Art Center alums wrapped up 2014 with a flurry of media attention and creative activity. Here’s a snapshot of their impressive undertakings.
Archive for the ‘Photography and Imaging’ Category
Alumnus and star photographer Matthew Rolston’s captivatingly creepy portraits of ventriloquist dummiesMonday, December 1st, 2014
The following story originally appeared in Art Center’s Fall 2014 Dot magazine, where you can read more about alumni and faculty achievements.
If you’ve seen photographs of Oprah Winfrey or covers of Rolling Stone, it’s safe to say you’ve seen Matthew Rolston’s work. His 2007 shoot with Michael Jackson is known as the singer’s “last sitting.” In fact, you almost can’t name a pop star Rolston hasn’t photographed or directed in a music video.
Earlier this year, Photography alumnus and visual effects master Peter W. Anderson, ASC, accepted the 2013 Gordon E. Sawyer Award, an Academy Award for technological contributions that have brought credit to the film industry. “Without the sciences what would the art be?” Anderson asked as he hefted his Oscar. “Without the art, what would the sciences be?”
Car Classic reliably serves up a feast for the photographic eye, with its high-contrast placement of man-made wonders amid the natural marvels surrounding Art Center’s Hillside campus. But the 2014 edition of the College’s annual homage to car design delivered more spectacularly photogenic feats of design and engineering than usual, thanks to this year’s theme, Street to Screen, featuring a swarm of Batmobiles amid a caravan of camera-friendly automotive stars of film and TV.
To give these sirens of street and screen their artful due, we dispatched two upper term Photography students, Kit Sinclair and Eduardo Medrano, to capture the look and feel of this year’s event with a visual conversation in the language of still images. Their marching orders were simply to convey the visceral thrill of Art Center’s carefully curated collection of iconic rides.
Kit and Eduardo delivered on their promise and then some, with the above series of images, a digital zine, for which Sinclair supplied the following inquisitive artist’s statement, clearly aimed at engaging the viewer: “This series was influenced by timeless design and created to inspire you, no matter your background. What makes a design classic? What elements in a design make it appealing no matter when you see it? How does time influence and inform current design?”
Remember when you were shopping around for college? You were likely deluged with thick catalogs and eye-catching viewbooks sent by institutions vying for your attention. Even in the internet era, the printed viewbook remains a vital tool for communicating a school’s value proposition to prospective students—especially when it comes to art and design schools.
Art Center’s 2015–2016 Viewbook, showcasing student work in 11 undergraduate and six graduate degree programs, was published in September, both in print and online. Content and design for the biennial publication are developed by a core team of Marketing and Communications staff members, in collaboration with Kit Baron, senior vice president, Admissions and Enrollment Management, and the College’s Provost Fred Fehlau.
High-quality visuals are key to the Viewbook, which this year features contributions from photographer Stella Kalinina (BFA 13), commissioned to capture student life on campus and in classrooms. It was a large and complex project, one that Stella was well prepared for as a recent graduate of the College’s Photography and Imaging program, with its emphasis on technical and professional skills along with creative expression. (more…)
Art Center’s enterprising diaspora has been making a creative impact far and wide during August and September. Here’s a primer of the past two months’ worth of alumni accolades and accomplishments.
Providing a top notch education in art and design requires an intricate ecosystem comprised of state of the art facilities, a driven and talented student body and, perhaps most of all, a broad body of skilled faculty members committed to engaging students and their own creative and professional practices in equal measure.
It’s no accident that Art Center’s faculty is comprised of working artists and designers, many of whom are game changing iconoclasts and leading innovators in their fields. In addition to being steeped in the most up-to-date best practices in any given field, Art Center’s faculty members offer incentive to students to continue pursuing their creative dreams.
But maintaining dual careers requires a surplus of passion and resources, both temporal and financial. To that end, Art Center’s Faculty Council has has marshaled funds to help out with the latter in the form of its annual Faculty Enrichment Grant program, which distributes up to $40,000 to faculty members actively pursuing projects “related to creative or professional development.”
Last month, the Council announced the seven recipients of its 2014 Faculty Enrichment Grants. Each will receive an award of up to $5000 to support their work outside of the classroom. The Dotted Line reached out to each of the seven recipients to learn more about their award winning projects. Here’s what we learned:
Over 100,000 photographs, 2,000 films and videos and 500 linear feet of print materials—all documenting aspects of American design history—make the Art Center Archives a treasure trove for exploration by scholars, faculty, students and the general public. But making those materials accessible to a world beyond campus raises challenging questions: Who decides what to preserve first? Once digitized, where should a collection live online? How does one prepare for inevitable changes in technology?
To begin tackling questions like these—and to start the process of bringing the Art Center Archives to the world—the National Endowment for the Humanities in 2013 awarded the College a prestigious grant to launch a pilot project to digitize, preserve and make accessible a portion of Art Center’s industrial design collection. As the project wraps up one year later, Bob Dirig shares his thoughts about collaboration, unexpected outcomes and the future of the College as a locus of art and design scholarship.
Perhaps more than graduation itself, Graduation Show Preview marks the culmination of a student’s years of hard work at Art Center. Each term, on the Thursday before Saturday’s commencement ceremony, the College’s classroom studios, hallways and exhibition spaces come alive with 2D, 3D, digital and other work renowned for both its conceptual rigor and its professional finish. It’s like one giant gallery opening — the Summer 2014 edition brimming with more than 450 invited guests — showcasing some of today’s most innovative and most driven emerging artists and designers.