Category Archives: GradID

ArtCenter Alumni Notes: November 2015 through January 2016

Diana Thater, A Cast of Falcons, 2008. Four video projectors, display computer, and two spotlights. Installation Photograph, Diana Thater: The Sympathetic Imagination, Los Angeles County Museum of Art. ©Diana Thater, photo ©Fredrik Nilsen

Diana Thater, A Cast of Falcons, 2008. Four video projectors, display computer, and two spotlights. Installation Photograph, Diana Thater: The Sympathetic Imagination, Los Angeles County Museum of Art. ©Diana Thater, photo ©Fredrik Nilsen

With the holidays behind us and election season upon us for the foreseeable future, this is the perfect time to divert our attention to the edifying pursuit of creative fulfillment. And what better way to do that than with this extra bulky edition of ArtCenter Alumni Notes.

NEWS

Guy Bove (BS 96 Product Design) was recently featured in a Tatler Magazine Hong Kong article about watch design. Hong Kong Tatler

Edward Eyth (BS 85 Product Design) was on a panel discussion for his concept designer work on Back to the Future Part II as part of the Toyota Mirai premier event. Toyota Newsroom

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Spring 2016 orientation: Back-to-school pro tips for surviving and thriving at ArtCenter

 

Student orientation

Student orientation

Ah, the first day of school. It’s an initiation fraught with the anxiety of the unknown and flashbacks to the horrors of middle school cafeteria mishaps. Fortunately, ArtCenter has built in a full schedule of activities to provide a soft landing to incoming students and their families.

Orientation Week’s busy agenda features social mixers and in-depth information sessions on everything from campus sustainability to the infamous ArtCenter critique. Students are also matched with Orientation Leaders, who act as guides, companions and resources for the latest insider information on navigating the academic, social and geographic peculiarities of life at ArtCenter

In the spirit of optimizing the orientation week experience for the incoming class of 2016, we’ve compiled the following authoritative collection of pro tips from our Facebook community of current and former students to help ArtCenter newbies avoid rookie mistakes.

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A Holiday haul of ArtCenter alumni notes delivered to your digital doorstep

Frances Stark, Portrait of the Artist as a Full-on Bird, 2004, Collage on casein on canvas board. 20x24 in. RSC Contemporary, London. Photo by Marcus Leith.

Frances Stark, Portrait of the Artist as a Full-on Bird, 2004, Collage on casein on canvas board. 20×24 in. RSC Contemporary, London. Photo by Marcus Leith.

With the arrival of the holiday season comes a time for hot beverages and brightly-patterned sweaters; for giving and receiving, at work and at home. We’re excited kick off the next six weeks’ worth of non-stop merriment by presenting you with with an early gift in the form of the latest installment of ArtCenter alumni notes, which is teeming with impressive news and accomplishments, from book releases and public engagements to major exhibitions at the Hammer Museum and LACMA.

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Food for Thought: GradID alums Anuja Joshi and Geetika Agrawal design a local solution to global wanderlust

Food for Thought founders Geetika Agrawal and Anuja Joshi

Food for Thought founders Geetika Agrawal and Anuja Joshi

Impresario is not often listed among the careers available to industrial designers. Then again, neither is chef, host or community organizer. But combine all those roles under the umbrella of entrepreneurial problem solving and you have the makings for a successful startup deeply rooted in ArtCenter’s Graduate Industrial Design (GradId) curriculum.

Food for Thought, the brainchild of Anuja Joshi (MS 09 GradID) and Geetika Agrawal (MS 04 GradID), is a digital portal curating events around the globe hosted by local cooks offering a menu of their favorite recipes. The result: a local solution to lonely planet ennui in the form of dinner parties satisfying a universal desire for community, good food and the wonder of discovery unique to exotic travel—minus the cost of airfare and lodging.

Not surprisingly, Food for Thought, has found some serious traction with wanderlusty foodies and adventurous flocking to events worldwide. Case in point: At the most recent gathering in Lisbon, Portugal, Manuel Nascimiento whipped up some of his favorite African-inflected dishes from his childhood for a sold out crowd.

Joshi and Agrawal’s traveling dinner party may not make it Pasadena for quite some time. So we tracked them down to answer a few questions about the origins of their intimate gatherings and their unorthodox approach to industrial design.

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You go, grads: Let the Summer Graduation festivities begin!

Graduating students with friends and family following Spring 2015 commencement. Photo: John Dlugolecki

Graduating students with friends and family following Spring 2015 commencement. Photo: John Dlugolecki

“Sun is shining. Weather is sweet. Make you wanna move your dancing feet.” Bob Marley

This Saturday, following a sometimes exhaustive, always intensive, memorably vigorous and astonishingly creative commitment to making and learning, 91 ArtCenter students will receive their diplomas. This will be the second graduation ceremony to be held at the Pasadena Civic Auditorium, a thankfully climate-controlled venue conveniently located between Hillside and South campuses.

As the day approaches, let’s celebrate these creative and talented individuals who are about to take on the world. Here’s the lowdown for the week:

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Art Center alumni notes: Spring 2015

Alum Catherine Taft assistant curated America is Hard to See at the Whitney Museum of American Art, a show which features the work of alum Bill Wheelock

Alum Catherine Taft assistant curated America is Hard to See at the Whitney Museum of American Art, a show which features the work of alum Bill Wheelock

Spring has sprung for Art Center’s alumni community, which collectively bloomed with media attention and creative activity. Here we’ve gathered a bouquet sampling this group’s impressive undertakings.

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Onward and upward: Art Center’s Spring 2015 Grad Show

Bruno Gallardo shows off his Zero Motorcycle prototype to alum Miguel Galluzzi of Aprilia/Piaggio. Photo by Jennie Warren

Bruno Gallardo shows off his Zero Motorcycle prototype to alum Miguel Galluzzi of Aprilia/Piaggio.
Photo by Jennie Warren

A fresh crop of creatives, 205 strong graduated from Art Center this past weekend, ready to harvest and haul their skills to the marketplace. The first pages of these grads’ yet-to-be-told professional narratives could involve launching a start-up, diving into a new position at a high-profile agency or escaping on a global adventure to see the world and collect some inspiration in the wilderness instead of the concrete jungle.

We decided to check in with a few during Spring 2015 Grad Show—our annual recruitment open house.

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Alum De Liu’s Xiaomi Inc. inspires China’s growing ranks of design entrepreneurs

Art Center alum De Liu

Art Center alum De Liu

Mr. De Liu, Co-founder and Vice President of Xiaomi Inc., graduated with a Master’s degree from Art Center College of Design in Industrial Design. Because of his outstanding academic performance, top U.S. universities began to cast their eyes at emerging design talents in China. As the saying goes, “it takes a decade to sharpen a sword.”

It was a long and arduous grind for De Liu to grow from being an ordinary designer to his current position as a successful business leader and entrepreneur. De Liu will share his experience as a designer and entrepreneur at the Create Change Design Forum to be held from September 19 to 20, 2015. Visit www.accdchina.com for more information.

Now let’s take a peek at how his Art Center design education impacted his professional ascent as well as the development of his personal abilities.

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Art Center in Asia: It Began in Japan

Product Design alumnus Kenji Ekuan (BS 57), second from right, arrives in the United States in the 1950s.

Product Design alumnus Kenji Ekuan (BS 57), second from right, arrives in the United States in the 1950s.

In the latest issue of Dot magazine, we take a look at Art Center College of Design’s long history—nearly 60 years—of connections to Asia. Take a trip with us through time and across the Pacific as we look back in history and forward to the future. Today, we explore the College’s historic relationship with Japan.

In 1956, Edward A. “Tink” Adams, Art Center’s first president, traveled to Japan with Advertising alumnus George Jergenson (BFA 35)—then the director of the College’s Industrial Design (ID) Department—and ID faculty member John Coleman. They had been invited by the Japanese government to tour the country and to share their thoughts on how industrial design could provide a competitive advantage for a nation still early in its post-war recovery.

After returning to the U.S., they filed a formal report containing several recommendations for Japan, including instilling a sense of national pride in products being “Made in Japan”—they cited Nikon’s confidence in placing its name on its camera, “one of the finest cameras anywhere”—and making sure Japanese students fully grasp their country’s rich cultural history. The future designer, it stated, “will learn more…from studying Japanese masters of painting and design than he will from Western art.”

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Graduate studies at Art Center: Art and design for a changing world

Media Design Practices students Kristina Ortega and Jenny Rodenhouse's Wearable Services, created in the Intel-funded Connected Bodies course.

Media Design Practices students Kristina Ortega and Jenny Rodenhouse’s Wearable Services, created by the Intel-funded Connected Bodies course. Photo by Stella Kalinina

From business ventures to social justice, cultural research to experimental mediums, transportation systems to spatial experiences, Art Center’s renowned graduate programs offer designers and artists exceptional opportunities to create unique and personal career and life paths.

For the recently released 2015–16 Viewbook, Art Center Provost Fred Fehlau invited leaders from the College’s six graduate programs—Art, Environmental Design, Film, Industrial Design, Media Design Practices, and Transportation Systems and Design—to offer their perspectives on the current state of their fields, and what it means for prospective graduate students.

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