Explore. Reform. Succeed: How psychographic profiles drive Graphic Design’s innovative new website

Graphic Design alum Youmna Chamcham's takes a Reformer's approach to design

Graphic Design alum Youmna Chamcham takes a Reformer’s approach to design

When a highly regarded graphic design program launches a new website, it’s often received by design community with the heightened levels of scrutiny and anticipation reserved for the latest iPhone unveiling. And those expectations become stratospheric when that academic department happens to have distinguished itself with its pioneering transmedia curriculum.

But all that pressure to dazzle the design world did not deter ArtCenter Graphic Design Chair, Nik Hafermaas, from breaking with convention in both the conception and execution of his department’s newly minted website. Instead, Hafermaas recruited a core group of innovative designers to take a distinctly idiosyncratic approach to developing and building the content of the site around a set of user archetypes known as “psychographics,” based on demographic research of likely visitors. The look and feel of the site was then created based on the written psychographic Q&As that Graphic Design faculty member Guillaume Wolf had assembled as the site’s driving conceit.

Hafermaas’ risk paid off. Artcenter.edu/gx launched to great acclaim earlier this month. As the raves continued to roll in, we seized the opportunity to ask Hafermaas to illuminate the unconventional process that lead him to create a site inspired and inhabited by the presumed end user.

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Nothing to lose: A conversation with OutNetwork president and graphic design student Gianfranco Ocampo

Gianfranco Ocampo at ArtCenter College of Design

Gianfranco Ocampo this summer at ArtCenter College of Design’s South Campus. Photo by Chuck Spangler

Before Gianfranco Ocampo embarked on his first trip to Europe this fall as a participant in the Berlin Studio study away program, we sat down for a conversation with the upper-term Graphic Design major. Ocampo loves to travel, and over the years his family in Los Angeles has hosted many exchange students, one of whom in turn hosted Ocampo when he visited Japan for his 18th birthday. Already bilingual (English and Spanish), Ocampo learned to speak Japanese and to cook Japanese food. Confident and outgoing, he’s a people-centric person at home in the role of ambassador. As a peer mentor with the Center for the Student Experience (CSE), he welcomes incoming students to ArtCenter and this year was named president of OutNetwork, ArtCenter’s Gay, Lesbian, Bisexual, Transgendered, Questioning, Intersex and Allies (GLBTQIA) student club. The group is dedicated to fostering a multidisciplinary, multigenerational community that shares an interest in the intersection between GLBTQIA identity and the creative arts; members include current students and faculty as well as alumni. For Ocampo, advocating for important causes is integral to his calling as a designer.

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Classing up 1111 South Arroyo Parkway: Goodbye ’80s corporate office. Hello 21st-century atelier.

Faculty Deni Wohlgenuth teaches on the first day of class. Photo: Chuck Spangler

Faculty Deni Wohlgenuth teaches on the first day of class. Photo: Chuck Spangler

Take the 110 Freeway all the way to Pasadena and just try not to notice ArtCenter College of Design.

The College’s recently purchased six-story building at 1111 South Arroyo Parkway has undergone a makeover—its stucco exterior has been painted black and large “ArtCenter” logos adorn each side of its wraparound mirrored curtain wall—arguably giving the College its greatest public visibility in history.

But it’s what’s going on inside that structure that’s really impressive.

The beginning of the Fall term last week brought with it the arrival of hundreds of students to the building, all of whom are taking courses in the recently reimagined sixth floor of the building.

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OUTSIDEIN exhibition assembles a pantheon of street artists to create mural-sized works illustrating public art’s expanding sphere of influence

RISK's OutsideIn installation on the north face of ArtCenter's Wind Tunnel building at 950 South Raymond Avenue. Photo by Chuck Spangler

RISK’s OUTSIDEIN installation on the north face of ArtCenter’s Wind Tunnel building at 950 South Raymond Avenue. Photo by Chuck Spangler

“Street art has exploded as an anti-authoritarian form of art making and an important global movement happening in the visual arts today,” said OUTSIDEIN curator and author G. James Daichendt in a recent TEDx speech, “The Streets As Canvas.” “Even if you’ve never stepped foot into a museum or gallery, you’ve been impacted by street art since it lives in the corners of our communities.”

In recognition of this phenomenon, ArtCenter College of Design has organized OUTSIDEIN, an expansive indoor and outdoor exhibition opening, with a public reception on October 8, 2015, and continuing through January 10, 2016, at multiple venues in Pasadena. Initiated by ArtCenter’s Illustration Department Chair Ann Field, the exhibition’s curatorial team also includes Daichendt and Alyce de Roulet Williamson Gallery Director Stephen Nowlin.

“Like many artistic insurgencies, street art has had to navigate around the pitfalls of its own commercial success to remain possessed of raw and vital meanings,” said Nowlin. “That tension, along with the breadth of street art’s current influence in contemporary design and visual culture, is what we set out to explore in OUTSIDEIN.”

Featured in the show are artists Olivia Bevilacqua, David Flores, CHASE, Robbie Conal, Cryptik, Jeanne Detallante, Shepard Fairey, James Jean, Geoff McFetridge, RISK, Kenny Scharf and Jeff Soto, who is an ArtCenter alumnus.

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Signature move: Alum Laura Leiman’s Creative Identity project explores the power of the pen

Laura Leiman's students learn carving techniques

Laura Leiman’s students learn carving techniques

“The signature is a singular fingerprint, original and distinctive to each person…and it is fast becoming extinct,” says Laura Leiman (BFA 99 Graphics), a graphic artist, student mentor and recent Regional Arts & Culture Council grant recipient, who has observed that most of her students printed their signatures with few distinguishing qualities. In fact, Leiman’s students’ signatures were often so similar, it it was hard to tell them apart.

Leiman noticed students were missing something key to individuality: the ability to communicate a written signature clearly yet uniquely as their own. Leiman’s Portland public school students wanted to learn cursive and calligraphy, neither of which is consistently taught. More importantly, students were eager to create identities uniquely their own—something they could use and develop through life.

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Reach out and Art Someone

Still from film workshop video

Still from film workshop video

What started as a passion project for Alvin Oei, has morphed into an official and active ArtCenter student club that brings the disciplines of art and design to underserved kids in the community. This past summer, some sixteen Environmental Design, Film, Graphic Design, Illustration, Interaction Design and Product Design students participated in Art Reach volunteering in two separate local Boys & Girls club locations, offering a number of twice weekly workshops.

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From techno to wearable tech: Study abroad students showcase Berlin-influenced wearables

“Head to Toe, Berlin” was a study abroad upper term course involving ten students from Product Design, Interaction Design, Graphic Design and Illustration. With nine weeks in Berlin, this immersed students in the design, textile and fashion industries of Berlin. Through field trips to designer studios, museums as well as input from professional guest speakers and studio work sessions, students were empowered to develop their own collection of designs focusing on head to toe wearables: apparel, accessories, soft goods, textiles and/or wearable tech.

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Oh, the humanity!: How inclusive design transforms the designer as much as the user

Transgenerational Emergency Recovery: A 100 Year Action Plan. Fukushima, Japan. 2014 - Present. Image Credit: Sean Donahue

Transgenerational Emergency Recovery: A 100 Year Action Plan. Fukushima, Japan. 2014 – Present. Image Credit: Sean Donahue

Inclusive design. People-centered design. Design for all. Universal design. Each of these practices is an attempt to articulate a design approach that puts the individual at the center of the design agenda.  For me this approach takes shape a bit differently in that it also forcibly puts at its center multiple points-of-view, orientations and abilities. This practice has led me to produce some pretty unusual outcomes for a designer—graphic design for people who do not see, communication spaces for people who do not speak and technology for people who have no power. And although these projects were designed to support issues significant to others, they simultaneously afforded me a unique opportunity to question the convenient assumptions we so often default to when considering what people need.

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Catch a sneak peek at the past, present and future of fonts and ArtCenter’s new Hoffmitz Milken Center for Typography

The centerpiece of the student-produced show was an interactive  typographical timeline enabling viewers to create a customizable program. Photo by Nik Hafermaas

The centerpiece of the student-produced show was an interactive typographical timeline enabling viewers to create a customizable program. Photo by Nik Hafermaas

The passageway leading into the South Campus gallery is swimming in an alphabet soup of letters and familiar icons and signage, hawking everything from the latest blockbuster to cheap, fast cash loans. It’s an immersive experience in the nuanced codes and messages contained within the various fonts and typefaces that punctuate our modern landscape. This visceral typographic encounter acts as an introduction to the student-produced temporary show, 85_15 TYPOGRAPHY: PAST/PRESENT/FUTURE, which is the first exhibition to be presented by the new Hoffmitz Milken Center for Typography (HMCT), due to make its official debut on November 7 with the Symposium and Center opening celebration in its permanent space on the ground floor of ArtCenter’s 950 South Raymond building.

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