Archive for the ‘Graduate Media Design’ Category

ArtCenter Alumni Notes: November 2015 through January 2016

Thursday, February 4th, 2016
Diana Thater, A Cast of Falcons, 2008. Four video projectors, display computer, and two spotlights. Installation Photograph, Diana Thater: The Sympathetic Imagination, Los Angeles County Museum of Art. ©Diana Thater, photo ©Fredrik Nilsen

Diana Thater, A Cast of Falcons, 2008. Four video projectors, display computer, and two spotlights. Installation Photograph, Diana Thater: The Sympathetic Imagination, Los Angeles County Museum of Art. ©Diana Thater, photo ©Fredrik Nilsen

With the holidays behind us and election season upon us for the foreseeable future, this is the perfect time to divert our attention to the edifying pursuit of creative fulfillment. And what better way to do that than with this extra bulky edition of ArtCenter Alumni Notes.

NEWS

Guy Bove (BS 96 Product Design) was recently featured in a Tatler Magazine Hong Kong article about watch design. Hong Kong Tatler

Edward Eyth (BS 85 Product Design) was on a panel discussion for his concept designer work on Back to the Future Part II as part of the Toyota Mirai premier event. Toyota Newsroom

(more…)

A Holiday haul of ArtCenter alumni notes delivered to your digital doorstep

Thursday, November 12th, 2015
Frances Stark, Portrait of the Artist as a Full-on Bird, 2004, Collage on casein on canvas board. 20x24 in. RSC Contemporary, London. Photo by Marcus Leith.

Frances Stark, Portrait of the Artist as a Full-on Bird, 2004, Collage on casein on canvas board. 20×24 in. RSC Contemporary, London. Photo by Marcus Leith.

With the arrival of the holiday season comes a time for hot beverages and brightly-patterned sweaters; for giving and receiving, at work and at home. We’re excited kick off the next six weeks’ worth of non-stop merriment by presenting you with with an early gift in the form of the latest installment of ArtCenter alumni notes, which is teeming with impressive news and accomplishments, from book releases and public engagements to major exhibitions at the Hammer Museum and LACMA.

(more…)

Pop-Up sensor salon co-creator Kristina Ortega nails wearables job at Intel

Thursday, October 15th, 2015

 

Wearable_Services-low-close-up-hand

Kristina Ortega and Jenny Rodenhouse offer a new twist on functional nail art using digital sensors which enable users to interact with their environment in new ways.

A few days after celebrating the completion of earning her graduate degree in Media Design Practices, Kristina L. Ortega (MFA 15), swiftly packed up her life in Southern California and moved to Portland to begin a new career chapter with Intel’s New Devices group as a wearables user experience designer.

“Our goal is to launch designers who will question the world or view the world differently, imagine needs and products which may not exist for another 10 or 20 years into the future,” said Anne Burdick, chair of Art Center’s Graduate Media Design Practices (MDP) Department.

(more…)

Where urban and digital realms merge, the post-geographic city emerges

Wednesday, October 7th, 2015
Everything, On Time (2015) by Tim Durfee and Ben Hooker (with Jenny Rodenhouse), "a testing ground for what the city is, and perhaps will be."

Everything, On Time (2015) by Tim Durfee and Ben Hooker is “a testing ground for what the city is, and perhaps will be.” Image courtesy Tim Dufee and Ben Hooker

This Friday is ArtNight, a twice-a-year event in which Pasadena’s most prominent arts and cultural institutions—including ArtCenter College of Design—swing open their doors for a free evening of art, music and entertainment.

In addition to attending a celebration for the opening night of the College’s street art exhibition OUTSIDEIN, visitors to ArtCenter’s South Campus will have a unique opportunity to see in the Wind Tunnel Gallery a preview of Now, There: Scenes from the Post-Geographic City, an exhibition from ArtCenter’s Media Design Practices (MDP) program which will be installed at the Bi-City Biennale of Urbanism/Architecture this December in Shenzhen and Hong Kong.

Curated by MDP’s Professor Tim Durfee and faculty Mimi ZeigerNow, There explores “what is now and where is there” in today’s reality in which “urban and digital realms are inextricably linked” by presenting a selection of screen-based works, objects and texts that “develop, explore and visualize a city not tied to any physical locality.”

(more…)

Oh, the humanity!: How inclusive design transforms the designer as much as the user

Friday, September 4th, 2015
Transgenerational Emergency Recovery: A 100 Year Action Plan. Fukushima, Japan. 2014 - Present. Image Credit: Sean Donahue

Transgenerational Emergency Recovery: A 100 Year Action Plan. Fukushima, Japan. 2014 – Present. Image Credit: Sean Donahue

Inclusive design. People-centered design. Design for all. Universal design. Each of these practices is an attempt to articulate a design approach that puts the individual at the center of the design agenda.  For me this approach takes shape a bit differently in that it also forcibly puts at its center multiple points-of-view, orientations and abilities. This practice has led me to produce some pretty unusual outcomes for a designer—graphic design for people who do not see, communication spaces for people who do not speak and technology for people who have no power. And although these projects were designed to support issues significant to others, they simultaneously afforded me a unique opportunity to question the convenient assumptions we so often default to when considering what people need.

(more…)

m-a-u-s-e-r installation explores how nature became the digital world’s aesthetic obsession

Wednesday, August 19th, 2015
Asli Serbest (left) and Mona Mahall selecting images of artificial palm trees for the Natural Wifi installation in Media Design Practices' Wind Tunnel Gallery at ArtCenter's South Campus. Photo: m-a-u-s-e-r

Asli Serbest (left) and Mona Mahall selecting images of artificial palm trees for the Natural Wifi installation in Media Design Practices’ Wind Tunnel Gallery at ArtCenter’s South Campus. Photo: m-a-u-s-e-r

You know those artificial rocks people use to hide pipes, pumps and other domestic structural elements deemed too aesthetically displeasing for a proper residential landscape? Turns out they’re not the most comfortable objects to sit on for an extended period of time.

Nevertheless, that’s how I spent 45 minutes last week—sitting atop wheel-mounted fake rocks and talking with their creators, Asli Serbest and Mona Mahall, the Stuttgart- and Istanbul-based art, design and architecture duo who go by the nom de guerre micro architecture unit star energy ray, or m-a-u-s-e-r for short.

I met with them to discuss Natural Wi-Fi, their research project that culminated in an installation in Wind Tunnel Gallery, part of ArtCenter’s Graduate Center for Critical Practice, that explored the material byproducts of the Internet as well as how Nature has become the online world’s aesthetic obsession.

(more…)

No developing world emergency is too great for UNICEF Innovation Lab lead and MDP alum Jeff Hall

Tuesday, June 23rd, 2015
Media Design Practices alumnus Jeffrey Hall, in black T-shirt, conducted fieldwork in Uganda before being named UNICEF’s Innovation Lab Lead for Indonesia.

Media Design Practices alumnus Jeffrey Hall, in black T-shirt, conducted fieldwork in Uganda before being named UNICEF’s Innovation Lab Lead for Indonesia.

As UNICEF’s Innovation Lab Lead for Indonesia, alumnus Jeffrey Hall has developed a simple standard for his projects: to use design to improve the quality of people’s daily lives. “I collaborate with some amazing people, both in the U.N. and the creative community, to see how innovative approaches can be applied to improving their programs, technology, process or partnerships,” says Hall.

(more…)

Move over, Siri, and let Nan Wang’s Cartner do the driving

Thursday, June 11th, 2015
Still from graduate Media Design Practices student Nan Wang's Cartner project.

Still from graduate Media Design Practices student Nan Wang’s Cartner project.

Earlier this week at its WWDC 2015 developer’s conference, Apple announced that iOS 9–the next iteration of its operating system for its iPhone and iPad devices–will include a beefed-up “proactive” version of its voice-driven Siri software that will anticipate user’s needs and deliver relevant information in a timely manner.

Cool stuff, right? Now imagine how such a human-computer interface might evolve. And imagine it in your car.

That’s precisely what graduate Media Design Practices (MDP) student Nan Wang envisioned last fall in a course entitled New Car Experiences.

In that studio course led by Associate Professor Ben Hooker, MDP students spent the entire 14-week term creating “video sketches”–polished visualizations intended to spark discussion–based on student research conducted during the previous term in a class also led by Hooker and his MDP colleague Professor Tim Durfee.

“We immersed ourselves in the current visions of the automotive future to find out how different industries think things are going to play out,” says Hooker, whose expertise lies in collaborations within the field of human-computer interaction, of the research that led to the video sketches. “It soon became apparent there wasn’t one clear view, and that there was space for fresh thinking in this arena.”

(more…)

Future road trip: Autospaces 2025 to explore the changing automotive landscape

Wednesday, May 20th, 2015
Students Angela Dong, Thokozani Mabena,Vivia Liu and Sarineh Issagholian discuss their concepts with Jaguar Land Rover representatives at the New Car Experiences midterm. Photo: Chris Hatcher

Students Angela Dong, Thokozani Mabena,Vivia Liu and Sarineh Issagholian discuss their concepts with Jaguar Land Rover representatives at the New Car Experiences midterm. Photo: Chris Hatcher

It’s the end of the schlep as we know it. And we feel fine.

Well, perhaps not quite yet, but thanks to rapidly evolving technology making autonomous vehicles possible, that daunting commute we face every day may soon be a thing of the past.

Tomorrow in the Wind Tunnel at South Campus, Art Center hosts Autospaces 2025, a one-day symposium that brings together designers, researchers, and government and industry leaders to explore issues of connectivity, trust and mediation with autonomous and semi-autonomous vehicles.

(more…)

Leap Before You Look: Inside the revealing new exhibition on Black Mountain College, with MOCA curator Helen Molesworth

Wednesday, May 13th, 2015

 

Photo: Hazel Larsen Archer, Merce Cunningham Dancing, c. 1952-53, gelatin silver print, 8 ¾ x 5 7/8 inches. Estate of Hazel Larsen Archer and Black Mountain College Museum and Arts Center.

Photo: Hazel Larsen Archer, Merce Cunningham Dancing, c. 1952-53, gelatin silver print, 8 ¾ x 5 7/8 inches. Estate of Hazel Larsen Archer and Black Mountain College Museum and Arts Center.

“Most people in the room probably know a little something about Black Mountain College, and it’s probably part wrong and part true,” said Helen Molesworth. Relaxed in black sneakers and a loose sweater, the new chief curator at the Museum of Contemporary Art in Los Angeles, less than five months into her new job, offered a candid and engaging behind-the-scenes look at her work on a revealing new exhibition about Black Mountain College—the first comprehensive exhibition on the subject to take place in the United States.

The curator’s talk in February, a full year ahead of the exhibition’s opening in L.A., was part of both the Wind Tunnel Lecture Series and Art Center Dialogues. And as she disclosed to her unsuspecting audience at the outset, “You’re the first! I haven’t actually given a Black Mountain talk yet.”

For Molesworth, Black Mountain College’s mythic status—as the birthplace of the neo-avant-garde and the site of legendary collaborations by Robert Rauschenberg, John Cage and Merce Cunningham—has in fact been a problem to overcome, an impediment to a more complete understanding of its history. “It was a place charged in ways that engendered mythmaking from its inception,” she said, “and a lot of that mythmaking was self-generated.” (more…)