Spring has sprung for Art Center’s alumni community, which collectively bloomed with media attention and creative activity. Here we’ve gathered a bouquet sampling this group’s impressive undertakings.
Archive for the ‘Photography and Imaging’ Category
Marisa Howenstine (BFA 10 Photography) has had a great run the past two years with three images selected by Graphis for its prestigious Photography Annual, this year grabbing a Gold for “Ecce Homo: Behold the Man” and a Silver for “Modern Nature” and last year earning a Silver for “Murder of Crows.” The Dotted Line took this opportunity to catch up with her and find out a little more about this artist and her work.
For the past several years we have been searching for footage of Keith Haring painting the mural at the Hillside Campus in 1989. Thank you to everyone who contacted us with their interest in the project and leads to the footage and photography.
In late 2014, we received a tip that 1991 Photography alumnus and former faculty member, Hadi Salehi may have captured footage of the mural’s creation. We contacted his studio and were excited to discover that Salehi shot Super8 footage of Haring as he painted that he recently digitized, along with a number of photographs of various phases of the process.
It’s been a fruitful awards season—and not just for the creative team behind Birdman. Art Center alums have amassed an impressive array of accolades, from the Caldecott Medal (the Oscars of children’s literature) to the Oscars themselves. So in lieu of glitzy after party, we’ve done the next (or perhaps next, next) best thing and compiled highlights from our alumni community’s recent accomplishments below. Enjoy!
From Oxygen’s Street Art Throwdown to Spike TV’s Framework to the 2015 Academy Awards to Toyota’s MIRAI—Art Center alumni were featured across the media landscape, doling out expertise on art and design-based reality shows and creating inventive animation and futuristic vehicles. See the full scope of this month’s alumni accomplishments below.
Alumnus and star photographer Matthew Rolston’s captivatingly creepy portraits of ventriloquist dummiesMonday, December 1st, 2014
The following story originally appeared in Art Center’s Fall 2014 Dot magazine, where you can read more about alumni and faculty achievements.
If you’ve seen photographs of Oprah Winfrey or covers of Rolling Stone, it’s safe to say you’ve seen Matthew Rolston’s work. His 2007 shoot with Michael Jackson is known as the singer’s “last sitting.” In fact, you almost can’t name a pop star Rolston hasn’t photographed or directed in a music video.
Earlier this year, Photography alumnus and visual effects master Peter W. Anderson, ASC, accepted the 2013 Gordon E. Sawyer Award, an Academy Award for technological contributions that have brought credit to the film industry. “Without the sciences what would the art be?” Anderson asked as he hefted his Oscar. “Without the art, what would the sciences be?”
Car Classic reliably serves up a feast for the photographic eye, with its high-contrast placement of man-made wonders amid the natural marvels surrounding Art Center’s Hillside campus. But the 2014 edition of the College’s annual homage to car design delivered more spectacularly photogenic feats of design and engineering than usual, thanks to this year’s theme, Street to Screen, featuring a swarm of Batmobiles amid a caravan of camera-friendly automotive stars of film and TV.
To give these sirens of street and screen their artful due, we dispatched two upper term Photography students, Kit Sinclair and Eduardo Medrano, to capture the look and feel of this year’s event with a visual conversation in the language of still images. Their marching orders were simply to convey the visceral thrill of Art Center’s carefully curated collection of iconic rides.
Kit and Eduardo delivered on their promise and then some, with the above series of images, a digital zine, for which Sinclair supplied the following inquisitive artist’s statement, clearly aimed at engaging the viewer: “This series was influenced by timeless design and created to inspire you, no matter your background. What makes a design classic? What elements in a design make it appealing no matter when you see it? How does time influence and inform current design?”