Archive for the ‘Events’ Category

Future road trip: Autospaces 2025 to explore the changing automotive landscape

Wednesday, May 20th, 2015
Students Angela Dong, Thokozani Mabena,Vivia Liu and Sarineh Issagholian discuss their concepts with Jaguar Land Rover representatives at the New Car Experiences midterm. Photo: Chris Hatcher

Students Angela Dong, Thokozani Mabena,Vivia Liu and Sarineh Issagholian discuss their concepts with Jaguar Land Rover representatives at the New Car Experiences midterm. Photo: Chris Hatcher

It’s the end of the schlep as we know it. And we feel fine.

Well, perhaps not quite yet, but thanks to rapidly evolving technology making autonomous vehicles possible, that daunting commute we face every day may soon be a thing of the past.

Tomorrow in the Wind Tunnel at South Campus, Art Center hosts Autospaces 2025, a one-day symposium that brings together designers, researchers, and government and industry leaders to explore issues of connectivity, trust and mediation with autonomous and semi-autonomous vehicles.

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Leap Before You Look: Inside the revealing new exhibition on Black Mountain College, with MOCA curator Helen Molesworth

Wednesday, May 13th, 2015

 

Photo: Hazel Larsen Archer, Merce Cunningham Dancing, c. 1952-53, gelatin silver print, 8 ¾ x 5 7/8 inches. Estate of Hazel Larsen Archer and Black Mountain College Museum and Arts Center.

Photo: Hazel Larsen Archer, Merce Cunningham Dancing, c. 1952-53, gelatin silver print, 8 ¾ x 5 7/8 inches. Estate of Hazel Larsen Archer and Black Mountain College Museum and Arts Center.

“Most people in the room probably know a little something about Black Mountain College, and it’s probably part wrong and part true,” said Helen Molesworth. Relaxed in black sneakers and a loose sweater, the new chief curator at the Museum of Contemporary Art in Los Angeles, less than five months into her new job, offered a candid and engaging behind-the-scenes look at her work on a revealing new exhibition about Black Mountain College—the first comprehensive exhibition on the subject to take place in the United States.

The curator’s talk in February, a full year ahead of the exhibition’s opening in L.A., was part of both the Wind Tunnel Lecture Series and Art Center Dialogues. And as she disclosed to her unsuspecting audience at the outset, “You’re the first! I haven’t actually given a Black Mountain talk yet.”

For Molesworth, Black Mountain College’s mythic status—as the birthplace of the neo-avant-garde and the site of legendary collaborations by Robert Rauschenberg, John Cage and Merce Cunningham—has in fact been a problem to overcome, an impediment to a more complete understanding of its history. “It was a place charged in ways that engendered mythmaking from its inception,” she said, “and a lot of that mythmaking was self-generated.” (more…)

Art Center alumni notes: Spring 2015

Tuesday, May 12th, 2015
Alum Catherine Taft assistant curated America is Hard to See at the Whitney Museum of American Art, a show which features the work of alum Bill Wheelock

Alum Catherine Taft assistant curated America is Hard to See at the Whitney Museum of American Art, a show which features the work of alum Bill Wheelock

Spring has sprung for Art Center’s alumni community, which collectively bloomed with media attention and creative activity. Here we’ve gathered a bouquet sampling this group’s impressive undertakings.

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Media Design Practices graduating students explore the contours of invisibility, visibility and spaces in-between

Monday, April 27th, 2015
MDP graduate Jenny Rodenhouse's thesis explores the possibilities of opening test sites to the public. Photo: Chuck Spangler

MDP graduate Jenny Rodenhouse’s thesis explores the possibilities of opening test sites to the public. Photo: Chuck Spangler

Imagine a world where scientific test sites operate like amusement parks, where robots disperse through their environment like seeds in the wind, where algorithms understand and incorporate the nuances of human language, and where the invisible data surrounding us is transformed into navigable terrain.

No, that’s not a back cover synopsis of the latest William Gibson novel, but rather thesis projects by then Media Design Practices (MDP) MFA candidates Jenny Rodenhouse, Ji Won Jun and Marcus Guttenplan, respectively, which were recently presented in the Wind Tunnel as part of that graduate program’s thesis exhibtion.

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Pasadena unveils alum Catherine Menard’s Armenian Genocide Memorial

Friday, April 24th, 2015

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Saturday, April 18th, 2015, was a blistering hot day in Pasadena Memorial Park. But the day’s speakers and many in the crowd wore black to the unveiling of the Pasadena Armenian Genocide Memorial, designed by alum Catherine Menard (MFA 14 Environmental Design), whose teardrop concept for the monument was chosen as the winner in 2014 competition, launched by the Pasadena Armenian Genocide Memorial Committee. We caught up with Menard on this momentous occasion to hear how she approached the weight of commemorating the estimated 1.5 million victims who died during a campaign against Armenians and other Christian minorities beginning in 1915, as well as how the experience has changed her.

How did you learn about the competition?

I was asked by Professor James Meraz to join a studio that he created through Designmatters for the specific purpose of designing memorials that we would then submit to the competition.

 

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What is design? asks Transportation Systems and Design grad and Student Leadership Award recipient Russell Singer

Tuesday, April 21st, 2015
Russell Singer

Russell Singer

Each term, Art Center has the great honor of presenting the Student Leadership Award to a graduating student. This award fulfills Art Center’s vision of educating artists and designers who are not only leaders within their professional fields, but leaders in their communities. Based on recommendations from faculty, staff and students, this award recognizes a student who has provided leadership through participation in Art Center’s campus life, community outreach, student organizations and department initiatives.

This past Saturday, Graduate Transportation Systems Design grad Russell Singer accepted Art Center’s Student Leadership Award for the Spring 2015 term. He then listed his thank yous and fired off a question that appeared so seemingly simple it almost appeared to be pandering the crowd gathered in the Pasadena Civic for Art Center’s Spring 2015 Graduation ceremony.

What is design?

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Onward and upward: Art Center’s Spring 2015 Grad Show

Monday, April 20th, 2015
Bruno Gallardo shows off his Zero Motorcycle prototype to alum Miguel Galluzzi of Aprilia/Piaggio. Photo by Jennie Warren

Bruno Gallardo shows off his Zero Motorcycle prototype to alum Miguel Galluzzi of Aprilia/Piaggio.
Photo by Jennie Warren

A fresh crop of creatives, 205 strong graduated from Art Center this past weekend, ready to harvest and haul their skills to the marketplace. The first pages of these grads’ yet-to-be-told professional narratives could involve launching a start-up, diving into a new position at a high-profile agency or escaping on a global adventure to see the world and collect some inspiration in the wilderness instead of the concrete jungle.

We decided to check in with a few during Spring 2015 Grad Show—our annual recruitment open house.

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Civic improvements: Spring 2015 Graduation claims a new location and starting time

Wednesday, April 15th, 2015
Photo credit: Pasadena Convention & Visitors Bureau, Jamie Pham

Photo credit: Pasadena Convention & Visitors Bureau, Jamie Pham

In February 1932, during the lowest ebb of the Great Depression, the new Pasadena Civic auditorium was dedicated “to the citizens of Pasadena, whose efforts and sacrifices have made the erection of this beautiful and useful building possible.” In the decades since its dedication, the Civic has seen millions of patrons from several generations of Southern Californians pass through its doors. As a home for ballet, symphony, popular music, musical comedy and television programs, the Civic has hosted a wide variety of special events.

On Saturday, April 18, 2014, the 2,997-seat auditorium will serve as the new venue for Art Center’s graduation ceremonies. The Spring 2015 graduating class will be the first Art Center cohort in a long time who will not face off against the elements—rain, sun, wind or cold—as they prepare to collect their diplomas. The gathering is at long last moving to a climate-controlled indoor home with permanent walls and floors. It is also conveniently centrally located between Art Center’s Hillside and South campuses.

As the day approaches, let’s celebrate these creative and talented individuals who are about to take on the world. Here’s the lowdown for the week:

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Andrea Santizo: Pulling the Strand on view

Tuesday, April 7th, 2015

PortraitThis Friday, April 10th, from 7pm – 9pm, an opening reception will be held for Andrea Santizo’s senior show, Pulling the Strand.

The work ranges in scale and media, from large wooden and wool wall pieces that encompass the viewer, to small copper and salt sculptures that could fit in a child’s hand. Her hybrid objects blend artistic and craft traditions with personal and art historical references. The result is a generous and inviting array of objects that want to shift when you grasp at them but linger in your mind long after the encounter.

In her own words:

As far back as I can remember, there has been a clash between my cultural background and the transplanted American culture in which I was raised. I find myself pushing together what is considered valuable art histories of: frames, prescribed minimalist shapes, drawing and painting, up to traditional textile, fiber, and domestic objects that lack validity within the same art worlds structure in which the formerly mentioned genres reside. In order to form a dynamic exhibition that allows for a critical viewing of such histories, traditions, and acceptable forms of high art, and in doing so directly confronting the polarized art histories and blatant appropriation of traditionally “female” shapes and practices, and questioning the exclusion of craft into the realm of “fine art.”

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Art Center Dialogues: Dede Gardner on leadership in Hollywood

Thursday, March 26th, 2015

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“Leaders in art, film, business and design practices, our speakers have changed both the questions we ask and the solutions we might find when it comes to thinking about 21st-century culture,” says Humanities and Sciences (H&S) Chair Jane McFadden, who curates the series, Art Center Dialogues.  The most recent speaker was Dede Gardner. Her long list of producing credits in film and television include award winners such as Tree of Life and 12 Years a Slave, as well as box office smashes World War Z and Eat Pray Love. As President of Plan B, (Brad Pitt’s production company), she has overseen the creation of dozens of films with some of the industry’s top talent.

The auditorium was at capacity with students eager to participate in the Q & A, followed by a screening of the Academy Award nominated Selma, her most recent project. Gardner was on campus to talk about leadership, and much to the pleasure of the crowd, a little insider gossip. When an audience member asked if she was able to speak about Andrew Dominik’s Marilyn Monroe project she said, “Yes, do you have eighteen million dollars?” Or, when a student inquired if she would do everything the same again, starting over as a 16 year-old, she quipped, “Can I start at 36, instead?”

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