ICFF 2014 spotlights alum Hines Fischer’s people-centric furniture design

Hines Fisher drafts his people-centric designs

Hines Fischer drafts his “people-centric” designs

One of the first students to enroll in the Furniture and Fixtures track of Art Center’s Graduate Environmental Design program when it launched, Hines Fischer specializes in “people-centric” furniture design for office spaces. He is among a select group of students to represent the College at both the 2013 and 2014 International Contemporary Furniture Fair (ICFF) during New York Design Week.

Last year, he says, “it was really nice to get the chance to go to a show like this before I had jobs on the line, so that I could kind of take in the landscape. I took a lot of notes and met a lot of famous designers, which was an incredible experience.” Fischer also reconnected there with people he had met while interning at a furniture company prior to coming to Art Center. “I reminded them that I would be graduating soon.”

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Scholarship seeds a new generation of sustainability designers

From Sam Julius' 'Sustainable Urban Housing' entry

From Sam Julius’ ‘Sustainable Urban Housing’ entry

Our homes, cell phones and laptop screens are filled with thoughtful and functional design. But what about art that creates social impact? Can design influence change on global issues like sustainable housing, access to clean water and empowering disadvantaged women?

Projects featuring practical solutions to these concerns designed by Product, Illustration and Environmental Design students were selected as the winners of the 2013-2014 Denhart Family Sustainability Scholarship competition. Created by a generous gift from Gun Denhart, and son, Christian Denhart (BS 10 Product), the prizes are annually awarded to students addressing environmental and social causes in their work. The scholarships are devised to increase awareness of art and design’s unique capacity to advance sustainability.

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Film alum’s Mother’s Day commercial, a finalist in Chevy competition, set to debut Sunday

Jake Viramontez was busy making documentaries until a contest announcement, sponsored by Chevrolet, calling for spec commercials tying family cars to Mother’s Day inspired him to expand his portfolio into a genre best described as doc-style promotion (aka the heartwarming, triple-hanky TV spot).

He quickly settled on a concept — a dad takes his crying baby out for a joyride in the family Chevy to give mom a moment to rest — derived from his sister’s bout with new-parent fatigue. He then submitted the idea and was picked as a finalist among nearly 300 entries from 34 countries. Now Viramontez’s spot, ‘The Extra Mile,’ will air on Mother’s Day during The Today Show and Good Morning America. “We chose ‘The Extra Mile’ because it’s a beautiful tribute to what Mother’s Day is all about: a day to honor mothers and show appreciation for all of the special things they do every day,” said Paul Edwards, vice president, Chevrolet Marketing at General Motors.

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New librarian Mario Ascencio disrupts the bookish stereotype

 

Mario Ascencio named new librarian. Photo by Jason Hornick

New college librarian Mario Ascencio. Photo by Jason Hornick

As a first-generation library user (and son of immigrant parents from El Salvador) Mario Ascencio possesses an evangelical zeal for his work. A native Angeleno who grew up in South L.A.’s Huntington Park, Ascencio has become a fierce advocate for the equity of information for all. And as of Monday, May 12, 2014, the dedicated, nationally recognized leader will apply his passion for information science to Art Center’s James Lemont Fogg Memorial Library, where he was recently named librarian and managing director.

“I’m excited to return to my native city of Los Angeles,” he said, adding that he always insisted that he would only return to his hometown if the ideal position was offered by the ideal organization. “After almost 15 years living in D.C., I’m thrilled to join Art Center because of its mission, ‘Learn to Create, Influence Change.’ It’s at the core of my personal beliefs that the library and the staff have the power to help students explore and discover themselves as artists and designers, and to ultimately create a positive impact on their learning.”

Ascencio is keenly aware of the important big-picture issues faced by institutions and the role of the library in supporting overall goals and objectives. Looking ahead as the College continues its South Campus expansion close to downtown Pasadena, Ascencio envisions engaging with his colleagues to discover new opportunities to better serve the Art Center community.

Ascencio’s defining library moment occurred at age 17, when he helped an illiterate woman get her first library card. This empowering experience helped him realize how libraries can impact people’s everyday lives, particularly when it comes to the disadvantaged. A leader in promoting library services to Latinos and Spanish-speakers, he was named a Mover & Shaker by Library Journal in recognition of his commitment to improving and promoting library services at the national and international level.
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Wearing your heart rate on your sleeve: Inside the wearable tech revolution

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By now you’ve heard of Google Glass. But what about bracelets that measure sun exposure? Headphones that double as heartbeat monitors? Or jewelry that unlocks your front door? Are you ready for the dawn of smart watches, smart earrings, smart contact lenses and smart wigs? And no, that last one isn’t a joke.

The “wearables” field is in an early yet promising stage of its evolution. But Art Center, always striving to stay ahead of industry and cultural trends, has had wearables squarely in its sights for years. Today, our students, instructors and alumni are busy imagining where this technology might head next, creating the devices that are paving the way for the future, and questioning how a wearables-saturated world will change our behavior as human beings.

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If I knew then what I know now: Alumni advice for incoming students

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A new crop of students sprouted at Art Center on Monday. The group of newbies was humming with excitement and anxiety about the eight terms of full-immersion art and design education that lay ahead. Many of their concerns will be addressed and allayed during their week-long initiation into Art Center’s community of high-intensity creatives.

But the official orientation doesn’t quite cover everything a new student needs to know about life at Art Center. The most useful, actionable advice for incoming students—we’re talking about security-cleared insider intel—can only be gleaned from people who’ve been there and done that.

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New to Art Center? This orientation week survival guide may come in handy.

This week Art Center welcomes new students for a week of orientation and acclimation to life in the arroyo. Before getting down to the nitty gritty, here’s a few fun facts you may not know about the College:

  • The Sculpture Garden once held world-class sculptures on loan from LACMA.
  • Mary Lambert’s recent Body Love video was filmed on the sound stage at Art Center by alum Jon Jon Augustavo.
  • Some say the best bathrooms (and showering facilities) on campus are in the basement of 950 South Raymond.
  • Keep your eyes peeled for the deer wandering around and through Hillside campus. They are often photographed, frequently filmed and much loved.
  • Bears also make an occasional appearance. These appearances are less Facebook-friendly.

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“Hiroshi Sugimoto: Past Tense,” four decades of alum’s work at the Getty Museum through June 8

Polar Bear, 1976, Hiroshi Sugimoto, gelatin silver print. The J. Paul Getty Museum, purchased with funds provided by the Photographs Council. © Hiroshi Sugimoto

Polar Bear, 1976, Hiroshi Sugimoto, gelatin silver print. The J. Paul Getty Museum, purchased with funds provided by the Photographs Council.
© Hiroshi Sugimoto

Long interested in the “re” part of representation, Hiroshi Sugimoto has, since the 1970s, used photography to investigate how history pervades the present. His first photographs, made while still in high school, captured film footage of Audrey Hepburn as it played in a movie theater.

Now the J. Paul Getty Museum in Los Angeles brings together three separate bodies of work by the 1972 Art Center Photography alumnus — four decades’ worth of meticulously crafted prints that inventively reframe objects from the collections of a variety of museums. The exhibition Hiroshi Sugimoto: Past Tense, continuing through June 8, features “Dioramas” (1975–1994), “Portraits” (1999) and his newest series, “Photogenic Drawings” (2008–present).

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Graham Moore delivers a dose of DIY ingenuity in Saturday High classes and album cover art mosaics

Saturday High and Art Center at Night instructor Graham Moore in his studio. Photo: Gregory Firlotte

Saturday High and Art Center at Night instructor Graham Moore. Photo: Gregory Firlotte

If you’ve been to the vinyl section of Amoeba Music in Hollywood lately, you’ve no doubt noticed a window display featuring cut up and reconfigured album covers by artists like The B-52s, Martin Denny and David Bowie.

That display was created by Saturday High and Art Center at Night instructor Graham Moore, a U.K.-born artist and graphic designer who studied at Wimbledon School of Art and East Ham College of Technology and came to the City of Angels via London. 

In addition to Amoeba Music, his other clients have included The Coffee Bean & Tea Leaf, Mazda and JCPenney. His work has been shown at several venues, including Modern Way in Palm Springs, Barnsdall Art Center in Hollywood, and La Luz de Jesus Gallery in Los Feliz, which included three of his latest works in its annual group show, Laluzapalooza.

Moore’s Inner Circle, featured on the cover of the latest Saturday High catalog, is a prime example of his ongoing “Redux” series, 12”x12” works in which he cuts up vintage album covers (mostly from the ‘60s) and reconfigures them into vibrant, often abstract arrangements.

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