At the beginning of 2013 the Design Office began evaluating the ArtCenter identity and considering possible adjustments that could enable a stronger, more flexible presence, particularly with online communications in mind. Our intent wasn’t to rebrand ArtCenter, but rather to make stronger use of the existing graphic identity elements that have always been associated with the College. This process led to a fascinating deep dive into the history of ArtCenter’s identity. We looked into the origins of the orange dot and studied 85 years of ArtCenter promotional materials to identify the things that represent the essence of who we are. Here’s what we found:
Archive for the ‘News’ Category
A spectre is haunting fashion — the spectre of JUMPSUIT. Fine Art Adjunct Instructor Maura Brewer and Rational Dress Society co-founder Abigail Glaum-Lathbury are bringing the people a new voice for non-choice. Curious? The Dotted Line caught up with Brewer in between lectures in Sweden, guerrilla actions at fashion week in NYC and her successful Kickstarter campaign to find out more about the project.
And the College Television Award for best commercial goes to….Art Center alumnus, Chris Campbell, for his Maglite—Dreamweaver spot, a heartwarming ad concept which features a father and son bonding while using the flashlight to make shadow puppets.
The Television Academy, which hosts the Emmy Awards, created The College Television Awards to offer film students a national platform to showcase their work and talent. Modeling itself on the Primetime Emmy judging process, entries are reviewed by active Television Academy members. With more than 1,100 students from 500 schools across the United States vying for a few slots it is also extremely competitive.
Pretty Hurts (Art 257) started out as a class that stirred debate and outright defiance both within Art Center’s student community and online publications. As the instructors of Pretty Hurts we would like to highlight the outcomes of the course as well as the projects that originated as a result of the class and how the ideas discussed fractured away from the class to influence Art Center College of Design’s student and faculty community. (more…)
Earl Gee (Graphic Design, 1983), has been selected as an AIGA San Francisco Fellow for 2015. AIGA, founded in 1914, is the oldest and largest professional membership organization for design, with 69 chapters and over 25,000 members. AIGA San Francisco, founded in 1983, is one of the largest AIGA chapters in the nation with over 1600 members. The AIGA Fellow program recognizes mature designers who have made a significant contribution to raising the standards of excellence in practice and conduct within the design community and their AIGA chapter. Fellows are honored for their design practice and other contributions in a range of areas, including education, writing, and leadership.
Alumni from across the country gather to celebrate the life of graphic designer Doug “Big Dog” OliverFriday, April 3rd, 2015
Ask anybody who knew Graphic Design alumnus Doug Oliver (BFA 78) to describe the late designer’s personality and you’re likely to hear “larger than life.”
That reputation rang true last month when approximately 60 individuals—friends, family, colleagues and Art Center alumni—gathered on March 19 at Lithographix in Hawthorne, California for an informal celebration of the man’s life.
The Kansas-born Oliver, who passed away last December at the age of 63, left an indelible mark in the graphic design world. The annual reports he designed for institutions like the W.M. Keck Foundation and Northrop Grumman transformed potentially laborious information into exquisite works that captured the reader’s imagination.
For the past several years we have been searching for footage of Keith Haring painting the mural at the Hillside Campus in 1989. Thank you to everyone who contacted us with their interest in the project and leads to the footage and photography.
In late 2014, we received a tip that 1991 Photography alumnus and former faculty member, Hadi Salehi may have captured footage of the mural’s creation. We contacted his studio and were excited to discover that Salehi shot Super8 footage of Haring as he painted that he recently digitized, along with a number of photographs of various phases of the process.