Poster competition honoring Nelson Mandela features designs by eight Art Center students

 

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Organizers of the Mandela95 Poster Project suspected this would be an opportune time to commemorate Nelson Mandela’s contribution to humankind. But the project — a poster design competition conceived to align with Mandela’s 95th birthday on July 18 — may also serve a dual role as a eulogy to the anti-Apartheid revolutionary, who has been hospitalized since falling critically ill with a lung infection on June 8.

Posters designed by eight Art Center Graphic Design students, featured below, were selected for inclusion in the traveling exhibition by the South African Organizing Committee from a large pool of submissions from around the world.

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Dwight Stuart Youth Fund grant equips creative kids with artist mentors

Saturday High student Kari Davis

Saturday High student Kari Davis

How can a good mentor change the way a young artist sees the world—and herself?  Just ask Kari Davis. The 12th grader and Saturday High student was recently paired with film instructor and Art Center alumnus Chris Gehl as part of Art Center’s Public Programs Mentoring Program, which helps teens hone their personal creative vision and learn about opportunities for college and jobs in the arts.

“Having Chris as a mentor is like having an art-focused sensei master giving you his undivided attention and support,” she says. “Every meeting is a field trip and a lesson. I feel like everyone at Saturday High is cheering me on and cares about my success not only as a filmmaker, but also as a person.”

A recent grant from the Dwight Stuart Youth Fund is helping to bring Art Center’s Saturday High and Art Center for Kids classes to students with creative prowess and financial need. Additionally, the grant is funding mentorship opportunities between Saturday High students and Public Programs faculty. The Fund is providing support for student scholarships and stipends for mentors. It is also the first non-College group to fund such activities as field trips to Art Center’s Hillside Campus and the publication of Voices, Public Programs’ annual collection of original Mentoring Program student work.

According to C.C. Ybarra, outreach program manager for Art Center’s Public Programs, “The Dwight Stuart Youth Fund’s grant will enable Public Programs to better reach an untapped community of kids who are creative and resourceful. These are kids who may already spend their days doing things like fixing broken bicycles in creative ways or using their artwork to barter with friends. But they may not realize that there’s an education system that highly values their talents, or that the art world and design industries value it.”

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Form follows fungus at the Williamson Gallery’s Intimate Science exhibit

Philip Ross’s "Mycotecture" series, part of the Williamson Gallery's "Intimate Science" exhibition.

Philip Ross’s “Mycotecture” series, part of the Williamson Gallery’s “Intimate Science” exhibition.

Bricks. You know, those hard rectangular cubes made of heavy solid stuff like cement, stone, concrete, rock . . . and fungus. Yes, fungus. Clean, lightweight, extremely durable, sustainable, (dead) fungus. There’s a sculpture made of those fungal bricks shaped into a half-arc tunnel – not to mention two fungus-grown chairs –  on display in the Williamson Gallery’s current exhibitionIntimate Science (through August 18).

Known for its curatorial connections to the burgeoning ArtScience movement, the Williamson Gallery’s recent projects have extended this theme to include artists who are productively reckless when considering the boundaries between traditional domains. Stitching together performance, installation art, design, citizen science, and maker-ingenuity into a complex fabric of artistic practice, ArtScience artists are challenging older single-channel paradigms.

Originally organized by curator Andrea Grover for Carnegie Mellon University’s Miller Gallery and now on a national tour, Intimate Science includes a compelling assemblage of crossover objects and intentions. The exhibition’s stop at the hillside campus has brought works by artists from London, Seattle, San Francisco, Pittsburgh, and Tokyo to join hometown L.A. participant Machine Project in provoking students, faculty, staff and a stream of inquisitive visitors.

Two recent workshops organized by Machine Project transformed a section of the gallery into an interactive learning lab for unconventional artistic palettes. Attendees examined processes that might inform future hybrid projects by harnessing the behavior of sound vibrations and twisting auditory perceptions, and interfacing with the dynamics of electricity and the natural flow of current in the human body.

At the exhibition’s opening reception on May 30, scientists from Caltech and Jet Propulsion Lab mixed with artists, designers, writers, students, faculty, and the generally curious. Carnegie Mellon’s Astria Suparak remarked on bringing the exhibition to Art Center’s gallery: “We were thrilled to open Intimate Science at the Williamson Gallery — to have the opportunity to bring the gallery’s work to Los Angeles, to be seen by a wider audience and have a larger impact.”

 

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Design gurus from Art Center, Facebook and MySpace share trade secrets on the past, present and future of web design

Marshall Rake, Maria Giudice and John Chambers at 3X3

Marshall Rake, Maria Giudice and John Chambers at 3X3. Photo by Chuck Spangler.

Ask a group of web designers to describe the state of internet aesthetics and you’re likely to get as many answers as there are designers. There are few working environments more fluid than the digital domain, a kind of primordial soup where new innovations and ideas constantly bubble up, creating a rapidly evolving field where the rules of engagement are constantly shifting.

However, the most recent installment of Art Center’s 3X3 lecture series, Web Design: Past, Present and Future (held on the evening of June 26 at the College’s Hillside campus) made some major strides toward delivering a clear picture of how to best navigate and succeed in this nebulous arena.  The event featured a trio of design luminaries — Art Center faculty member John Chambers, Facebook Director of Product Design, Maria Giudice and MySpace Creative Director (and Art Center alum) Marshall Rake – each of whom brought an array of  diverse professional experiences to bear on a specific phase of the state of the art of web design.

Chambers kicked off the proceedings by offering a longitudinal perspective of digital design, from its primitive beginnings (back in the 1980’s) through its rough infancy (when nobody believed it would survive) to the restless adolescent it has become today. The popular web design instructor harkened back to a time when designers had very few tools with which to ply their trade beyond simple HTML code, which, he pointed out, remains the through-line connecting the web’s earliest iterations and the complex motion-graphics enabled sites of today.

Maria Giudice then took the stage, donning a headset and unleashing a dynamic presentation that could have easily been mistaken for a TED Talk on the rise of web design in tech circles. (That’s no coincidence given that she’s no stranger to the TED stage).  Guidice described her career trajectory, which began in print, where she redesigned the PacBell yellow pages before migrating to the web and launching her own design firm, Hot Studio, which she recently sold to Facebook, where she now works as the social network’s design guru.

Giudice strongly emphasized the notion that we’re in the midst of a tectonic shift, from an entrepreneurial culture centered on engineering expertise to one driven by design innovation. “When Facebook acquired us, it was a declaration that designers have value too,” said Giudice. “Engineers used to have all the currency. But companies are making an investment in design. I think we’re going to see the rise of the DEO – leadership by design. They’re going to be the future leaders of companies. You have to think and act like a designer to unlock innovation.”

Graphic Design alum Marshall Rake followed Giudice and echoed some of her thoughts about how designers must respond to the explosion of content generation by taking a curatorial approach to their web presence (think: Pinterest). He also emphasized the idea that the future of web design has yet to be invented and encouraged aspiring designers to experiment and expand upon what’s already been created.

“On the web your creations are always on the brink of being discovered,” said Rake. “Three things to think about with every web design challenge are how to simplify, organize and contextualize information.” Following his brief, high-decibel video montage of some of the recent work he’s done for MySpace, Rake ended the evening with an imperative to future designers: “We have a crazy opportunity in front of us,” he insisted, as a mischievous smile spread across his face. “The web is a place we can experiment because so much stuff doesn’t exist yet. It’s our job to go out there and detonate.”

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Calling all video sleuths: Archivist issues APB for lost footage of Keith Haring

Keith Haring painted this mural at Art Center shortly before his death

Keith Haring painted this mural at Art Center shortly before his death

 

The Archives needs your help locating a lost video treasure.

In 1989 artist Keith Haring was invited to paint a mural at Art Center to serve as a “permanent memorial to members of the art community who have died of AIDS and as a symbol of hope and compassion.” Painted over the course of two days, the mural covers a large wall near the Hillside campus Library and offers a daily source of inspiration to the College’s growing community of students focused on social impact art and design. Haring’s painting also stands as tribute to Haring himself, who passed due to AIDS-related complications in February 1990, two months after the Art Center public work was completed.

It was a significant moment in the College’s history; and steps were taken to capture the process on video. However, after searching high and low, we’ve been unable to locate a single frame of the footage captured while Haring worked on the painting.  Can you help us locate it?  We worry that video from that event is deteriorating somewhere. And without Indiana Jones around to dig it up this Holy Grail of archival material, we’re turning to you for help.

The Archives collects, preserves, and makes accessible materials related to the history of Art Center.  We accept items on a regular basis, including photographs, documents, course materials, examples of student work, and film and video.

If you would like to donate materials to Art Center, contact College Archivist Robert Dirig at: archives@artcenter.edu or 626.396.2208. As Keith Haring might have encouraged anyone with an inkling about where this footage might be hidden: Silence = Death (and/or a serious void in Art Center’s archives).

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Bright IDEA Awards: Art Center students collect a trio of medals

IDEA Award-winning designs by Nina Viggi, Marc Dubui and Shingo Mamiya

IDEA Award-winning designs by Nina Viggi, Marc Dubui and Shingo Mamiya

Art Center continued its legacy of award-winning leading-edge design with yesterday’s announcement of the 2013 IDEA Awards, which included three medal-winning student projects and eight finalists among the honorees of the Industrial Designers Society of America’s prestigious annual awards program.

“The IDEA awards program continues to be an effective witness to the state of industrial design and design education today,” explained Katherine Bennett, faculty member in the Graduate and Undergraduate Industrial Design Departments. “The process of articulating their designs for the IDEAs’ worldwide audience gives practitioners and students a forum for important causes we want to address, and to tell the story of design’s value to our clients, our customers and society as a whole.”

Each of this year’s trifecta of winning projects illustrates Art Center’s trademark focus on innovative design with real world social impact, informed by a meticulous, research-based approach. Graduate Industrial Design student, Nina Viggi’s One Degree High Performance Dinghy Shoe, durable footwear designed for sailors, received a gold medal. Product Design student, Marc Dubui, took home a silver prize for his hard hat suspension system, titled Oblikk, designed to protect the wearer from lateral and rotational impact. Finally, Product Design undergrad, Shingo Mamiya, was awarded the bronze for A Better Working Environment for Certified Nursing Assistants, a waste disposal system for the elderly.

Art Center students have long been a formidable force at the IDEA Awards, collecting a total of 70 medals over 22 years, with a wide array of inventive designs, ranging from the UnBathroom to the U-Haul Emergency Response Conversion Kit for the American Red Cross. This year’s winners were selected from a field of 687 finalists, to be announced live on August 21 at its 2013 International Conference in Chicago.

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Longtime library leader enters retirement with a loving send-off — and a stack of 19th century novels

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Betsy Galloway embraces a well-wisher during her retirement party in the Art Center Library. Photo by Chuck Spangler.

Friends and colleagues old and new gathered together for an Alice in Wonderland-inspired tea party to celebrate Betsy Galloway’s 35 years of devoted service and commitment to Art Center and its students. Betsy’s retirement from her position as Vice President, Library, was announced in mid-May, and her farewell party took place in the Library June 11.

“Through Betsy’s leadership and management of the Library and her collaboration with her remarkable staff, she has ensured that the Library is a professional and social community resource that enhances the rich and full educational content that the College offers,” said Provost Fred Fehlau. “She has made significant contributions throughout her tenure in her management of the Library and its other resources, including our institutional Archives, which have served thousands of students and researchers.”

Outreach activities spearheaded by Betsy have included information events and guest speakers that benefit the entire college community. She also played a key role in Art Center’s co-hosting the Art Libraries Society of North America’s international conference in Pasadena in April. During her long tenure, she oversaw the introduction of the Library’s mobile application, international student research tutorials, use of social media, video tutorials for remote learning, and library orientation programs. She credits her colleagues with innovations such as a unique and growing collection of zines, which are typically self-published and usually impossible to find in bookstores and libraries.

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A Transman Speaks Out on LGBTQ Allyship, DOMA, and Eating a Cookie

Tyler Bennet's self-portraits track his transgender transformation

Tyler Bennet’s self-portraits track his transgender transformation

Tyler is a student at Art Center in the Fine Art Program. Last week OutNetwork, the Lesbian Gay Bisexual Transgender Student Club along with the Center for the Student Experience and Tyler led an Awareness and Ally Day at both campuses; encouraging staff, students and faculty to wear red and outwardly honor their commitment to a diverse and inclusive Art Center. Tyler’s work centers on large-scale photographs of his gender transition and daily life as a transgender man (transman.). Tyler is the current President of the Art Center Student Union, Vice President of the Art Center Service Club and the Director of Student Concerns on Student Government.

When I came to Art Center a few years ago I never could have imagined that I would be making 12’ photos of vulnerable parts of my life/body, sitting in countless committee meetings or walking down the hallway pinky promising students to take a nap. In my first few terms I observed the extreme work mentality, negation of personal narrative and absence of critical theory dialogue happening in and out the classroom; and ultimately how detrimental this vacuum can be to a creative. I started standing up for a supportive educational model — one where doing things outside of school and a commitment to self-care is viewed as integral to success in the studio. When I started taking testosterone as part of my gender transition I became even more aware of the need to bring these things into the present educational dialogue, also remarking on the exploitation and exoticism of minority populations in design work; including that of gender non-conforming people.

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Stuck in a rut? Alum Audrey Liu’s iPad App Can Help.

Ever wish you could “unstuck” yourself from a sticky situation? Creative Director Audrey Liu of SYPartners Inc. developed an iPad app called Unstuck that helps users find motivation to overcome obstacles by understanding what’s wrong and providing a set of tools to solve the problem.

In a recent profile in The People Stories, Liu admits that she had admired SYPartners while she was studying at Art Center, where she presented her exhibit to them on recruitment day. Liu came prepared to seize the moment, at least partially thanks to the training she received while studying abroad at INSEAD, a business school in Singapore and a longtime partner of Art Center.

Creative Director Audrey Lui developed the Unstuck iPad app to help users find motivation to solve problems.

Unstuck-App

That experience, Liu said, also reinforced “the importance of design and storytelling as a communication tool.” Now, split across bi-coastal offices in New York and San Francisco, she and the rest of the SYPartners product design team brainstorm and develop products that transform the way companies do business. “Now being involved in the hiring process at SYPartners, I can see a focus on clear, simple, emotive storytelling as well as a passion for communicating information in a very human way,” said Liu.

During the past two decades, the firm has guided some of the world’s most respected companies like Starbucks, Apple, Facebook, Coca-Cola, Visa, and more. Liu feels inspired and excited by the challenges she and her team face on a daily basis. “I feel very lucky to be able to say that there are a lot of things that I love about my job.”

 

 

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Say Goodbye to the Old Paradigm. Here Comes the Next Generation of Design-Driven Startups

Accelerator

Art Center  and Caltech today announced the launch of The Design Accelerator, an incubator aimed at helping startups grow by merging great design, cutting-edge technology and business strategy to create innovation. The Accelerator initially will be housed within Idealab, which is well known for creating and operating pioneering companies in its own right.

“In today’s economy, artists and designers play a vital role as creative leaders and catalysts for innovation and change,” said Art Center President Lorne M. Buchman. “Integrating technology, design and business, The Design Accelerator creates an opportunity for Art Center and Caltech alumni to expand on what they learned as students and provides a stimulating space for their concepts to become viable businesses.”

The Accelerator is an integral part of Art Center’s 2011–2016 Strategic Plan. Understanding students’ concerns about employment prospects following graduation, The Accelerator fills a critical gap by giving students and alumni the opportunity to develop their concepts into sustainable and commercial ventures—a bridge between academic and professional life.

Fred Farina, Caltech’s chief innovation officer, adds, “We know that making connections across different areas fuels innovation, and that’s why we’re excited about this collaboration. The combination of our complementary but very different perspectives in a startup team promises powerful results.”

The Design Accelerator benefits from its prime location in Pasadena, Calif., which has become a hotbed of innovation and entrepreneurship with vibrant creative, technology and business communities, enriched by the presence of Art Center, Caltech, angel investors and venture capitalists.

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