Category Archives: Graphic Design

Alumni Spotlight: Erik Molano, social impact graphic designer

3 catalysts

Erik’s story originally appeared as part of Desigmatters’ Alumni Spotlight series. Find out more about Art Center’s social impact design department, Designmatters.

Throughout my education, I had always been fascinated by the power of graphic design. It’s everywhere. In books, freeway signs, software applications, automobile dashboards, cereal box packaging, architectural wayfinding, maps, and so much more. The thoughtfulness and intention that goes into the communication we consume daily is so ubiquitous we sometimes forget that it’s carefully crafted by a worldwide community of graphic designers. Since I had become a part of this community, I challenged myself to find a place within it; to discover my full potential.

I began to ask myself, ‘What’s the most impact I can have as a designer? Is there more to design than just laying out images and text in a beautiful way? How does our work impact culture?’ After a few years of soul-searching, I found my answer lying within the world of social innovation, with many thanks to the following three catalysts.

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Faculty member, Sean Adams awarded the AIGA Medal, design’s equivalent of the Best Picture Oscar

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Art Center faculty member Sean Adams and his partner Noreen Morioka are among a special class of design leaders being awarded the prestigious AIGA Medal–the highest honor of the design profession–by the noted professional association, which represents and advocates for a broad range of design disciplines. The AIGA Medal has been awarded since 1920 to individuals in recognition of their exceptional achievements, service and contributions to the field of communication design.

Sean Adams is a partner with Noreen Morioka at AdamsMorioka. Since 1994, AdamsMorioka’s driving words of “clarity, purity and resonance” have guided their work. Among the projects showcased by AIGA in announcing the award, is work for clients such as UCLA, The Getty Center, Academy of Motion Picture Arts and Sciences, Nickelodeon, Annenberg Foundation and Sundance Institute.

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Ray Eames at Art Center: An alum remembers the Modernist pioneer’s commitment to inspiring the next generation of designers

Ray Eames and I first met in Chicago while judging the 1980 Society of Typographic Arts 100 Show. I was the Communication Department Chairman at the time and President of the Art Center Alumni Association. We would often meet for lunch near her studio offices on Washington Boulevard in Venice during the 80s, and she attended several alumni functions at Art Center during those years.

Visiting her studio was always special. Everything was still in place, as it had been when Charles was still alive. Ray had been assembling and archiving, with assistance, the Eames design history, and delegating the items being sorted and donated to the library of congress. There were work tables full of documents and models. And at one time she considered  donating the facility to Art Center for student research facilities to be shared with UCLA, as I recall. Art Center’s leadership at the time declined the offer.

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Chatting with the creator and recipient of the Hoffmitz|Kondrup Excellence in Typography Award

Alex AristeiLike most dedicated Art Center instructors, Professor Gloria Kondrup (MFA ’93 Graphics/Packaging) is always looking for creative ways to encourage, inspire and support her students. In 2013, she and legendary Graphic Design instructor Professor Leah Hoffmitz Milken established the Hoffmitz|Kondrup Excellence in Typography Award. Created as part of their Legacy Circle membership with a gift from the Lowell Milken Family Foundation, the Award is given once each year to an upper-term Graphic Design student who demonstrates excellence in typography across all media.

We brought Kondrup and first-ever Award recipient Quinton Larson together to chat about the award and their love of typography.

Art Center:  Gloria, what was the motivation behind creating the Hoffmitz|Kondrup Excellence in Typography Award?

Gloria Kondrup: Leah and I share a love of type and language. As instructors we regularly saw students struggle financially to stay in school. The Award is a way to celebrate typography while providing meaningful financial support to a top Graphic Design student.

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Alumni Q&A with Microsoft design pioneer, Bill Flora

Bill Flora photo by Alex Aristei.

Bill Flora on his recent visit to Art Center. Photo by Alex Aristei.

When Bill Flora arrived to his first day of work at Microsoft just over 20 years ago, as the ink was still drying on his Art Center degree, there were only seven designers working on staff at the company. At the time, Bill Gates’ thriving empire was the Goliath of the software industry. Products like Microsoft Word had become a brand synonymous with the service it provided, like Kleenex or Q-Tips. In essence, Microsoft sold itself — so design took a backseat to innovations in engineering.

Things have changed considerably since then. It’s no coincidence that design has become a prime mover at Microsoft, driving the development of its most high-profile software and hardware releases.  This shift occurred thanks in no small part to the contributions Flora made during his two-decade tenure at the company, which included work on a wide variety of products, from the Encarta Encyclopedia to the Windows Phone. His most lasting legacy at Microsoft, however, may lie within the set of design principles (now known as Microsoft Design Language), which he devised prior to leaving his post as design director in 2011 to launch his own interactive design firm, Tectonic.

During a recent trip to reconnect with his Art Center roots, Flora (BFA, 1991) took time out to chat with the Dotted Line about his career trajectory as a high-flying design evangelist in the tech world.

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Art Center friends and alums get creative with gifts-in-kind

Monotype's donation of fonts expands student designers' toolbox

Monotype’s donation of fonts expands student designers’ toolbox

Not every act of philanthropy to Art Center involves writing a check. It should come as no surprise that friends and alumni of this artistic mecca are naturally predisposed to get creative with their giving. Sometimes gifts come in the form of goods and services. Computer software, fonts and even lighting are some of the in-kind commitments made to the College that are powerfully shaping the Art Center experience.

A recent sizeable gift of 3D design software and training services from Autodesk is providing Art Center students with hands-on experience using the same technology preferred by professionals in industry. The software is currently installed on Art Center’s 500 Macintosh and Windows personal computers and accessible to all undergraduate and graduate students. The donation benefits designers in every program, particularly those in the departments of Environmental Design, Film, Product Design and Transportation Design.

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Remembering the life and work of Blue Dog artist, George Rodrigue

Blue Dog Oak by George Rodrigue

Blue Dog Oak by George Rodrigue

George Rodrigue, the celebrated painter best known for his Blue Dog series of popular canine portraits, passed away last month in Huston. The 69-year-old Art Center alum (Graphic Arts, ’67) distinguished himself as a bon vivant who showed an early flair for depicting the bon vivant culture of his native Louisiana, often set among the three pillars of food, family and fais do do.

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Art Center’s first Myspace occupation concludes. Prepare for phase 2!

We came. We saw. We influenced change as we learned to create.

Beginning last October, we enlisted four Art Center students to lead the charge in a week-long homepage takeover of the recently relaunched Myspace. The first-wave social network had reinvented itself as a community and breeding ground for artists and creative types of all stripes to exchange work, feedback and inspiration in the digital sphere. In other words, Myspace had become a sandbox custom-built for Art Center students and alums. And, as is our way, we came ready to play.

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Fall 2013 Grad Show: A master class in next-level design thinking and doing

Top companies leading the innovation economy swarmed the Hillside campus scouting new talent during Fall 2013 Grad Show. Facebook, BMW, Snapchat and Square, creator of the revolutionary cube device that instantly transforms cell phones in to credit card machines, were all seeking the next wave of their creative workforce.

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