to grace the walls of South Campus' Hutto-Patterson Exhibition Hall

Ike Morgan’s paintings are the first to grace the walls of South Campus’ Hutto-Patterson Exhibition Hall

In 2014 Art Center College of Design opened a new home for two of its dynamic visual arts programs—Fine Art and Illustration—at the College’s South Campus in Pasadena. Renovation of the former post office was made possible in part due to the generosity of the Hutto-Patterson Charitable Foundation, providing a dramatic atrium space in the center of the building to showcase the work of Art Center students and visiting artists through a rotating series of exhibitions.

On Thursday, September 11, the Hutto-Patterson will unveil its inaugural show: California’s first solo exhibition of self-taught, Texas-based artist Ike Morgan, which will remain on view through December 5, 2014. “U.S. Presidents and the Mona Lisa” features 16 unframed paintings on paper and two larger works on canvas, reflecting Morgan’s enduring interest in making pictures of George Washington and Mona Lisa.

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