Archive for the ‘Faculty’ Category

Of fellowships and new (adjunct) faculty: Checking in with Grad Art chair Diana Thater

Wednesday, August 27th, 2014
Thater applied for the CCF fellowship with this work entitled Chernobyl, 2011

Thater applied for the CCF fellowship with this work entitled Chernobyl, 2011

For over two decades, Grad Art chair Diana Thater’s groundbreaking film, video and installation work exploring the tension between humans and the natural world has been widely discussed and admired. But the spotlight on Thater’s role as a leader in the global art world seems to have gotten even brighter over the past few months. In April, she named chair of the Art Center department from which she graduated in 1990 and where she’s taught for many years. In June, Thater was honored in a major gala by the Orange County Museum of Art. And earlier this month, she was awarded a 2014 California Community Foundation Fellowship.

Additionally, Thater has already begun placing her creative stamp on Grad Art by making some exciting additions to its adjunct faculty roster. She announced an impressive lineup of new fall adjunct faculty, including Philippe Vergne, director of MOCA, and Bennett Simpson, senior curator at MOCA and artist Harry Dodge. Her adjunct faculty additions for the spring are equally exciting: Getty Scholar and curator for the National Gallery in Washington Lynne Cooke, artist and Getty Scholar Tacita Dean and curator Charlotte Cotton.

To honor Thater’s accomplishments and better understand the ideas informing her creative practice, we’ve included the artist’s statement that compelled the foundation to grant her the award. Consider this a behind-the-scenes snapshot of what it takes to be a successful working artist.

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Change to spare: Art Center students develop social innovation campaign to ease homelessness

Monday, August 25th, 2014

The Welcome Home Project – “Real Change Movement PSA” from designmatters at art center on Vimeo.

Art Center College of Design student work will gain valuable widespread exposure as the citywide Real Change Movement initiative rolls out with a comprehensive social innovation advertising and public relations campaign. Real Change is a strategic initiative aimed to activate support for tangible, self-sustaining low-cost housing solutions to end homelessness and mitigate panhandling in Pasadena.

The Real Change Movement is the first initiative of its kind within Los Angeles County, to help provide homes for the homeless with funds generated by the coin and credit card donations made through uniquely designed meters. The goal is to install 11 bright orange meters throughout the city at heavily trafficked locations such as the convention center, shopping malls and parking structures. Campaign elements include a website, brochures, power bill stuffers, bus shelters, bumper stickers, elevator door signage, print ads, video and radio public service announcements. For more information, visit realchangemovement.org.

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Brad Bartlett scattered inspiring pebbles of wisdom throughout his Great Teacher Award address

Wednesday, August 20th, 2014
Instructor Brad Bartlett stands inside student Ka Kit Cheong's "Plaception" installation. Photo: Chris Hatcher

Instructor Brad Bartlett stands inside student Ka Kit Cheong’s “Plaception” installation. Photo: Chris Hatcher

“I went for a long hike on Sunday morning to think about what I would say to you today,” said instructor Brad Bartlett this past Saturday at the top of his commencement address to Art Center College of Design’s graduating class of Summer 2014. “During that hike I remembered something one of my college professors, Dr. Michael Pause, once said: ‘May I always remain a pebble in your shoe.’”

Immediately prior to delivering his speech, Bartlett became a twice recipient of College’s Great Teacher Award for full-time faculty; he previously won the award in 2003. Also at Saturday’s ceremony, Humanities & Sciences instructor Rocio Carlos won this year’s part-time faculty Great Teacher Award.

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Ready. Set. Snap! Corporate teams stretch boundaries at rubber band-powered Formula-E race

Wednesday, August 13th, 2014
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Team Mattel celebrates record breaking speed after competing in the new Formula-E race Pro-Class category.

Figuring out how to build and power a race car using a 16-foot long rubber band is not your typical corporate team building exercise. But, it turns out, that’s exactly the kind of creative boost the business world needs. For the first time, the international Formula-E race at Art Center included a “Pro Class” category with teams participating from Mattel in El Segundo and Axial, a remote control car company based in Irvine. Competition was fierce and teams were gunning for the gold in the 9th annual “day at the races” showcasing talented students, businesses and even a junior race car design set.

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Summer 2014: Countdown to commencement!

Tuesday, August 12th, 2014
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Getting ready for Grad Show. Photo: Lucia Loiso

The computer labs are packed. The shops are humming at all hours. Visitors from sponsoring companies and organizations are streaming through campus to attend final presentations. And the Student Gallery is full of projects in and out of the coveted space. These telltale sights and sounds can only mean one thing at Art Center: Week 14 has arrived.

The state of the campus is a visual reminder of the frenetic energy generated by Art Center students sprinting toward finals. The end of the term is here; and for 111 students, this week marks their last. Saturday evening, after countless all-nighters, critiques, finals, internships and hopefully some fun, 100 undergraduate and 11 graduate students will be awarded their degrees. As we count down to commencement, we celebrate these creative and talented individuals who are about to take on the world and honor the great teachers who have guided the way. Here’s the lowdown for the week.

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Not sure what type of design to study? Sample them all in Andrew Hall’s Design 360

Monday, August 11th, 2014
Artist and ACN instructor Andrew Hall in his studio. Courtesy of the artist.

Artist and ACN instructor Andrew Hall in his studio. Courtesy of the artist.

For the past four years, artist Andrew Hall has taught Design 360 at Art Center at Night (ACN), Art Center’s continuing studies program. Design 360 gives students a whirlwind tour of many of the major disciplines offered at the College, including: advertising, graphic design, filmmaking, illustration, product design and transportation design.

In the class, he asks his students to imagine a product that “protects something” which can be “something obvious like safety goggles” or something more abstract “like a camera, which protects memories.” Then, for the next 12 weeks, students give their product the full treatment—designing everything for it from a logo to a storyboard for a 30-second commercial—and then present it to the class, complete with drawings that show their process. “The presentation teaches the importance of really owning your concept.”

Hall finds the diversity of his students particularly inspiring—some take Design 360 when they’re at a point in their career where “they’re just treading water and need to make a big decision” while others treat the course as a philosophical journey. “Some of them come up with solutions far more cerebral and spiritual than a product you can hold in your hand.” (more…)

Artworld luminaries and Art Center alums pay tribute to Mike Kelley’s legacy as an educator

Wednesday, July 16th, 2014

Of all the ways Mike Kelley has been celebrated for his pivotal contributions to contemporary art, since his death on January 31, 2012, his impact as an educator may be the most significant aspect of his legacy to go relatively unexamined, if not unsung. Kelley was a faculty member of Art Center’s Graduate Art Department from 1992 to 2007. And during his time teaching at Art Center, Kelley mentored such monumental talents as video artist Diana Thater (who now chairs the department from which she graduated), multimedia artist Pae White, installation artist Jennifer Steinkamp and Fine Art faculty member Jean Rasenberger.

In the above video, inspired by Kelley’s MOCA retrospective, these artists examine the ways in which Kelley influenced the kind of artists they’ve become, the work they create and, perhaps most importantly, how they go about crafting and sustaining a life as an exhibiting artist. Kelley has often been credited with helping raise the clout and visibility of LA’s art scene when his career took off and he declined to follow the well-worn path previous west coast supernova artists had followed to New York. As one of the first internationally acclaimed artists to root himself in Los Angeles, Kelley was, in essence, laying the groundwork for his students and their contemporaries to do the same.

If these artists’ upwardly-tilting career paths are any indication, Kelley’s impact on his students, his city and his creative discipline only gets deeper as time goes on.

Outgoing Grad Art chair Jeremy Gilbert-Rolfe on teaching, beauty and art’s unlikely logic

Tuesday, July 1st, 2014
Jeremy Gilbert-Rolfe

Jeremy Gilbert-Rolfe

After logging 11 years as Chair of Art Center’s Graduate Art department, Jeremy Gilbert-Rolfe handed over the reigns to incoming co-chairs Diana Thater and Jason Smith. Gilbert-Rolfe has spent a total of 28 years on Art Center’s faculty, and will migrate into a full-time teaching position in 2015 after a sabbatical during which he’ll dedicate himself to one of the many writing projects vying for his attention (see Q & A below for details).

Throughout his tenure with the college, Gilbert-Rolfe has had a hand in educating an impressive array of art world luminaries, including Lynn Aldrich, Lisa Anne Auerbach, David Bailey, Olivia Booth, Mason Cooley, Aaron Curry, Kevin Hanley, Nate Hylden, Melissa Kretschmer, Sharon Lockhart, T. Kelly Mason, Rebecca Norton, Steve Roden, Sterling Ruby, Frances Stark, Jennifer Steinkamp, Alexis Marguerite Teplin, Diana Thater, Pae White, Jennifer West and T.J. Wilcox. At the same time, he has distinguished himself as a formidable writer and critical thinker, best known for probing philosophical and aesthetic ideas around beauty and other issues informing the way we interact with art.

Gilbert-Rolfe makes clear in his candid and enlightening responses to our questions below that he will continue to build upon this legacy as an educator and critic.

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Change Makers: Alumni Q&A with video artist Filip Kwiatkowski on capturing the undefinable

Tuesday, June 24th, 2014

 

Working Title (I Am Not Your Father), 2013, by Filip Kwiatkowski. HD video projection with sound

Working Title (I Am Not Your Father), 2013, by Filip Kwiatkowski. HD video projection with sound

Warsaw-born video artist Filip Kwiatkowski (Grad Art, MFA 2013), who earned his BFA in film and television at the Tisch School of the Arts, came to Art Center after a successful career as a freelance photographer in New York. Shortly after completing his MFA in Art Center’s Graduate Art program, Kwiatkowski was awarded a fellowship at the Academy of Media Arts in Cologne, Germany, where he had studied as a participant in an Art Center exchange program. In his work today, Kwiatkowski continues to explore issues that fueled his graduate film project: how media interfaces transform personal narratives, shape behavior and create “a circumstance in which the relation between private, public, work and personal time are increasingly hard to separate.”

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The future of the digital novel is here thanks to Art Center faculty members Norman Klein and Margo Bistis

Friday, June 20th, 2014

I20C2.3map

Built with a team of artists and designers, Art Center Humanities & Sciences faculty Norman Klein and Margo Bistis released The Imaginary 20th Century, a ‘wunder-roman’ online narrative engine where fact and fiction split off and return to each other to tell the story in a unique form.

The Imaginary 20th Century is a tale of seduction, as well as espionage; of archiving and the transitive poetics of excavation. According to legend, in 1901 a woman named Carrie selects four men to seduce her, each with a version of the coming century. Inevitably, the future always spills off course. We navigate through the suitors’ worlds, follow Carrie on her travels and discover what she and her lovers forgot to notice. In 1917, Carrie’s uncle sets up a massive archive of her life.  For decades, Uncle Harry had worked for the oligarchs of Los Angeles erasing crimes that might prove embarrassing.  Thus, as he often explains, seduction itself is a form of espionage. In 2004, this archive was unearthed in Los Angeles.

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