Author Archives: Mike Winder

Photography and Imaging graduate wins Student Leadership Award

Photography and Imaging graduate Katie Buntsma. Photo: Chuck Spangler

Photography and Imaging graduate Katie Buntsma. Photo: Chuck Spangler

“I came to Art Center from a tiny town in Iowa and I thought I was going to be a big deal,” said Photography and Imaging graduate Katie Buntsma last week as she received Art Center’s Student Leadership Award for the Summer 2013 term. “I was certain of it.”

That certainty, Buntsma shared with the audience, didn’t last long.

“I broke my arm the first day of school,” she said with a laugh, recalling the most dramatic example of how reality put her ego in check. “I ran my scooter into a cement pylon and spent my first class in the Huntington Hospital emergency room.”

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Artist Erik Mark Sandberg explores the intersections of landscapes, tacos and razzle dazzle

"Girl with a Floral Headband" (2011) by Erik Mark Sandberg.

“Girl with a Floral Headband” (2011) by Erik Mark Sandberg.

For artist, Illustration alumnus and Art Center at Night (ACN) instructor Erik Mark Sandberg, life is constantly presenting contradictions ripe for artistic exploration.

“I was on my way recently to the Sierra Nevada Mountains to do some backpacking and thought, Gosh, look at that pristine pastoral landscape, when suddenly my view was obstructed by a large billboard advertising that Doritos Locos Tacos Supreme were available at the next gasoline station,” says Sandberg with a laugh. “And I thought Wow, those look good and I do need fuel. It was so strange.”

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Precognition 101: Media Design Practices’ visiting researchers explore the ability to predict the future

"Brainwave Canon" (2011), an earlier project by visiting researcher Sitraka Rakotononiaina.

“Brainwave Canon” (2011), an earlier project by visiting researcher Sitraka Rakotononiaina.

Each summer, Art Center’s Media Design Practices (MDP) graduate program invites outside researchers to join its faculty researchers and post-graduate fellows to run design-driven investigative projects.

As part of this week’s graduation week festivities, MDP is hosting a free event tomorrow from 3–5 p.m. in the Wind Tunnel at South Campus to share with the public the result of this summer’s research.

“Design-driven investigations can generate new approaches to design, culture and technology,” says Anne Burdick, Chair of the department. “They can provide insights into people and their daily practices, and bring new knowledge to life.”

MDP’s summer research projects often result in works that don’t fit neatly into conventional categories, such as Curious Rituals by Nicolas Nova, which studied the gestures, postures and digital rituals that have emerged with the use of current technology, and Suspension of Disbelief (“The Promise”) by Ingrid Hora and Daniel Salomon, which explored the worship of objects through the creation of a fictional cult.

And this summer’s projects—one of which explores human precognitive abilities—promise to be just as unconventional.

This summer’s visiting researchers are Andrew Friend, associate lecturer in the Department of Spatial Practices, Central St. Martins College of Art and Design, University of the Arts London, and Sitraka Rakotoniaina, co-founder of Good One, a speculative design collective with friends coming from computer science and architecture backgrounds.

Together, Friend and Rakotoniaina will discuss their project The Prophecy Program, which is part of their ongoing research into the convergence of art and science through artifacts and experiences that address people’s perception of emerging technologies.

According to the duo, the project “looks at how the power of predicting the future has often been attributed to prophets or people with super capabilities, yet on closer inspection we all have the ability to experience a premonition of future events that cannot be otherwise foreseen. The Prophecy Program proposes that through undergoing the correct, intensive training one may be able to improve their pre-cognitive ability, in turn gaining an ability to project into, and (to a degree) take control of a future.”

Also on hand to discuss their research will be MDP faculty researchers Ben Hooker and Shona Kitchen, whose project Neighborhood Watch Files imagines a world in which drones are as ubiquitous as pets, as well as Art Center Fellow Tanner Teale and MDP Post-Graduate Fellow Jeremy Eichenbaum.

Immediately afterwards, there will be a reception and exhibition featuring work by MDP’s Field track students.

Research Review: 3–5 p.m.; Reception and Exhibition: 5–10 p.m.
Thursday, August 15, 2013
Art Center College of Design, South Campus, The Wind Tunnel
950 South Raymond Avenue, Pasadena, CA 91105

An early peek at Art Center at Night’s newest offerings for makers, change-makers and career-changers

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Need a career makeover? Ready to explore a new path? Have a dream to fulfill?

Consider your wait over.

Next Wednesday, Art Center at Night (ACN) is holding its annual open house at Art Center’s South Campus from 7–9 p.m. At the event, visitors have a chance to explore the broad range of opportunities available through Art Center’s continuing education program.

At Experience Art Center at Night, visitors can: sit in on classes (see participating courses); observe student presentations and critiques; meet ACN’s instructors; see student work; register for Fall courses; learn about Art Center’s full-time degree programs; enter a raffle to win a free ACN course; and share their ACN experiences in the event’s first ever video confessional booth.

The event is also the perfect opportunity to learn more about and sign up for ACN’s newest courses. This coming Fall term, the program is offering more than a dozen new courses, including:

Digital Painting for Entertainment
Painting can seem complicated. But by understanding the medium and combining foundation skills with more lateral approaches, you can discover the joy of digital painting. This introductory digital painting course is designed specifically for aspiring entertainment design, entertainment arts, and illustration students. Instructor: Justin Pichetrungsi

Dimensions: Exploring Dynamic Objects
Before you can successfully create sculpture or make art, you must expand your definition of objects and object-making past the notion of craftsmanship. This course will challenge you to consider how objects can engage us emotionally and conceptually and offer you the opportunity to work with new tools and materials. Instructor: Mason Cooley

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Rockin’ the foundation: Alumnus Simon Davey on how Art Center at Night influenced his work

Simon Davey's Spiteful Table.

Simon Davey’s Spiteful Table.

Many successful Art Center students get their first taste of the College through Art Center at Night (ACN), the College’s continuing studies program. Take for example recent Product Design alumnus Simon Davey, whose student rebranding project for Dulce Mexico was recently highlighted on Adobe’s packaging form Designer Showcase.

I chatted recently with Simon Davey on how ACN influenced both his career at Art Center and his entire design process. Here are a few excerpts.

On the playful quality of his work:
I’ve heard people describe my work as playful or whimsical, and I don’t really shy away from that. At the heart of my design philosophy is an attempt to truly understand the context in which a problem exists. In other words, I like questioning how and why people are using their stuff. And that means sometimes the work I create borders on the ridiculous, like my Spiteful Table, a side table/rocking chair hybrid.

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Transform, Transcend, Transmedia: The Changing Face of Graphic Design

Paul Hoppe’s installation "ECHO: The Fragility of Moments Suspended in Time."

Paul Hoppe’s installation “ECHO: The Fragility of Moments Suspended in Time.”

It’s the final week of the Fall 2012 term and “The Annex”—a nondescript temporary building on the northern end of Art Center’s Hillside Campus—is doing a good job hiding the feats of alchemy occurring within its walls.

Entering classroom A7 on the second floor of this battleship grey structure feels like stepping into Willy Wonka’s chocolate factory. In one corner, a student waves his hands to stir into motion a field of floating green particles. In another, students walk through a mirrored passageway that reflects their position in time and space from exactly 10 seconds ago. Elsewhere, two ellipses face one another—one on the floor, the other on the ceiling—as they project images of nature, architecture and words like “renewal” and “emergence.”

What is going on here? These upper-term Graphic Design students are tweaking final projects they created for Advanced Graphic Studio, a class that’s part of an ambitious undergraduate curriculum called transmedia within the Graphic Design Department.

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Art Center student’s crowd-funded project Ribbon envisions a cleaner, brighter future for sunglasses

ribbon_300
Somewhere in some secret underground research facility an engineer is probably developing a pair of nanotechnology-infused lenses that will make cleaning our sunglasses a thing of the past.

But until that day becomes a reality, we’ll have to make do wiping our shades with napkins, T-shirts or whatever abrasive cloth we can find in the moment. Right?

Not if Patrick McCrory has anything to say about it.

Today, the Interaction Design student is launching a campaign on crowd-funding platform Indiegogo for his project Ribbon Sunglasses, which feature a retractable microfiber cloth tucked away inside the frame.

The concept lands squarely in “How has nobody thought of this before?” terrain, in that it offers a deceptively simple solution to a problem nearly everybody can relate to. But the journey McCrory’s project has taken from initial idea to crowd-funded campaign is far from straightforward.

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Free Curator-led Tour of “Intimate Science” on June 29

Philip Ross’ "Mycotecture" series, part of the Williamson Gallery's "Intimate Science" exhibition.

Philip Ross’ “Mycotecture” series, part of the Williamson Gallery’s “Intimate Science” exhibition.

Haven’t seen Intimate Science at the Williamson Gallery yet? Or maybe you’re ready to go back for seconds? Well, you’re in luck.

Next Saturday, Intimate Science curator Andrea Grover will be on hand in the gallery to give a free tour of her exhibition.

Organized by the Miller Gallery at Carnegie Mellon University in Pittsburgh, Intimate Science explores the shift from artists aiding science to artists “doing” science, and how this impacts the way scientific knowledge is acquired, used and shared.

The exhibition, which continues through Aug. 18, showcases contemporary artists conducting projects in scientific and technological domains and includes work from BCL, Center for PostNatural History, Markus Kayser, Allison Kudla, Machine Project and Philip Ross.

The curator-led tour takes place Saturday, June 29 from 5 to 6 p.m. at the Alyce de Roulet Williamson Gallery at Art Center’s Hillside Campus. To RSVP, send an email to williamson.gallery@artcenter.edu.

Have you been to Intimate Science yet? What do you think of the mashing up of art and science? Let us know in the comments below.

From Data to Discovery Videos Now Online

Stamen's 3D browsable map of New York (in mesh form), which pulls data from Nokia's Here.

Stamen’s 3D browsable map of New York (in mesh form), which pulls data from Nokia’s Here.

Weren’t able to make it to last month’s From Data to Discovery, the one-day symposium in Caltech’s Beckman Auditorium on the emerging science of big data visualization?

Well, it’s time to turn that smile upside down, because videos of every presentation that took place that day are now available for viewing on a playlist on Caltech’s YouTube channel.

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Art Center, Caltech and NASA JPL Team Up to Explore Data Visualization

A still from artist Jer Thorp's "Just Landed" (2009), a work that visualizes tweets from air travellers.

A still from artist Jer Thorp’s “Just Landed” (2009), a work that visualizes tweets from air travellers.

On Thursday, May 23, Art Center, Caltech and NASA JPL hosted From Data to Discovery, a one-day symposium on the emerging science of big data visualization that attracted leaders of the field from across the nation.

Speakers included Fernanda Viégas and Martin Wattenberg, co-leaders of Google’s “Big Picture” visualization research group in Cambridge, Mass., Jer Thorp, an artist and cofounder of the New York-based multidisciplinary research group The Office for Creative Research, and Golan Levin, an artist and director of The Frank Ratchye STUDIO for Creative Inquiry at Carnegie Mellon University.

Caltech’s Beckman Auditorium was packed with approximately 500 members of the art, design and scientific communities eager to engage in a discussion on how data visualization has transformed from a mere means of representation into a tool for discovery.

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