Archive for the ‘General Interest’ Category

Conjuring the magic of art and design for kids at the Boys & Girls Club

Tuesday, November 25th, 2014
Alvin Oei teaching at Pasadena Boys & Girls Club.

Alvin Oei teaching at Pasadena Boys & Girls Club.

Be passionate about what you do. Be thorough and thoughtful doing it. Be a leader. Make something. Make a difference. These are core Art Center values and Environmental Design student Alvin Oei embodies all of them.

Oei’s enthusiasm about art and design drives his desire to share his knowledge and excitement for the disciplines with kids, most of whom attend schools with no art curriculum. He accomplished this in a big way for the children at Pasadena’s Boys & Girls Club when he conducted an intensive two-week workshop. The mini-Art Center boot camp challenged the youths to design different stores in Diagon Alley from the film “Harry Potter and the Deathly Hallows” through storyboarding and physical model making. The project was designed around the popular book and movie series to help make it resonate. Kids “have this unabashed no-limit imagination” says Oei, who is inspired by their energy.

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Beyonce and beyond: Fine Art department responds to debate over “Pretty Hurts” course description

Monday, November 24th, 2014
Beyoncé Inc. (S, M, L, XL) by April Bey Oil on maternity mannequin and board 36''X48'' 2014

Beyoncé Inc. (S, M, L, XL), by April Bey. Oil on maternity mannequin and board, 36”X48”, 2014

This guest blog post comes in response to recent digital conversation sparked by an article on MTV.com taking issue with the description for an undergraduate Fine Art course (co-taught, not incidentally, by a woman of color) entitled “Pretty Hurts.” This piece, composed by Fine Art department chair Vanalyne Green and course instructors Ariel McCleese and April Bey, was intended to contribute to this vital and momentous exchange as well as to elucidate the intentions animating the description’s provocation. We hope the dialogue will continue as we wholeheartedly embrace the values of inclusivity and gender equality that have informed this conversation as well as the work of all the artists discussed below. Please continue to weigh in with your thoughts and ideas on this dynamically shifting terrain in the comments section below. 

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Art Center in Asia: It Began in Japan

Friday, November 21st, 2014
Product Design alumnus Kenji Ekuan (BS 57), second from right, arrives in the United States in the 1950s.

Product Design alumnus Kenji Ekuan (BS 57), second from right, arrives in the United States in the 1950s.

In the latest issue of Dot magazine, we take a look at Art Center College of Design’s long history—nearly 60 years—of connections to Asia. Take a trip with us through time and across the Pacific as we look back in history and forward to the future. Today, we explore the College’s historic relationship with Japan.

In 1956, Edward A. “Tink” Adams, Art Center’s first president, traveled to Japan with Advertising alumnus George Jergenson (BFA 35)—then the director of the College’s Industrial Design (ID) Department—and ID faculty member John Coleman. They had been invited by the Japanese government to tour the country and to share their thoughts on how industrial design could provide a competitive advantage for a nation still early in its post-war recovery.

After returning to the U.S., they filed a formal report containing several recommendations for Japan, including instilling a sense of national pride in products being “Made in Japan”—they cited Nikon’s confidence in placing its name on its camera, “one of the finest cameras anywhere”—and making sure Japanese students fully grasp their country’s rich cultural history. The future designer, it stated, “will learn more…from studying Japanese masters of painting and design than he will from Western art.”

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View from the Bridge: The President’s attitude of gratitude for the Fall term’s vast riches

Wednesday, November 19th, 2014
Incoming students during Fall 2014 Orientation Week.

Incoming students during Fall 2014 Orientation Week.

Thanksgiving, that wonderful holiday in which we as a nation give thanks for all our blessings, is just around the corner. In the spirit of that tradition, I’d like to take a moment to pause and reflect on what I have to be thankful for here at Art Center.

First of all, I’m thankful for all the newest members of the Art Center family. This Fall term we welcomed a record-breaking entering class of 432 new students, a number which reflects the continuing strength and enormous appeal of both our undergraduate and graduate programs. These students come to us from a total of 37 states across the nation and 31 countries around the globe, for a total of 47 countries represented across our truly international student body.

You may also be interested to know that the average age of the entering class is 21 and that, of our incoming undergraduates, 52% are female. As always, all of our incoming students demonstrated their considerable merit through their portfolios, academic records and personal statements, and each underwent a rigorous review to gain admission.

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Art Center in Asia: Create Change Design Forums at Beijing Design Week

Friday, November 14th, 2014
Art Center's Mark Breitenberg welcomes participants to the 2014 Create Change Forums in Beijing.

Art Center’s Mark Breitenberg welcomes participants to the 2014 Create Change Forums in Beijing.

In the latest issue of Dot magazine, we take a look at Art Center College of Design’s long history—nearly 60 years—of connections to Asia. Take a trip with us through time and across the Pacific as we look back in history and forward to the future. Today’s focus: the College’s growing relationship with China.

Whether it’s the impending arrival of China-made cars to the U.S. market or Film alumnus Michael Bay’s (BFA 88) Transformers: Age of Extinction breaking the $300 million barrier at the Chinese box office, these days all eyes are on the Middle Kingdom. And Art Center is no exception.

Just ask Mark Breitenberg, special assistant to the College’s president, who led the Create Change Design Forums, a three-day series of presentations and workshops which took place in China this September during Beijing Design Week.

At the packed forums, co-organized by Graduate Industrial Design (Grad ID) alumnus Lan Yu and sponsored by her company, Art Center leaders and alumni met with employees from 70 Chinese companies to introduce them to Art Center’s methodologies and creative processes.

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Your iPad or mine? Tablet design skills boost business

Thursday, November 13th, 2014
Terry Scott's iPad design

An immersive and provocative IPad experience designed by Pacific Life Insurance Senior Designer Terry Scott

Successful business owners know that the only way to reach target customers is to find them where they live. Digitally that is. Above all, this means speaking to consumers with content tailored to the platform of their choice. Just ask Pacific Life Insurance in Newport Beach. After the firm’s Senior Designer Terry Scott completed an iPad class through Art Center at Night, he convinced Pacific Life’s leadership to enroll the entire design team in the same class the next term so they are equipped with the latest developments in iPad design in preparation for the the company’s upcoming migration from print to tablet-based promotional materials.

Businesses and organizations are increasingly relying on iPad friendly formats to produce magazines, brochures and other key business tools. With 200 million iPads in circulation, the switch is vital to stay relevant to our evolving culture of visual learners.

Carla Barr has been Art Center’s expert faculty member on all things iPad since the introduction of the popular device in 2010. Barr’s Art Center at Night class is geared towards designers with established careers who are either interested in learning new technology or need to boost their skill set for their current gig. Her course covers three complex steps: concept, design and interactive build.

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From street to screen to zine: Car Classic 2014 through the lenses of two photo students

Tuesday, November 4th, 2014

Car Classic reliably serves up a  feast for the photographic eye, with its high-contrast placement of man-made wonders amid the natural marvels surrounding Art Center’s Hillside campus. But the 2014 edition of the College’s annual homage to car design delivered more spectacularly photogenic feats of design and engineering than usual, thanks to this year’s theme, Street to Screen, featuring a swarm of Batmobiles amid a caravan of camera-friendly automotive stars of film and TV.

To give these sirens of street and screen their artful due, we dispatched two upper term Photography students, Kit Sinclair and Eduardo Medrano, to capture the look and feel of this year’s event with a visual conversation in the language of still images. Their marching orders were simply to convey the visceral thrill of Art Center’s carefully curated collection of iconic rides.

Kit and Eduardo delivered on their promise and then some, with the above series of images, a digital zine, for which Sinclair supplied the following inquisitive artist’s statement, clearly aimed at engaging the viewer: “This series was influenced by timeless design and created to inspire you, no matter your background. What makes a design classic? What elements in a design make it appealing no matter when you see it? How does time influence and inform current design?”

In Memoriam: Art Center faculty member Leah Hoffmitz Milken

Monday, October 27th, 2014
Leah Hoffmitz Milken | Copyright Steven A. Heller / Art Center College of Design.

Leah Hoffmitz Milken | Copyright Steven A. Heller / Art Center College of Design.

It is with much sadness that I write to inform you of the passing of Professor Leah Hoffmitz Milken. She died on Saturday morning after an extended illness.

A renowned letterform expert, Leah taught at Art Center for more than 20 years and was a beloved member of our community. Throughout her career, she specialized in the creation of unique logotypes and typefaces for multiple industries and media. Corporate brands benefiting from her first-rate typographic eye include FedEx, Nokia, United Airlines and Disney, among many others.

As a faculty member, Leah helped shape and influence scores of graduates, many of whom have become internationally recognized experts in graphic design and typography. In 2013, she received the Distinguished Achievement Award in Recognition of Excellence in Teaching, Professional Accomplishment and Institutional Service. The tribute hailed her extraordinary devotion to students and to the College that she loved.

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Artworld luminaries hail Stockholm debut of Sculpture After Sculpture, curated by Grad Art’s Jack Bankowsky

Friday, October 24th, 2014

Screen Shot 2014-10-24 at 1.21.52 PM

By all accounts, Sculpture After Sculpture, an omnibus exhibition curated by Art Center faculty member, Jack Bankowsky,  is a major event, capturing nothing short of a pivotal moment in the evolution of modern sculpture. The show opened last week at Stockholm’s Moderna Museet to great fanfare, including this piece in Artforum. For those who can’t make it to Sweden, the following catalog excerpt offers a glimpse at the compelling story this audacious show tells about sculpture’s relatively recent past and possibly its not-so-distant future.

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Worth a rewatch: Graphic Design department’s new Begin Here video

Wednesday, October 22nd, 2014
Still from the Graphic Design department's Begin Here video.

Still from the Graphic Design department’s Begin Here video.

Have you watched the Graphic Design department’s new Begin Here video for prospective students? If not, do so now. All finished? Okay, now watch it again. Don’t worry, we’ll wait.

Notice anything unusual? Besides department chair Nik Hafermaas posing with a hawk?

No, you’re not going crazy—several elements in the video change upon a second viewing. For example, the individual students featured during the “people like him and her” portion of the narration. Watch it again and you’ll see yet another pair.

What’s going on here? This two-minute recruitment video is not a video in the traditional sense. Rather it’s an interactive work that mixes together a series of dynamically populated video segments as well as time- and location-based information—like the user’s current location, current weather for both the user and for Art Center students, and the current week and term at the College—into a cohesive narrative.

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