Food for Thought: GradID alums Anuja Joshi and Geetika Agrawal design a local solution to global wanderlust

Food for Thought founders Geetika Agrawal and Anuja Joshi

Food for Thought founders Geetika Agrawal and Anuja Joshi

Impresario is not often listed among the careers available to industrial designers. Then again, neither is chef, host or community organizer. But combine all those roles under the umbrella of entrepreneurial problem solving and you have the makings for a successful startup deeply rooted in ArtCenter’s Graduate Industrial Design (GradId) curriculum.

Food for Thought, the brainchild of Anuja Joshi (MS 09 GradID) and Geetika Agrawal (MS 04 GradID), is a digital portal curating events around the globe hosted by local cooks offering a menu of their favorite recipes. The result: a local solution to lonely planet ennui in the form of dinner parties satisfying a universal desire for community, good food and the wonder of discovery unique to exotic travel—minus the cost of airfare and lodging.

Not surprisingly, Food for Thought, has found some serious traction with wanderlusty foodies and adventurous flocking to events worldwide. Case in point: At the most recent gathering in Lisbon, Portugal, Manuel Nascimiento whipped up some of his favorite African-inflected dishes from his childhood for a sold out crowd.

Joshi and Agrawal’s traveling dinner party may not make it Pasadena for quite some time. So we tracked them down to answer a few questions about the origins of their intimate gatherings and their unorthodox approach to industrial design.

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In the zone at Yosemite: A photography class hits the road

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El Capitan on left. Oliver at the Eureka Valley Sand Dunes on right.

Ansel Adams famously taught at ArtCenter in the 1940’s and invented Zone Theory with Fred Archer while at the school. Peter Suszynski is still teaching their timeless concept, and offering students the unique opportunity to visit and photograph Yosemite National Park – a favorite haunt of Adams and the ideal place to put his theory to the test. The assignment for the class is to create six unique but cohesive images. It is a difficult project but Pete’s guidance and the Zone Theory system make it possible. Continue reading

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Pop-Up sensor salon co-creator Kristina Ortega nails wearables job at Intel

 

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Kristina Ortega and Jenny Rodenhouse offer a new twist on functional nail art using digital sensors which enable users to interact with their environment in new ways.

A few days after celebrating the completion of earning her graduate degree in Media Design Practices, Kristina L. Ortega (MFA 15), swiftly packed up her life in Southern California and moved to Portland to begin a new career chapter with Intel’s New Devices group as a wearables user experience designer.

“Our goal is to launch designers who will question the world or view the world differently, imagine needs and products which may not exist for another 10 or 20 years into the future,” said Anne Burdick, chair of Art Center’s Graduate Media Design Practices (MDP) Department.

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Totally MAX’d Out: Adobe debuts showstopping digital design tools, Fujifilm partnership amid pyrotechnic razzle-dazzle

Like conventioneers to the swag table, over 7,000 creative professionals from the four corners of the globe descended on the Los Angeles Convention Center last week for Adobe MAX 2015, Abobe’s annual celebration of creativity and their amazing tools that help designers turn imagination into reality.

This year’s theme “Changing the World Through Digital Experiences” resonates well with Art Center’ ethos of changing the world through design—design made possible in large part by Adobe’s ever-widening, ever-more-powerful line up of creative software.  Indeed, many of the greatest changes that design will enable in the coming years will likely involve Adobe’s Creative Cloud at some point in the creative process.

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CHANGE/MAKERS video: Alum Kimberly Marte’s colors shine at Tesla Motors

Environmental Design alum Kimberly Marte has worked on quiet a few impressive cars since graduating from ArtCenter. As the Senior Lead Designer for Color and Materials at Tesla Motors she worked as a member of the team that researched and designed the feel and color the iconic Model S. It is a car, and a company, known for its attention to detail. She contributes to the color options, both interior and exterior, anything you touch, such as the plastics, metals, resins, fibers, fabrics, leathers and grains. Her insight into consumers preferences comes from staying ahead of trends and researching what is happening in multiple disciplines from fashion, to interior design. She talked with us about the unique working environment at Tesla and the difficulties and rewards of being a female in the automotive business.

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Where urban and digital realms merge, the post-geographic city emerges

Everything, On Time (2015) by Tim Durfee and Ben Hooker (with Jenny Rodenhouse), "a testing ground for what the city is, and perhaps will be."

Everything, On Time (2015) by Tim Durfee and Ben Hooker is “a testing ground for what the city is, and perhaps will be.” Image courtesy Tim Dufee and Ben Hooker

This Friday is ArtNight, a twice-a-year event in which Pasadena’s most prominent arts and cultural institutions—including ArtCenter College of Design—swing open their doors for a free evening of art, music and entertainment.

In addition to attending a celebration for the opening night of the College’s street art exhibition OUTSIDEIN, visitors to ArtCenter’s South Campus will have a unique opportunity to see in the Wind Tunnel Gallery a preview of Now, There: Scenes from the Post-Geographic City, an exhibition from ArtCenter’s Media Design Practices (MDP) program which will be installed at the Bi-City Biennale of Urbanism/Architecture this December in Shenzhen and Hong Kong.

Curated by MDP’s Professor Tim Durfee and faculty Mimi ZeigerNow, There explores “what is now and where is there” in today’s reality in which “urban and digital realms are inextricably linked” by presenting a selection of screen-based works, objects and texts that “develop, explore and visualize a city not tied to any physical locality.”

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Designmatters at Sustainable Summer School – Part 1

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In the first of Designmatters‘ three part Sustainable Summer School blog series, Product Design student and head of the ArtCenter EcoCouncil, Arotin Hartounian reflects on his time spent at the 7th annual summer school program in Western Germany.

authorphotoAt a 17th century monastery situated in a rural area of Western Germany, 28 students gathered for the 7th annual Sustainable Summer School. The summer school program is organized by a collaboration of the Ecosign Academy, Folkwang University of the Arts, and The Wuppertal Institute for Climate, Environment, and Energy. The Designmatters Department at ArtCenter in partnership with the Provost’s office generously sponsored three students to attend this program. Most of the students were from Germany with one student each from Italy, Spain, and Austria. Janya, Daniel and I were the only students from the USA. Over the course of 7 days we lived and studied at the monastery with all the students and teachers. The students were divided into three workshops, each focusing on different ways design can initiate and support sustainable behavior in our daily life. Continue reading

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From Beirut to outer space: TEDxACCD shows big things start small

The crowd outside the Ahmanson Theater.

The crowd outside the Ahmanson Theater.

ArtCenter College of Design has red balloons on its roof, Hot Wheels are being handed out at the entrance and throngs of students eagerly wait in the hallway. This is not a child’s birthday party; it’s ArtCenter’s TEDxACCD – a unique event where alumni and faculty speak to students and guests about their specialties.  For over 25 years, TED (Technology, Entertainment, Design) has provided a platform for some of the most cutting edge conversations of the day. As a world-class art and design school committed to learning to create and influence change, TED offers a natural compliment to our goals. Continue reading

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X-factor: Inside ArtCenter’s pipeline to Tesla’s Model X design team

Model X seems ideal for a road trip from Pasadena to Mammoth for skiing with ample seating for seven adults and all of their gear. Photo courtesy of Tesla.

Model X seems ideal for a road trip from Pasadena to Mammoth for skiing with ample seating for seven adults and all of their gear. Photo courtesy of Tesla.

On the eve of the highly anticipated release of Tesla’s Model X electric sports utility vehicle, ArtCenter alum Javier Verdura, director of Product Design at Tesla Motors, took a few minutes to chat with us about the many ArtCenter alums contributing to this pivotal team responsible for one of the most significant car releases in recent memory. From the top design post held by Franz von Holzhausen to the current crew of interns, ArtCenter alums were front and center in all aspects of the design process. So we seized this opportunity to explore the contours of the connection linking the hottest electric carmaker on the planet and our diverse community of sharp inventors and innovators. Continue reading

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An Interview with Ross LaManna: The value of film school for staying ahead of trends

Chair of undergraduate and graduate Film departments at ArtCenter.

Ross LaManna, Chair of undergraduate and graduate Film departments at ArtCenter.

Last summer, I taught a production workshop class at ArtCenter College of Design in Pasadena and was very impressed with their film program and the students. I knew the Film department Chair Ross LaManna, having hired him as a screenwriter several times over the years. But the teaching experience got me thinking about the role of film schools in today’s entertainment industry, and I hoped Ross could help explain it to me. Continue reading

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