Archive for the ‘Faculty’ Category

Making experience is make-or-break for designers, says Art Center at Night instructor Jesse Ellico

Tuesday, July 28th, 2015

Aerospace engineer Jesse Ellico teaches industrial design modeling at Art Center at Night.

“I get to fly airplanes and blow things up,” says Jesse Ellico, an aerospace engineer for Orbital ATK, when asked to describe his job. “It’s a little boy’s dream.”

The first thing Ellico tells students enrolled in his seven-week Introduction to Industrial Design Modeling workshop at Art Center at Night (ACN) is that they’re “going to make stuff and have fun.”

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Transportation students journey to the year 2030 to see the future of cars. No time travel machine needed.

Friday, July 24th, 2015

Kids who are five years old today might be happy to know that Art Center Transportation Design students are already thinking about the future of cars and what they’ll be driving in 2030.

And the designers are drawing inspiration from an unexpected source: the wonderful world of plastics.

It’s all part of a three-month long design project and competition called Design for Alpha, sponsored by plastic manufacturer SABIC. The project challenged students to come up with forward-thinking ideas for vehicles that anticipate the future driving needs of anyone born after 2010—dubbed Generation Alpha —and then find ways of using the plastics of today and tomorrow to meet those needs.

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Design polymath Michael Sans immerses Bikini Berlin in a high-intensity trans-disciplinary experience

Tuesday, June 30th, 2015
Michael Sans with Art Center students in Berlin

Michael Sans with Art Center students in Berlin

“Inspiring and helping each other goes both ways,” says Product Design alumnus Michael Sans of his engagement with students at Art Center Bikini Berlin, the College’s satellite studio where he is managing director.

Sans’ own education began at the workbench of his woodworker grandfather in a small German town on the Rhine. He apprenticed as a cabinetmaker, briefly studied architecture in Florence, and turned to product design when he entered the program at Art Center Europe in Switzerland—emerging forever shaped by its “professional approach, intense schedule, small classes and perfect facilities.”

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Autonomous for the people: cars of the future will need to balance new features with safety

Wednesday, June 3rd, 2015

 

Still from Media Design Practices students Elaine Cheung’s Connected Mobility “video sketch.”

Still from Media Design Practices students Elaine Cheung’s and Shan Shen’s Connected Mobility.

Last week, Chevrolet announced that more than a dozen of its 2016 cars and trucks would be compatible with Apple’s CarPlay and Google’s Android Auto, the tech giants’ competing in-dash interfaces for vehicles that connect to the driver’s smartphone.

Considering both CarPlay and Android Auto were only publicly announced last year, the speed of Chevrolet’s adoption of these interfaces could signal a sea change in how quickly automakers respond to consumers’ demands.

Geoff Wardle, executive director of Art Center’s graduate Transportation Systems and Design program, says Silicon Valley’s forays into the transportation arena have lit the proverbial fire under Detroit.

“Traditionally the car industry has designed vehicles over a three- to four-year time period,” says Wardle. “But people want the same features in their cars that they have on their smartphones, which change every few months.”

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JUMPSUIT: The ungendered monogarment to replace all clothing

Wednesday, May 27th, 2015

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A spectre is haunting fashion — the spectre of JUMPSUIT. Fine Art Adjunct Instructor Maura Brewer and Rational Dress Society co-founder Abigail Glaum-Lathbury are bringing the people a new voice for non-choice. Curious? The Dotted Line caught up with Brewer in between lectures in Sweden, guerrilla actions at fashion week in NYC and her successful Kickstarter campaign to find out more about the project.

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lynda.com acquired by LinkedIn: A billion-dollar idea, birthed at Art Center

Friday, April 10th, 2015
Lynda Weinman's BOLD keynote, September 2014

Lynda Weinman at Art Center’s BOLD symposium for creative entrepreneurs, September 2014

As a faculty member at Art Center College of Design in the late 1980s and early ’90s, on a campus nestled in the hills above the Rose Bowl in Pasadena, Lynda Weinman was trying to solve a simple problem. Her classes on digital media and motion graphics—computer design practices then in their infancy but in growing demand—were filled to overflowing. She wanted to make the popular classes accessible to more students, who at the time would literally camp out in the hallway to try and get in. And so she shifted the venue and began to teach 80 students at a time in an auditorium, rather than 15 at a time in a classroom. Soon after, she and her company co-founder, Art Center alumnus and Trustee Bruce Heavin (BFA 1993 Illustration), launched lynda.com to begin offering video recordings of her lectures, distributed first on VHS tapes, then DVDs, and with the arrival of the internet, online. Together the couple evolved lynda.com from its original concept as a free web resource for Weinman’s students, to a site for her books on Web design, to a respected and ever-expanding online training library now offering thousands of courses.

In what Weinman has described as a “20-year overnight success” story, lynda.com has become an industry leader in online learning, and this week the company was acquired by social media giant LinkedIn for $1.5 billion. It’s LinkedIn’s largest deal ever, and for Weinman and Heavin, it means extending their reach to an even larger global audience of creative and business professionals.

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Gee whiz! Graphic Design alum Earl Gee named AIGA 2015 San Francisco Fellow

Wednesday, April 8th, 2015
Design by Earl Gee

Design by Earl Gee

Earl Gee (Graphic Design, 1983), has been selected as an AIGA San Francisco Fellow for 2015. AIGA, founded in 1914, is the oldest and largest professional membership organization for design, with 69 chapters and over 25,000 members. AIGA San Francisco, founded in 1983, is one of the largest AIGA chapters in the nation with over 1600 members. The AIGA Fellow program recognizes mature designers who have made a significant contribution to raising the standards of excellence in practice and conduct within the design community and their AIGA chapter. Fellows are honored for their design practice and other contributions in a range of areas, including education, writing, and leadership.

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Remembering Norm Schureman: A video tribute to the larger-than-life legacy of an Art Center icon

Friday, March 20th, 2015

This week we are remembering and celebrating the life of Norman Schureman, our beloved teacher, mentor and friend.  It’s been 5 years since we had to say goodbye to one of the most passionate designers and significant instructors in our Art Center community.   The ripples of his influence are still felt as we continue to uphold his ideals in the Product Design department, as well as through the Norman Schureman Memorial Endowed Scholarship fund.  On the special week, let’s raise our glasses with pinkies out and remember our friend Norm.

The Williamson Gallery’s latest show, With Hidden Noise, features the work of eight sound artists

Thursday, February 26th, 2015
Installation view, With Hidden Noise Alyce de Roulet Williamson Gallery, Art Center College of Design Photo: Chuck Spangler

Installation view, With Hidden Noise
Alyce de Roulet Williamson Gallery, Art Center College of Design
Photo: Chuck Spangler

Sound is a fugitive object. We live in a muted cosmic universe – the big silence – where aural comprehension is confined to only certain molecule-rich atmospheres of planets supporting species of living things with an evolved ability to hear. We’re just damned lucky to be one of them—and even luckier to know of our own good fortune.

Without volume or mass (at least not the kind that succumbs to gravity) sound on Earth is weightless, fleeting and ephemeral—certainly not the solid we think of when contemplating the form of a physical thing. And yet sound is described in just those tangible terms, as having color, weight, body or texture. It isn’t that the material world just happens to offer us a robust set of analogies; it’s also because sound is, to our comprehension, very much like an object—a transient form of object, one that moves through time. Its shape, it might be said, is something we sense fourth-dimensionally.

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Designing for net-positive water: SoCal students take on turf, not surf

Monday, February 23rd, 2015
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Environmental Design student Katie Healey’s design proposal for removing turf and expanding outdoor spaces for dining and recreation on the east side of the Ellwood Building.

 

Turf removal.

Not exactly a siren call to emerging designers regularly invited to put their brilliant minds to work developing sports cars, wearable tech and high-end furniture.

Or so one might assume.

A handful of Art Center students defied that assumption, and many others, as they enthusiastically explored possibilities for transforming Hillside Campus into an Eden of eco-innovation during last Fall’s Sustainability Studio.

Linda Estrada, an administrator who manages Art Center’s programs fostering alternative transportation options for campus commuters and other sustainability initiatives, got the ball rolling when she saw an opportunity to participate in a City of Pasadena program offering cash incentives—two dollars per square foot—to replace thirsty green lawns with drought-resistant plants and hardscape.

“And up here,” says Estrada, at Art Center over 17 years, “we have nothing but grass.”

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