Archive for the ‘Events’ Category

The Williamson Gallery’s latest show, With Hidden Noise, features the work of eight sound artists

Thursday, February 26th, 2015
Installation view, With Hidden Noise Alyce de Roulet Williamson Gallery, Art Center College of Design Photo: Chuck Spangler

Installation view, With Hidden Noise
Alyce de Roulet Williamson Gallery, Art Center College of Design
Photo: Chuck Spangler

Sound is a fugitive object. We live in a muted cosmic universe – the big silence – where aural comprehension is confined to only certain molecule-rich atmospheres of planets supporting species of living things with an evolved ability to hear. We’re just damned lucky to be one of them—and even luckier to know of our own good fortune.

Without volume or mass (at least not the kind that succumbs to gravity) sound on Earth is weightless, fleeting and ephemeral—certainly not the solid we think of when contemplating the form of a physical thing. And yet sound is described in just those tangible terms, as having color, weight, body or texture. It isn’t that the material world just happens to offer us a robust set of analogies; it’s also because sound is, to our comprehension, very much like an object—a transient form of object, one that moves through time. Its shape, it might be said, is something we sense fourth-dimensionally.

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The pursuit of perfect sound: Eleven key takeaways from Daniel Sennheiser’s BOLD lecture

Wednesday, February 25th, 2015
Sennheiser CEO's Daniel Sennheiser (left) and Dr. Andreas Sennheiser.

Sennheiser CEO’s Daniel Sennheiser (left) and Dr. Andreas Sennheiser.

Last month, Art Center welcomed Sennheiser co-CEO and Product Design alumnus Daniel Sennheiser (BS 96) to Hillside Campus to inaugurate its BOLD Lecture Series.

Speaking to a group of students and alumni packed into the Los Angeles Times Auditorium, Sennheiser shared lessons he’s learned as a creative entrepreneur and gave a behind-the-scenes look at how he’s implementing a culture of design thinking into his family’s venerable audio company—a company whose many achievements include revolutionizing personal audio by creating the world’s first on-ear headphones in 1968—which this year celebrates its 70th anniversary.

Below are highlights from his presentation:

On failure: It’s very important in your life to have moments where you fail. Failure is part of the journey. You learn it everyday in school when you go through moments where you feel like you’re failing. I still fail at a lot of things, but I get back up. And ultimately, success is standing up once more than you fall.

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It’s a dirty job, but someone’s gotta do it: Josh Smith at Art Center’s Graduate Seminar

Wednesday, February 18th, 2015
Josh Smith

Josh Smith

For those unable to attend painter Josh Smith’s Graduate Art Seminar last month, we’ve got your back. Adam Stamp, who is currently pursuing an MFA through Art Center’s Graduate Art program, has provided an insightful and informed essay about Smith’s irreverent body of work and his wide-ranging talk full of valuable takeaways for emerging young artists.

In January, artist Josh Smith visited Art Center to speak at the Graduate Art Seminar lecture series. Smith is one of the 13 artists featured in The Forever Now, a controversial painting show at MoMA, described by many critics with the rhetoric du jour as the first survey of zombieism,[1] with many considering Smith to be the prime example. The artist who made a name for himself with his “name paintings”, a series of works that continue to this day where he uses his name (literally the letter J-O-S-H  S-M-I-T-H) as the subject of his paintings, was described in 2013 by New York Times critic Roberta Smith as “sacrosanct and trashy.” His newest works to make waves depict black palm tree silhouettes in front of Technicolor sky-scapes, á la Edvard Munch.

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Connecting the dots between illustration, Linkin Park and a feature adaptation of Eric Bogosian’s Mall

Monday, February 16th, 2015

On the occasion of his recent feature filmmaking debut, we invited Illustration alumnus and Linkin Park turntablist Joe Hahn to share his thoughts on the creative process and his Art Center experience.

I attended Art Center in the fall of ’95. Having a love for comics, illustration and films,  I knew that I wanted to pursue a life where I could create things. Attending Art Center for 2 semesters was the beginning of the journey I’m still on. For me, it was an institution of talented instructors and a mixed bag of talented students that were on a journey of their own. Although, my focus at the time was Illustration, my mind didn’t settle on the fact that I would settle on that as a career. It was more of a feeling than an intellectual acknowledgement that I would realize years later. However, many of the principals in the foundation of art and illustration are principals that I apply to all of my creative endeavors that anchor much of my intentions.  These endeavors include art, music, film and communication.

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January 2015 Art Center alumni notes

Friday, February 6th, 2015
Spike TV's Framework, a furniture design reality show, features Product Design alum, Nolan Niu as a judge

Spike TV’s Framework, a furniture design reality show, features Product Design alum, Nolan Niu as a judge

From Oxygen’s Street Art Throwdown to Spike TV’s Framework to the 2015 Academy Awards to Toyota’s MIRAI—Art Center alumni were featured across the media landscape, doling out expertise on art and design-based reality shows and creating inventive animation and futuristic vehicles. See the full scope of this month’s alumni accomplishments below.

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Adoration and appreciation abound at memorial for letterform expert Leah Hoffmitz Milken

Monday, February 2nd, 2015

Laughter, tears and, most of all, love was in abundance last Thursday evening, when more than 200 close friends and family gathered in Art Center’s Wind Tunnel Gallery to remember the extremely perceptive, bigger than life, impressively precise, brutally honest and encouragingly supportive Leah Toby Hoffmitz Milken, who passed away in October after battling a rare form of brain cancer.

President Lorne M. Buchman described Leah’s teaching as “the spine,” the core, the fundamental center for the design practice of her students. “Letterforms are a significant means through which human knowledge is conveyed and made precise, he explained. “Leah gave us the gift of knowing language, of seeing the visual word, in its most precise and exacting form. And from that came a release, a creativity of communication that can only enhance our experience as human beings.”

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Goodbye boob tube. Hello, smart TV: Yves Behar unveils the Samsung S9W at CES

Friday, January 16th, 2015
The S9W, created as part of a partnership between Fuseproject and Samsung.

The S9W, created as part of a partnership between Fuseproject and Samsung.

In order for any one product to stand out at the Consumer Electronics Show (CES)—the annual convention held in Las Vegas in which thousands of companies show off their latest and greatest electronic devices—it has to be something special. And if that product happens to be a television set—a product category in which differentiation is not always the name of the game—then it must be something spectacular.

“Spectacular” seems an appropriate way to describe Samsung’s upcoming S9W, an Ultra High Definition ultra-thin curved TV co-designed by Product Design alumnus Yves Behar’s (BS ‘91) Fuseproject studio—whose iconic designs include Jawbone’s Up activity tracker, the One Laptop Per Child computer, and the SAYL chair for Herman Miller—and Samsung’s senior vice president and designer Yun-je Kang.

The S9W was unveiled by Samsung at last week’s CES and it was immediately lauded by the press. Bloomberg Businessweek called it a “sculptural masterpiece”; The Verge called it “as much a piece of art as it is a consumer electronics product”; and WIRED called it “the clutter-free curved TV of your dreams.”

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Carol Johnson’s WWII illustrations on view at Art Center’s Hutto-Patterson Exhibition Hall

Thursday, January 15th, 2015

Drawing-FireThe following Pasadena Now article adds a concise bit of context to Art Center’s new show of work by illustrator Carol Johnson. The exhibit opens today in the College’s newest gallery space, the Hutto-Patterson Exhibition Hall, located within South Campus’ Illustration and Fine Art hub at 870 South Raymond Avenue. This show offers a rare glimpse at both Johnson’s uniquely evocative illustrated narrative about WWII and, ultimately, our evolving relationship with war and how its atrocities and triumphs are conveyed and covered. And for those who have yet to visit Art Center’s newest building, this ongoing exhibition also represents the perfect opportunity to pay a visit to the meticulously renovated former US Post Office warehouse. 

Art Center College of Design presents Drawing Fire, an exhibition curated by alumnus Brody Albert, bringing attention to the work of his grandfather, illustrator Carol Johnson. As a World War II correspondent, Johnson helped translate the immediate experience of war into raw observational sketches for nationally syndicated newspapers, conveying a first hand experience of the war into the households of thousands of Americans.

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LA Art Show casts a New Eye on Illustration’s emerging artists

Tuesday, January 13th, 2015

The West Coast’s most comprehensive art experience, LA Art Show, is commemorating its 20th Anniversary at the LA Convention Center from January 14-18, 2015 and a handful of recent alumni from Art Center’s Illustration Department will be there to help celebrate.

Building on the success of last year’s partnership, Red Truck Gallery owner Noah Antieau again invited Associate Chair Aaron Smith to assemble a collection of work by Art Center’s Illustration alumni to showcase in “Littletopia,” a curated selection of galleries that are “bucking convention” in the art world. Smith has tapped emerging artists Zander Bice, Ranee Henderson, Ariel Lee, Valerie Pobjoy, Chris Youssef, Cassie Zhang to display their work under the “New Eye” banner, a term borrowed from the diverse tracks of study available within Art Center’s Illustration program. To add to the spectacle, upper-term students Addison Eaton and Erica Buttenschen will be presenting large, site specific sculptural installations at the fair.

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Conjuring the magic of art and design for kids at the Boys & Girls Club

Tuesday, November 25th, 2014
Alvin Oei teaching at Pasadena Boys & Girls Club.

Alvin Oei teaching at Pasadena Boys & Girls Club.

Be passionate about what you do. Be thorough and thoughtful doing it. Be a leader. Make something. Make a difference. These are core Art Center values and Environmental Design student Alvin Oei embodies all of them.

Oei’s enthusiasm about art and design drives his desire to share his knowledge and excitement for the disciplines with kids, most of whom attend schools with no art curriculum. He accomplished this in a big way for the children at Pasadena’s Boys & Girls Club when he conducted an intensive two-week workshop. The mini-Art Center boot camp challenged the youths to design different stores in Diagon Alley from the film “Harry Potter and the Deathly Hallows” through storyboarding and physical model making. The project was designed around the popular book and movie series to help make it resonate. Kids “have this unabashed no-limit imagination” says Oei, who is inspired by their energy.

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