Category Archives: Admissions

Spring 2014 Grad Show: Making the world a better place, by design

Like a field of tulips bursting with color, spring has sprung at Art Center in the form of last weekend’s Grad Show. With an eye-popping array of stunning creations and innovation, works from this term’s wildly talented cohort of graduating students exploded through the hallways and galleries of Hillside and South Campus. Potential employers, curious visitors, beaming family members and excited (yet relieved) friends fawned over the fruits of many years of work and sacrifice grads invested in joining the coveted club of Art Center alumni.

Dazzled as I was by the work, I was able to meet up with a few students. And the following survey offers but a small sample of the artists and designers who stood out for various reasons.

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Spring 2014 orientation: Get the 411 on all things Art Center

welcome-new-students

This week, Art Center welcomes new students to a week of orientation activities organized by the College’s Center for the Student Experience.

“New student orientation is the moment in which students’ first impressions and experiences are made,” says interim Dean of Students, Kendra Stanifer. “The orientation helps students to create connections to the College and to each other that will build the community they live in for the next 3 to 4 years.”

Here’s the lineup of activities designed to immerse new students in Art Center culture and maximize their experience here, both in and out of the classroom.

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True confessions from Art Center at Night students, captured on video

Each term, Art Center at Night holds an open house, offering current and prospective students a brief glimpse at what goes on within the walls of its open-air classrooms. It’s a fleeting, but essential, experience for career-changers and seasoned and aspiring artists preparing to make the leap into what’s arguably the city’s most high-intensity after-hours creative education. It’s also an opportunity likely missed by anyone with extended working hours or family obligations (i.e., those who need it most).

Don’t fret. We’ve got your back. At a recent open house, we asked students to get in front of the camera and share with us what Art Center’s continuing studies program has meant to them. The answers were as diverse as the individuals themselves. See for yourself in the video above.

Perhaps it’s time to contemplate what Art Center will mean to you.

Veterans enlist at Art Center to influence hearts and minds through art and design

COURAGE_FEATURE_HERO

Art Center’s reputation, culture and even the school’s site in Pasadena have been shaped by the military veterans who have come through its doors. From the post-World War II student population burst, sparked by the GI Bill, that led the College to move from its Seventh Street location to the larger Third Street campus, to many notable alumni and faculty, Art Center’s history has been enriched by individuals who honorably served their country.

Today, servicemen and servicewomen—whose discipline and desire to make a positive impact align closely with the College’s educational mission—continue to distinguish themselves as students and alumni.

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Nike designer D’Wayne Edwards dares students to supersize their dreams

D'Wayne Edwards at Pensole demonstrating a few of the kicks he's designed

D’Wayne Edwards at Pensole demonstrating a few of the kicks he’s designed

“Are you awake?”

With these words, more of a challenge than a question, D’Wayne Edwards begins to make inroads into rowdy scrum of inner city high school students seated before him in Art Center’s Ahmanson Auditorium. The response: a cacophony of groans.

It’s 8:30 a.m. on a late October Monday morning and Edwards, founder of Pensole Design Academy and former design director for Nike’s Jordan brand, has come to Art Center to inspire and illuminate the opportunities available to creative students in various areas of design. He has spent enough time with teenagers to know that engaging them at this time of day can be a losing battle. And he’ll need to act quickly to establish that he understands where they’re coming from and, more importantly, he knows what they need to do to get to someplace worth going in the future.

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View from the Bridge: Art Center’s incoming class, the LEAP Symposium and bringing the Bard to Lida Street

President Lorne M. Buchman

President Lorne M. Buchman

Being surrounded each and every day by thought-provoking ideas and inspiring individuals is perhaps the greatest benefit of working at Art Center. As President, I’m in a unique position to see so much of the remarkable work created here.

A clear side effect—and thankfully, it’s a good one—is that at the end of the day I have a lot on my mind. Which is why I’d like to start sharing with you here, on occasion, my thoughts on what I’m seeing, hearing and experiencing around campus and in the larger community.

First things first: The Fall 2013 term is well underway. Before we reach that busy midterm crunch, I’d like to tell you a few things about our latest incoming class. After receiving the highest number of applicants across all disciplines in our 83-year history, Art Center this fall welcomed 361 undergraduates and 68 graduate students, our largest incoming class ever. The increase reflects the strength and growth of our academic programs, as well as the planned expansion envisioned in Create Change, Art Center’s 2011–2016 strategic plan.

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Student profile: Christina Yang’s Art Center coming of age story

Self portrait by Christina Yang

Drawing of Christina Yang at work by Madeline Ocampo

Christina Yang began attending Art Center when she was 12 years old. But hold off on calling her the Doogie Howser of the design world. She simply followed her passion for visual arts through every phase of the College’s curriculum, from its public programing for underage artists to full-fledged matriculation.

She began her journey with Art Center for Kids courses. She then continued her studies in the College’s Saturday High program while attending Los Angeles County High School for the Arts (LACHSA) before being recently accepted as a full-time student in the degree program. She starts Fall 2013 as an Entertainment Design major.

Dotted Line: Why did you choose Art Center?

Christina Yang: My father went to Art Center, so attending the Kids program felt natural. But I also kept returning chiefly because of the high quality instruction I received. While other children’s programs were rather loose and directionless, Art Center instructors taught me core skills with a great deal of structure balanced with encouragement. My age never mattered. The teachers were never condescending. We had the privilege of being exposed to Art Center’s disciplined, focused, rich learning environment, which helped us begin to take ourselves seriously as artists.

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Limitless Vision: Maggie Hendrie leads Interaction Design

Maggie Hendrie, Art Center's new Chair of Interaction Design.  photo by Chuck Spangler

Maggie Hendrie, Art Center's new chair of Interaction Design.

Looking for that “Imagine If” Question: An Interview with Interaction Design Department Chair Maggie Hendrie

This coming Fall Term, as part of the College’s Create Change initiative, Art Center launches a new undergraduate Interaction Design degree program, in which students will learn to think deeply about user experience, apply technology creatively and invent new approaches to interaction and design.

We recently sat down with Interaction Design Department chair Maggie Hendrie and asked her what prospective students should know about the new program.

Dotted Line:  What is Interaction Design?

Maggie Hendrie: People interact with every object or system in their world, whether it’s human-made or natural. Interaction design is the process and craft of how people interact with artifacts, systems and services. We see this everywhere today in mobile apps, electronics, web sites, games, social networks and public spaces. Interaction design focuses on the user experience; how real people think, feel and behave when they use a product, environment or system.

Does Interaction Design go beyond working with technology?

Absolutely. What’s important is that you care about people and their experiences. You need to be able to ask, “What’s valuable and meaningful for people?” And then you need to be able to blueprint, wireframe, sketch or model what a solution to a problem might look like. Continue reading

Designing Experiences, Systems and Solutions: Art Center’s New Interaction Design Program

Nikolai Cornell MDP 04 with his Infiniti Interactive Mirrors. Faculty member Phil van Allen consulted on this project.

With recent forecasts predicting that Apple will sell as many as 66 million units of their latest iteration of the iPad this year, its safe to say that what the Cupertino company dubbed as the “post-PC era” is quickly becoming a reality. But the shift from personal computers to tablets is just one aspect of a digital interactive future still being written.

This coming Fall Term, as part of the College’s Create Change initiative, Art Center will launch a new undergraduate Interaction Design degree program, in which students—whether designing a mobile app or a gestural interface for an exhibition—will learn to think deeply about the user’s experience, apply technology creatively and invent new approaches to interaction and design.

We recently sat down with Interaction Design founding faculty members Brian Boyl (Graphic Design, Integrated Studies, Product Design), Philip van Allen (Graduate Media Design) and Jeffrey Higashi (Product Design), who have been busy establishing the framework for the Department’s curriculum in anticipation of the arrival of the new department’s chair. An international search is now underway and an announcement is expected in June.

Dotted Line: Can you describe the academic interaction design landscape and how Art Center’s new program will stand out?

Art Center faculty Brian Boyl. Photo: Steven A. Heller/Art Center College of Design.

Brian Boyl: There are several graduate programs in interaction design in the United States—Illinois Institute of Technology, New York Univeristy and Carnegie Mellon to name a few—but there aren’t a lot of accredited undergraduate programs. We’d be one of the first undergraduate programs to be launched and absolutely the first to be launched in Southern California. That’s exciting. What we’re doing is looking at the core strengths of Art Center. We think the best move in creating this program is to make sure it strongly integrates with our other departments and channels their strengths.

Phil van Allen: Interaction design is by its very nature collaborative, so the idea is to build a strong program that stands on its own but that also has a kind of permeability. For example, we’ve discussed that students in Interaction Design will take Graphic Design and Product Design courses, because those two disciplines are very central to interaction design. Our students will need to have an exceptional foundation of disciplines to be exceptional interaction designers. And then there’s the core of interaction design itself, which they will have to become experts in.

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