Clothing that bites back and bridges the gender gap in Uganda

MDP student Barb Natali designed these  "barbed-shorts" to provoke dialogue about gender-relations in Uganda

MDP Student Barb Natali designed these “barbed-shorts” to provoke dialogue about gender relations in Uganda

Last fall I spent six weeks in Uganda as part of the Media Design Practices program. While there, a few classmates and I attended a crowded performance and had multiple, local men inappropriately grab us as we attempted to navigate the throng. I caught one teen in the act and yelled at him. He grinned at me during the tirade, but was for the most part unfazed.

A few days later when the anger subsided, I reflected on the experience. The incident had provoked questions about the interactions and power dynamics between men and women in Uganda. In order to develop an understanding of these aspects of the society I decided to create a series of designs to facilitate conversations about Ugandan experiences, reactions, and negotiations of the dynamics between men and women, specifically in regard to sexual harassment and inequality.

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MLK Day: For Photo alum Van Evers—son of civil rights leader Medgar Evers—giving a photograph is as rewarding as taking one

civil-rights-sisters

Dr. Betty Shabazz (educator and widow of Malcolm X), Coretta Scott King (activist and widow of Dr. Martin Luther King Jr.) and Van Evers’ mother, Myrlie Evers-Williams.

Though he rarely grants interviews, this week Van Evers agreed to talk with Dotted Line about his education and career, and also about his family legacy—an important part of our nation’s history as well as his own.

Los Angeles is not merely the backdrop for an Art Center education. It’s a living laboratory for artistic experimentation and, as the capital of an Industry so pervasive it needs no other name, a source of gainful employment.

Photography alumnus James Van Dyke Evers (who goes by “Van”) has an especially coveted gig in entertainment as the official photographer for the L.A.-based Tavis Smiley show on PBS. Over the past six years he has photographed hundreds of A-list guests on the nightly talk show, a who’s who of contemporary culture and politics, from Prince to Anthony Hopkins, from James Taylor to President Barack Obama.

“My job is to capture that special energy between two people,” says Van, who may be unique in the fast-paced world of TV talk shows for making sure every guest leaves with a framed print commemorating their appearance on the show. It entails working with lightning speed and decisiveness, and often literally running to catch guests as they step into their waiting limos.

“Most shows deliver digital images to the publicist later, and we do that too,” he says. “But handing the guest a physical print, to hold in their hands—it means so much to that guest, and it puts a smile on their face.”

That grateful smile is what made Van choose a career in photography.

Van picked up his first camera as a nine-year-old at summer camp and made his first prints in an old shed. “Light leaked everywhere, it was a real mess, but when I saw that print come up in the developing tray, that was it.”

Art Center’s top-tier facilities and dedicated faculty helped Van hone his craft, teaching him professional skills and life lessons that continue to serve him. Looking back he singles out instructors like Charlie Potts and Peter Suszynski and fellow students like Everard Williams and Jeff Sedlick (who both now serve on the faculty), and Neal Brown and Sean Thonson. And he gladly shares his own “must do”s for aspiring photographers: “Be on time. Listen to the client’s needs. And prep, prep, prep! Have a backup plan. Because things can and will go wrong. If you don’t get the shot right away, it’s over. You don’t get a second chance.”

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Alums invade CES. Their Trojan horse? An electric scooter.

Team URB-E at CES

Alumnus and instructor Grant Delgatty with Jordan Crook of TechCrunch at CES

UPDATE: Surprising many in the crowdfunding space, the Art Center alum/instructor team behind the URB-E personal mobility device today launched a campaign on Indiegogo.  Since making a splash at CES, the team has secured an impressive wave of exposure about the compact e-scooter.  The invention was selected as the official mobility device of the American Pavilion at the upcoming Cannes International Film Festival and will assist the crew of an ocean research vessel in a Discovery Channel doc.

The group of Art Center alums behind the URB-E electric scooter didn’t make anyone’s list of newfangled gadgets most likely to ignite a media brushfire at the Consumer Electronics Show (CES) in Las Vegas. Team URB-E entered the preeminent tech convention unannounced and exited the event basking in the glow of a media love fest any celebrity would envy. The upshot? Chutzpah + a great idea + a well-executed product = a perfect set-up for URB-E’s Feb. 1 Indiegogo campaign launch.

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‘New Eye’ brings a collection of visionary Illustration alumni to L.A. Art Show

As the longest running venue for contemporary, modern, historic and traditional art in the U.S., the L.A. Art Show has connected collectors with established and emerging artists for nearly 20 years. Looking to build on that reputation, the organizers asked Red Truck Gallery owner Noah Antieau to curate a collection of work within the show to break down barriers, buck convention and create a new vocabulary. In turn, Antieau asked Aaron Smith, Art Center alumnus and Associate Chair of Illustration, to assemble a collection of work by Art Center’s Illustration alumni. The result is an Art Center installation entitled New Eye, which will join a selection of innovative galleries to form “Littletopia,” on display January 15-19 at LA Convention Center.

“Littletopia and the L.A. Art Show are a perfect fit for the Illustration Department,” Smith says. “We’re always looking to connect students and recent alumni with galleries and savvy collectors who understand the importance of investing in emerging artists. And the show offers us as a unique platform to offer those collectors a curated view of some of Art Center’s most brilliant Illustration/Fine Art alumni.”

So how is “Littletopia” creating a new vocabulary?  Smith notes that,  “the innovative, skillful and imaginative work of our alums is rooted in traditional and modern art forms; but our illustration perspective isn’t afraid to break down barriers or buck convention every now and then.”

Illustration alums whose work will be on display, include Erin Burrell, Ryan Cho, David Cook, Ben Sanders, Fleurette West and Julie Yeo, joined by current upper-term Illustration student Jane Lee (see their work in the above slideshow).

The term ‘New Eye,’ is borrowed from the diverse tracks of study available within Art Center’s Illustration program, which encompasses Illustration Design, Entertainment Arts, Motion Illustration and Fine Art Painting — with later forming the basis for the work at L.A. Art Show. “It’s a term that our students and alumni respond well to,” explains Smith, “and it really summarizes the fresh perspective coming out of the Illustration Department.”

In addition to the New Eye exhibit, many other Art Center alums will also have their work on view, including Mark Todd, Esther Pearl Watson, Aron Wisenfeld, Ray Turner and Aaron Smith himself.

Let us know some of your favorite works from the show and who else you bump into from Art Center.

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Illustrating an argument for a Disneyland Down Under

 

The mighty Kauri tree

The mighty kauri tree

If you’ve always thought Imagineers—the creative elite who design immersive entertainment experiences for Disney theme parks and resorts—needed engineering or movie industry backgrounds, think again. In 2013, the annual ImagiNations Design Competition, established in 1992, was swept by a team of four Art Center Illustration majors: upper-term students Jennifer Cho and Sunmin Inn, and recent graduates Angela Li ILLU 12 and Sophie McNally ILLU 12. All on the Entertainment Arts track and already good friends, they collaborated on the project that won First Place and Best in Show in this prestigious competition designed to promote diversity and inspire curiosity about cities around the world.

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Art Center friends and alums get creative with gifts-in-kind

Monotype's donation of fonts expands student designers' toolbox

Monotype’s donation of fonts expands student designers’ toolbox

Not every act of philanthropy to Art Center involves writing a check. It should come as no surprise that friends and alumni of this artistic mecca are naturally predisposed to get creative with their giving. Sometimes gifts come in the form of goods and services. Computer software, fonts and even lighting are some of the in-kind commitments made to the College that are powerfully shaping the Art Center experience.

A recent sizeable gift of 3D design software and training services from Autodesk is providing Art Center students with hands-on experience using the same technology preferred by professionals in industry. The software is currently installed on Art Center’s 500 Macintosh and Windows personal computers and accessible to all undergraduate and graduate students. The donation benefits designers in every program, particularly those in the departments of Environmental Design, Film, Product Design and Transportation Design.

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Remembering the life and work of Blue Dog artist, George Rodrigue

Blue Dog Oak by George Rodrigue

Blue Dog Oak by George Rodrigue

George Rodrigue, the celebrated painter best known for his Blue Dog series of popular canine portraits, passed away last month in Huston. The 69-year-old Art Center alum (Graphic Arts, ’67) distinguished himself as a bon vivant who showed an early flair for depicting the bon vivant culture of his native Louisiana, often set among the three pillars of food, family and fais do do.

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Art Center’s first Myspace occupation concludes. Prepare for phase 2!

We came. We saw. We influenced change as we learned to create.

Beginning last October, we enlisted four Art Center students to lead the charge in a week-long homepage takeover of the recently relaunched Myspace. The first-wave social network had reinvented itself as a community and breeding ground for artists and creative types of all stripes to exchange work, feedback and inspiration in the digital sphere. In other words, Myspace had become a sandbox custom-built for Art Center students and alums. And, as is our way, we came ready to play.

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LAUSD and Art Center partner against gun violence

DOTNEWS_05-2

Los Angeles Unified School District (LAUSD), the nation’s second largest public school system, has joined forces with Art Center’s renowned social impact department, Designmatters, to implement Designmatters’ cutting-edge health curriculum, Where’s Daryl? Designed to get teens and tweens talking about gun violence in an effort to prevent it, the middle school classroom toolkit is part of Uncool: The Anti-Gun Violence Project, an award-winning program supported by the Nathan Cummings Foundation and dedicated to the memory of Norman Schureman (Product Design ’85), a beloved Art Center instructor who lost his life to gun violence in 2010.

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