A spectre is haunting fashion — the spectre of JUMPSUIT. Fine Art Adjunct Instructor Maura Brewer and Rational Dress Society co-founder Abigail Glaum-Lathbury are bringing the people a new voice for non-choice. Curious? The Dotted Line caught up with Brewer in between lectures in Sweden, guerrilla actions at fashion week in NYC and her successful Kickstarter campaign to find out more about the project.
Archive for the ‘Faculty’ Category
Earl Gee (Graphic Design, 1983), has been selected as an AIGA San Francisco Fellow for 2015. AIGA, founded in 1914, is the oldest and largest professional membership organization for design, with 69 chapters and over 25,000 members. AIGA San Francisco, founded in 1983, is one of the largest AIGA chapters in the nation with over 1600 members. The AIGA Fellow program recognizes mature designers who have made a significant contribution to raising the standards of excellence in practice and conduct within the design community and their AIGA chapter. Fellows are honored for their design practice and other contributions in a range of areas, including education, writing, and leadership.
This week we are remembering and celebrating the life of Norman Schureman, our beloved teacher, mentor and friend. It’s been 5 years since we had to say goodbye to one of the most passionate designers and significant instructors in our Art Center community. The ripples of his influence are still felt as we continue to uphold his ideals in the Product Design department, as well as through the Norman Schureman Memorial Endowed Scholarship fund. On the special week, let’s raise our glasses with pinkies out and remember our friend Norm.
Sound is a fugitive object. We live in a muted cosmic universe – the big silence – where aural comprehension is confined to only certain molecule-rich atmospheres of planets supporting species of living things with an evolved ability to hear. We’re just damned lucky to be one of them—and even luckier to know of our own good fortune.
Without volume or mass (at least not the kind that succumbs to gravity) sound on Earth is weightless, fleeting and ephemeral—certainly not the solid we think of when contemplating the form of a physical thing. And yet sound is described in just those tangible terms, as having color, weight, body or texture. It isn’t that the material world just happens to offer us a robust set of analogies; it’s also because sound is, to our comprehension, very much like an object—a transient form of object, one that moves through time. Its shape, it might be said, is something we sense fourth-dimensionally.
As you plan your viewing party and fill out Academy Award voting ballots before the winners are revealed Sunday night, consider these opinions from our working professional Film Department faculty. The race for Oscar gold is nearing the finish line, so we asked our panel of experts not only what they think will win but what movies they would like to see recognized in various categories and why.
May the best film take home the biggest box office regardless of the number of statues the cast and crew collect.
Art Center’s reputation as a creative proving ground doesn’t exactly evoke images of artistic ardor, sunset strolls or even longing looks among the library stacks. But, as the saying goes: love is stronger than hate, war…or, in this case, work-weary creative determination. In fact, you might be surprised to learn that Art Center’s bridge has also served a figurative function, fostering deep and durable connections among more than a few alumni who have tied the knot.
So, in honor of Valentine’s Day, we’re taking a closer look at the elements unique to couples who survived three years of Art Center’s intense maker bootcamp of high-standards and brutal crits and successfully applied the iterative process to love.
Media Design Practices faculty member, Elizabeth Chin, illuminates her experiences doing field work in Uganda in Anthropology Now, excerpted below.
In a small village in eastern Uganda, I sat on the porch of my host’s home. A retired head teacher, he has a rumbling, stentorian voice that commands authority. As we sipped tea, he looked over at me and asked: “Is it true that in your country it is legal for a man to go with a goat?”
After a moment, I sputtered, “Well, no!”
He considered my answer. “But it is legal for a man to go with a man?”
I told him “Yes.”
He continued, “And for a woman to go with a woman?”
“That too,” I said.
Laughter, tears and, most of all, love was in abundance last Thursday evening, when more than 200 close friends and family gathered in Art Center’s Wind Tunnel Gallery to remember the extremely perceptive, bigger than life, impressively precise, brutally honest and encouragingly supportive Leah Toby Hoffmitz Milken, who passed away in October after battling a rare form of brain cancer.
President Lorne M. Buchman described Leah’s teaching as “the spine,” the core, the fundamental center for the design practice of her students. “Letterforms are a significant means through which human knowledge is conveyed and made precise, he explained. “Leah gave us the gift of knowing language, of seeing the visual word, in its most precise and exacting form. And from that came a release, a creativity of communication that can only enhance our experience as human beings.”