Category Archives: Interaction Design

Fall 2013 Graduation Week: So many faces going so many places!

This Saturday, following years of all-nighters, critiques, finals, internships and hopefully some fun, 153 Art Center students will graduate. As that day approaches, we take time to celebrate these creative and talented individuals who are about to take on the world and, as is custom at our Fall Graduation, we also honor alumni who have already paved the way. Here’s the lowdown for the week.

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Thursday, December 12: Graduation Show Preview
Industry leaders, employers, corporate partners, donors and alumni get the first look at the Fall term’s graduating artists and designers at the invitation-only Graduation Show Preview. This event, hosted by Alumni Relations to welcome new graduates into the community, gives our graduating students an opportunity to network with potential employers and fellow alumni. The show features student projects from major fields of study at Art Center, including Advertising, Entertainment Design, Environmental Design, Film, Graphic Design, Illustration, Photography and Imaging, Product Design, Transportation Design, Graduate Film and Graduate Industrial Design.

Graduation Show Preview will be held at Hillside Campus from 6 to 9:30 p.m., with a private reception immediately following.

Friday, December 13: MDP Work-In-Progress Show
Media Design Practices is holding a work-in-progress show from 6 to 10 p.m. in the Wind Tunnel Gallery at South Campus (950 South Raymond). The MDP/Lab track will be presenting thesis work in progress from their Ciphertexts & Cryptoblob inquiry and the MDP/Field track with be featuring projects from Kampala, Uganda.

Saturday December 14: Graduation
Join us in the Sculpture Garden at Hillside Campus from 4 to 6 p.m. for our graduation ceremony. At the ceremony, we will honor three of our alumni who will be presented with Alumni Awards. This year, all the awardees received degrees in Product Design. Gordon Bruce will receive the Lifetime Achievement Award, Stan Kong will receive the award for Outstanding Achievement and Spencer Nikosey will receive the Young Alumni Innovator Award.

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Art Center students and alumni ignite Spark!

Student Mathias Hintermann's Aiguille short track speed skater headgear won a Spark! Award.

Student Mathias Hintermann’s Aiguille short track speed skater headgear won a Spark! Award.

With designs ranging from a portable desk for low-income children in India to lighting inspired by the beauty found in Japanese metal craft, Art Center students and alumni brought home several awards last week from the 2013 Spark International Design Awards.

Students and professionals from more than 27 countries across the globe competed in the categories of Experience Design, Product Design, Spaces Design, Transport Design, Communication Design, App Design and Concept Design, with awards ranging from Bronze Awards to the highest award, the Spark! Award.

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‘Insights’ highlights: 108 high-intensity doses of creative inspiration in 130 characters or less

Alum Lynne Aldrich leads a tour of her sculpture exhibit in the Williamson Gallery

Alum Lynne Aldrich leads a tour of her sculpture exhibit in the Williamson Gallery

While Car Classic dominated last weekend’s headlines, with its lineup of head-turning, high-revving art-imitates-life works of automotive aesthetics and ingenuity. Sunday’s auto design showcase wasn’t even the only audacious display of Art Center’s creative assets on view last weekend. On Saturday, the College hosted a curated selection of seminars and workshops known as Art Center Insights. The invitation-only event offers donors and trustees an opportunity to experience what it’s like to be Art Center student for an afternoon (minus the mountain of pressure to complete competing creative projects). 

After a lunch in the student dining room with President Lorne M. Buchman, participants chose from the following Session 1 presentations: 3D Printing: A Revolution in 3D, Environmental Design: The Safe Aqua Project and Interaction Design: Evolving User Experience. Then came the second and final round of workshops: Transportation Design/Sustainability: Nature, The Mobility Innovator, Photography: Portraiture Unplugged and Fine Art: Lynn Aldrich: Un/Common Objects.

Because Insights reaches only a small slice of the population who might benefit from it; we embedded reporters in each of the workshops and live-tweeted the entire event. Taken together, these concise dispatches offer a cohesive (if not comprehensive) narrative of what it was like to experience Insights and the inspiring ideas and tools exchanged over the course of all six workshops.

Some people dream of being king for a day. But Insights makes a good case for the rewards that go along with being a student, for a day or a lifetime. Hopefully the chronicle below will conjure some of that mind-expanding thrill vicariously.

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Inside the extended-play version of the Microsoft Surface DesignStorm video

 

Earlier this month, we posted a teaser trailer capturing highlights from a DesignStorm in which students conceived innovative uses for click-on attachments (code name: Blades) to Microsoft’s Surface tablet. The three-day session consisted of a group of students from the College’s various design departments facilitated by Graphic Design faculty member Gerardo Herrera along with Product Design instructor, Todd Masilko and Jeff Higashi, who teaches both Graphic and Product Design.

DesignStorms are Art Center’s trademarked immersive workshops which pair  expert faculty with select upper-term design students with sponsors to form multidisciplinary teams. Over the course of the collaboration, the teams apply an intensive design methodology to identify opportunities for deeper exploration and innovation.

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A bold LEAP in an emergent field: “Creative citizens” forge new pathways in design and social innovation

© 2013 Wendy MacNaughton for LEAP Symposium

© 2013 Wendy MacNaughton for LEAP Symposium

 

Editor’s note: This is the first in our Dotted Line series of three stories from “The New Professional Frontier in Design for Social Innovation: LEAP Symposium,” hosted by Art Center College of Design, Sept. 19–21, 2013.

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Can design propel social change? If reducing infant mortality risk from HIV in Africa or improving rice crop outcomes among low-income farmers in Asia are any measure, the unequivocal answer—as participants in a three-day immersive symposium at Art Center amply demonstrated—is yes.

Less definitive are answers to the question that prompted the gathering: If I am a designer interested in this kind of work, what kinds of career pathways are available to me?

Organized by the College’s social impact department Designmatters with curatorial contributions from a “braintrust” of pioneers in the rapidly emerging field of design for social innovation, the LEAP Symposium kicked off September 19 at Art Center’s Hillside Campus in Pasadena, giving more than 100 invited participants from across the country an opportunity to examine current professional practices, values and opportunities; share challenges and successes; and envision possibilities for the future.

Why LEAP?

“To leap is not to move timidly, but to advance with great determination,” said Mariana Amatullo, co-founder and Vice President, Designmatters, in her opening remarks in Ahmanson Auditorium. “Design offers an unmapped frontier for social innovation, and the symposium is intended to serve as a platform for creative leaps into that space.”

Amatullo noted that the symposium would be “seeded with probes and what-if scenarios” and that honesty was the most important element of the “genuine conversation and free exchange of ideas” she hoped to foster. She also thanked the many individuals, organizations, companies, networks and foundations that made the LEAP symposium possible, including The National Endowment for the Arts and the Surdna Foundation, along with private sector partners Steelcase, Adobe, Sappi and Autodesk.

She posed three main questions as a point of departure for LEAP: What is design for social innovation? How does it manifest? Why does it matter?

“This is a time when we recognize a sense of urgency for social change to happen—perhaps on a broader scope than ever before—and with it, a call for path-creating forms of collaboration, and generative modes of intervention,” said Amatullo.

Participants, comprised of 60 percent designers and 40 percent non-designers, ranged from leaders at global NGOs and design firms to still-in-school designers directing their education toward social innovation.

Students officially made up 10 percent of participants, but at LEAP, everyone was there to teach, and everyone was there to learn. Continue reading

Transform, Transcend, Transmedia: The Changing Face of Graphic Design

Paul Hoppe’s installation "ECHO: The Fragility of Moments Suspended in Time."

Paul Hoppe’s installation “ECHO: The Fragility of Moments Suspended in Time.”

It’s the final week of the Fall 2012 term and “The Annex”—a nondescript temporary building on the northern end of Art Center’s Hillside Campus—is doing a good job hiding the feats of alchemy occurring within its walls.

Entering classroom A7 on the second floor of this battleship grey structure feels like stepping into Willy Wonka’s chocolate factory. In one corner, a student waves his hands to stir into motion a field of floating green particles. In another, students walk through a mirrored passageway that reflects their position in time and space from exactly 10 seconds ago. Elsewhere, two ellipses face one another—one on the floor, the other on the ceiling—as they project images of nature, architecture and words like “renewal” and “emergence.”

What is going on here? These upper-term Graphic Design students are tweaking final projects they created for Advanced Graphic Studio, a class that’s part of an ambitious undergraduate curriculum called transmedia within the Graphic Design Department.

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Art Center student’s crowd-funded project Ribbon envisions a cleaner, brighter future for sunglasses

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Somewhere in some secret underground research facility an engineer is probably developing a pair of nanotechnology-infused lenses that will make cleaning our sunglasses a thing of the past.

But until that day becomes a reality, we’ll have to make do wiping our shades with napkins, T-shirts or whatever abrasive cloth we can find in the moment. Right?

Not if Patrick McCrory has anything to say about it.

Today, the Interaction Design student is launching a campaign on crowd-funding platform Indiegogo for his project Ribbon Sunglasses, which feature a retractable microfiber cloth tucked away inside the frame.

The concept lands squarely in “How has nobody thought of this before?” terrain, in that it offers a deceptively simple solution to a problem nearly everybody can relate to. But the journey McCrory’s project has taken from initial idea to crowd-funded campaign is far from straightforward.

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Design gurus from Art Center, Facebook and MySpace share trade secrets on the past, present and future of web design

Marshall Rake, Maria Giudice and John Chambers at 3X3

Marshall Rake, Maria Giudice and John Chambers at 3X3. Photo by Chuck Spangler.

Ask a group of web designers to describe the state of internet aesthetics and you’re likely to get as many answers as there are designers. There are few working environments more fluid than the digital domain, a kind of primordial soup where new innovations and ideas constantly bubble up, creating a rapidly evolving field where the rules of engagement are constantly shifting.

However, the most recent installment of Art Center’s 3X3 lecture series, Web Design: Past, Present and Future (held on the evening of June 26 at the College’s Hillside campus) made some major strides toward delivering a clear picture of how to best navigate and succeed in this nebulous arena.  The event featured a trio of design luminaries — Art Center faculty member John Chambers, Facebook Director of Product Design, Maria Giudice and MySpace Creative Director (and Art Center alum) Marshall Rake – each of whom brought an array of  diverse professional experiences to bear on a specific phase of the state of the art of web design.

Chambers kicked off the proceedings by offering a longitudinal perspective of digital design, from its primitive beginnings (back in the 1980’s) through its rough infancy (when nobody believed it would survive) to the restless adolescent it has become today. The popular web design instructor harkened back to a time when designers had very few tools with which to ply their trade beyond simple HTML code, which, he pointed out, remains the through-line connecting the web’s earliest iterations and the complex motion-graphics enabled sites of today.

Maria Giudice then took the stage, donning a headset and unleashing a dynamic presentation that could have easily been mistaken for a TED Talk on the rise of web design in tech circles. (That’s no coincidence given that she’s no stranger to the TED stage).  Guidice described her career trajectory, which began in print, where she redesigned the PacBell yellow pages before migrating to the web and launching her own design firm, Hot Studio, which she recently sold to Facebook, where she now works as the social network’s design guru.

Giudice strongly emphasized the notion that we’re in the midst of a tectonic shift, from an entrepreneurial culture centered on engineering expertise to one driven by design innovation. “When Facebook acquired us, it was a declaration that designers have value too,” said Giudice. “Engineers used to have all the currency. But companies are making an investment in design. I think we’re going to see the rise of the DEO – leadership by design. They’re going to be the future leaders of companies. You have to think and act like a designer to unlock innovation.”

Graphic Design alum Marshall Rake followed Giudice and echoed some of her thoughts about how designers must respond to the explosion of content generation by taking a curatorial approach to their web presence (think: Pinterest). He also emphasized the idea that the future of web design has yet to be invented and encouraged aspiring designers to experiment and expand upon what’s already been created.

“On the web your creations are always on the brink of being discovered,” said Rake. “Three things to think about with every web design challenge are how to simplify, organize and contextualize information.” Following his brief, high-decibel video montage of some of the recent work he’s done for MySpace, Rake ended the evening with an imperative to future designers: “We have a crazy opportunity in front of us,” he insisted, as a mischievous smile spread across his face. “The web is a place we can experiment because so much stuff doesn’t exist yet. It’s our job to go out there and detonate.”

From Data to Discovery Videos Now Online

Stamen's 3D browsable map of New York (in mesh form), which pulls data from Nokia's Here.

Stamen’s 3D browsable map of New York (in mesh form), which pulls data from Nokia’s Here.

Weren’t able to make it to last month’s From Data to Discovery, the one-day symposium in Caltech’s Beckman Auditorium on the emerging science of big data visualization?

Well, it’s time to turn that smile upside down, because videos of every presentation that took place that day are now available for viewing on a playlist on Caltech’s YouTube channel.

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Art Center, Caltech and NASA JPL Team Up to Explore Data Visualization

A still from artist Jer Thorp's "Just Landed" (2009), a work that visualizes tweets from air travellers.

A still from artist Jer Thorp’s “Just Landed” (2009), a work that visualizes tweets from air travellers.

On Thursday, May 23, Art Center, Caltech and NASA JPL hosted From Data to Discovery, a one-day symposium on the emerging science of big data visualization that attracted leaders of the field from across the nation.

Speakers included Fernanda Viégas and Martin Wattenberg, co-leaders of Google’s “Big Picture” visualization research group in Cambridge, Mass., Jer Thorp, an artist and cofounder of the New York-based multidisciplinary research group The Office for Creative Research, and Golan Levin, an artist and director of The Frank Ratchye STUDIO for Creative Inquiry at Carnegie Mellon University.

Caltech’s Beckman Auditorium was packed with approximately 500 members of the art, design and scientific communities eager to engage in a discussion on how data visualization has transformed from a mere means of representation into a tool for discovery.

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