Category Archives: General Interest

Entertainment design students restore Halloween’s fading fear-factor

Let’s face it: Halloween has become scarier than ever before. Unfortunately, that’s happened for reasons that have little to do with the ghosts, goblins and the great gobs of candy that began as Celtic custom marking the death and rebirth signifying the of the harvest season. Over the past decade or so, Halloween has been co-opted by profit-hungry pop-up superstores hawking disposable “Scream” masks and spooktacular inflatable lawn decorations to consumers hoping to purchase a more sanitized version of the collective cultural experience.

But as Halloween has become more homogenized and commodified, there are fewer surprises that await revelers, leaving a major deficit of the kind of adrenaline-spiking thrills that have defined the mythic tales that have defined the holiday, like Washington Irving’s “The Legend of Sleepy Hollow” and Edgar Allen Poe’s the “The Tell-Tale Heart.” In other words, all treats and no tricks makes Halloween a very dull holiday.

It’s time fright back into Halloween night. With that in mind, we’ve resisted the temptation to celebrate the proliferation of clever (but defiantly un-scary) costumes referencing politics (the debt ceiling) or pop culture (“Breaking Bad”). Instead, we’ve plumbed the deepest recesses of the creative firepower on hand at Art Center for the kind of mythically unsettling visual storytelling that evokes a low-grade version of the terror that follows a night of spooky campfire stories. The above slideshow is a curated selection of images by current and former Entertainment Design students, whose work often involves conjuring the reference points for otherworldy cinematic sci-fi fantasias. You’ll also find the artist’s explanation for the ideas informing the dark and twisted images which capable of sending the fragile among us sprinting to safety. Care to join us in our effort to re-haunt All Hallow’s Eve?

Cobras, Stingrays and Mako Sharks, oh my! Auto afficionados get “Inspired by Nature” at Car Classic

This past Sunday, nearly 2,000 visitors—transportation designers, car collectors, auto enthusiasts and more—assembled at Art Center College of Design for its popular annual Car Classic event. This year, the event showcased transportation design “Inspired by Nature” and celebrated a generous recent gift from Southern California philanthropists and car collectors Peter and Merle Mullin, who attended the event.

Nearly 90 carefully curated cars, trucks, motorcycles and bicycles–many of which, in keeping with the event’s theme, were inspired by birds, fish, insects and other natural phenomena–were on display at the event. A jury of alumni, faculty and industry leaders issued Best in Class awards to 18 vehicles in eight categories; while attendees voted for five vehicles in five categories.

Local custom auto designer Gary Wales’ 1917 La Bestioni Boat Tail Speedster was named the People’s Choice award winner. The Inspired by Nature award went to the 1959 Chevrolet Corvette Racing Stingray, whose lines were originally penned by alumnus and Car Classic honorary guest Peter Brock. And a 1961 Chevrolet Corvette Mako Shark, designed by alumnus Larry Shinoda, received the first ever Kids’ Choice award.

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Social impact bat mitzvah: Alum’s daughter raises funds for Art Center scholarships

Hannah Megery creates a painting for each bat mitzvah scholarship donor

Hannah Megery creates a painting for each bat mitzvah scholarship donor

This is a story about how even a 13-year-old can, with a little creativity, make a big difference in the lives of others.

Eighth-grader Hannah Megery had yet to choose her mitzvah (Hebrew for worthy deed) project for her upcoming bat mitzvah when her mother decided to take her and her sister Madeline on a tour of Art Center. The girls’ father, John Megery (ADVT ’95), had recently and unexpectedly passed away, and mother, Laurie, wanted them to see the school their father had attended and loved so much.

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Myspace takeover 2.0: New videos track students’ creative progress and problems

Art Center invades Myspace homepage

Art Center invades Myspace homepage

Update: Our quartet of students leading our Myspace occupation has produced a new batch of posts — three videos and one written narrative. Visit our Myspace profile for the latest news on how these artists and designers are devising solutions to the roadblocks and detours they encounter en route to their destination: creating something of lasting value that didn’t exist before.

Space. Whether it comes in the form of a blank canvas, an empty sound stage, a blinking cursor on a computer screen or a room of one’s own — space itself has always been fundamental to the act of creation. Art Center has long provided that space for its community of compulsively creative forward-thinking doers and makers, united by a desire to disrupt the status quo with explosive feats of imagination and artistry.

At its most basic level, it’s an invitation to create, explore and invent. And put simply, artists need their space. This was the operative principle behind the supernova success of Myspace, the 1.0 generation social network that became a hub where music lovers connected to their favorite bands. Ten years later, Myspace has reinvented itself, beginning with its June 2013 relaunch, as a social network “purpose-built to empower an infinitely expanding creative community.” The new Myspace has been designed around 21st Century creators’ needs to “connect, make, discover, collaborate, promote and expand.”

And what better place to seed that artistic ecosystem than the hothouse of creativity that is Art Center? So, for the next week, Art Center’s unique approach to bringing audacious ideas to fruition will receive unprecedented exposure as it stages an occupation of the MySpace homepage, which has a massive global reach of 35 million users.

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View from the Bridge: Art Center’s incoming class, the LEAP Symposium and bringing the Bard to Lida Street

President Lorne M. Buchman

President Lorne M. Buchman

Being surrounded each and every day by thought-provoking ideas and inspiring individuals is perhaps the greatest benefit of working at Art Center. As President, I’m in a unique position to see so much of the remarkable work created here.

A clear side effect—and thankfully, it’s a good one—is that at the end of the day I have a lot on my mind. Which is why I’d like to start sharing with you here, on occasion, my thoughts on what I’m seeing, hearing and experiencing around campus and in the larger community.

First things first: The Fall 2013 term is well underway. Before we reach that busy midterm crunch, I’d like to tell you a few things about our latest incoming class. After receiving the highest number of applicants across all disciplines in our 83-year history, Art Center this fall welcomed 361 undergraduates and 68 graduate students, our largest incoming class ever. The increase reflects the strength and growth of our academic programs, as well as the planned expansion envisioned in Create Change, Art Center’s 2011–2016 strategic plan.

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Inside the extended-play version of the Microsoft Surface DesignStorm video

 

Earlier this month, we posted a teaser trailer capturing highlights from a DesignStorm in which students conceived innovative uses for click-on attachments (code name: Blades) to Microsoft’s Surface tablet. The three-day session consisted of a group of students from the College’s various design departments facilitated by Graphic Design faculty member Gerardo Herrera along with Product Design instructor, Todd Masilko and Jeff Higashi, who teaches both Graphic and Product Design.

DesignStorms are Art Center’s trademarked immersive workshops which pair  expert faculty with select upper-term design students with sponsors to form multidisciplinary teams. Over the course of the collaboration, the teams apply an intensive design methodology to identify opportunities for deeper exploration and innovation.

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Innovations in lunch: The ultimate South Campus dining guide

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It’s hard to overstate the excitement that greeted the announcement that a fleet of food trucks would be adding Art Center’s South Campus complex to its rotation of regular stops. Clusters of giddy staffers congregated around 8×10 flyers, speculating over which roach coaches– Holy Aioli? Kogi?  – would become the go-to lunch option within walking distance of 950 Raymond Avenue. Unfortunately, this culinary convoy was soon diverted away from South Campus, when turnout wasn’t big enough to justify a stop on the trucks’ lunch route.

On paper, this might have seemed a devastating blow to staffers as well as students tired of foraging for tasty eats in an industrial wasteland. South Campus sits at the heart of Pasadena’s Innovation Corridor, a name that may be more aspirational than descriptive of a neighborhood that houses a semi-functional power plant and a row of hulking industrial monuments to the last century’s love affair with molded concrete and steel. In other words, this is not exactly the kind of neighborhood where one might expect to find an operating vending machine, let alone a reasonably priced handcrafted meal.

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Art Center in the news, August – September 2013

Mego Lin and Jon Jon Augustavo on the set of “Same Love.” Photo by Craig Nisperos.

Art Center students, faculty, alumni and staff have been busy racking up awards, giving interviews and making news. Here is a selection of some recent coverage.

MTV.com, “Macklemore & Ryan Lewis Smash Hip-Hop Competition With VMA Knockout”
Two music videos directed by Art Center alum Jon Jon Agustavo with cinematography by Grad Film student Mego Lin earned some shiny Moonmen awards at the 2013 Video Music Awards.

SciArt in America
October issue featuring ACCD faculty Lita Albuquerque’s Stellar Suspension (from OBSERVE, Williamson Gallery, 2008) on the cover and a 4-page interview with Williamson Gallery director Stephen Nowlin.

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LEAP Symposium kicks off with a line-up of pioneers in design and social innovation

LEAP_web-banner_ART_01a

One hundred thought leaders and educators in design and innovation will converge at Art Center College of Design September 19–21 for the LEAP Symposium, a convening comprised of a series of focused conversations exploring new career pathways for designers in the emerging field of social innovation. For more information about LEAP, including participant photos and bios, please visit the newly launched website.

The weekend-long symposium was conceived and hosted by Mariana Amatullo, Vice President, Designmatters Department with a national braintrust that includes: Allan Chochinov, Chair Products of Design, School of Visual Arts and Partner, Core 77; Lee Davis, Scholar-in-Residence, Center for Social Design, Maryland Institute College of Art (MICA); William Drenttel, Director, Winterhouse Institute and Edirorial Director, Design Observer and LEAP Symposium Editorial Director; Robert Fabricant, Vice President of Creative, frog; Jocelyn Wyatt, Co-Lead and Executive Director, IDEO.org.

Portions of the event are open to students, faculty, staff and members of the public. Check out the schedule below. And if you can’t attend in person, you can also tune into the livestream of LEAP’s opening session and LunchTime Talks here.

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