Microsoft cracks the Surface with an Art Center Design Storm

Earlier this month, Microsoft placed the latest iteration of its Surface tablet in the eye of an Art Center Design Storm. For the following two days, a group of tech-obsessed designers (the futurists of the future?) gathered in a classroom at Art Center’s Hillside campus for a super-charged idea generating session with a single directive: Conceive the most mind-popping attachments and accessories for the device imaginable.

A flood of innovative and enticing ideas flowed from this quintessential Art Center technique designed to stimulate creativity. Watching the above video — produced by Microsoft and shot and edited by Art Center Film alum, Erik Anderson — feels a lot like peering into the right side of a designer’s brain as it fires at full capacity.

Have a look and feel free to let loose with your own unexpected and innovative concepts for  Surface improvements in the comments section below.

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Alum Neil Shigley makes the invisible visible

 

Illustration alum, Neil Shigley with block prints including, at left, Michael 67 (Pastor Shelby).

Illustration alum Neil Shigley with block prints including, at left, Michael 67 (Pastor Shelby).

For the portrait artist, block printing is a particularly labor-intensive form. For San Diego-based Neil Shigley, it’s a labor of love.

The Art Center Illustration alum, who documents his adopted city’s homeless in search of “the most honest portrayal that I can get,” is among 48 artists whose work is included in the Outwin Boochever Portrait Competition, a juried exhibition at the Smithsonian’s National Portrait Gallery on view through Feb. 23, 2014.

“They are people who are, to most of us, invisible. They are the homeless,” says Shigley’s artist statement. “I have focused my art on capturing the incredible character that life on the streets has given these individuals, many of whom are from my neighborhood near downtown San Diego. As a human being I can’t help but feel compassion . . . and by presenting them in this large format perhaps it will bring them into focus. Making them visible.”

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Station to Station and Mirror place Doug Aitken at the epicenter of underground art

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All great art (and even some of the mediocre stuff) can be transporting. Conceptual artist Doug Aitken (ILLU ’91) took that idea into the realm of the literal with his latest project, Station to Station, a traveling public art project for which he has commandeered a cross-country train and turned it into “a moving, kinetic light sculpture, which will broadcast unique content and experiences to a global audience.” The traveling exhibit, which kicked off on September 6, brings together groundbreaking artists, musicians, writers, filmmakers and chefs for a series of pop-up festivals taking place at train stations along the two costs and at stops in between. And with Levis sponsoring the whole enterprise, don’t expect this to be a typical beer-in-plastic-cups underground art scene affair. Aitken managed to recruit a lineup of iconic creators, including Cat Power, Sonic Youth’s Thurston Moore, Jackson Browne, Patti Smith, Beck, Urs Fischer, Alice Waters, Ed Ruscha and Rick Moody among others.

If you miss that train, don’t fret. Just book a trip to the Emerald City and be sure to stop by the Seattle Art Museum to see Mirror, a new permanent installation by Aitken that wraps itself around the downtown museum’s northwestern façade. Unveiled in March, the monumental LED display features a horizontal band of projected images that dissolve into narrow columns of light running up and down the building. To create the images, Aitken shot a vast archive of video footage of the Pacific Northwest that can be choreographed—for Mirror’s public unveiling, the work was synchronized to music by minimalist composers Steve Reich and Terry Riley—and that can also respond to the installation’s changing urban environment, so that ephemeral factors like weather and traffic all help Mirror decide what to reflect.

For more on Aitken and the Mirror exhibit, check out the Dot magazine story here.

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LEAP Symposium kicks off with a line-up of pioneers in design and social innovation

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One hundred thought leaders and educators in design and innovation will converge at Art Center College of Design September 19–21 for the LEAP Symposium, a convening comprised of a series of focused conversations exploring new career pathways for designers in the emerging field of social innovation. For more information about LEAP, including participant photos and bios, please visit the newly launched website.

The weekend-long symposium was conceived and hosted by Mariana Amatullo, Vice President, Designmatters Department with a national braintrust that includes: Allan Chochinov, Chair Products of Design, School of Visual Arts and Partner, Core 77; Lee Davis, Scholar-in-Residence, Center for Social Design, Maryland Institute College of Art (MICA); William Drenttel, Director, Winterhouse Institute and Edirorial Director, Design Observer and LEAP Symposium Editorial Director; Robert Fabricant, Vice President of Creative, frog; Jocelyn Wyatt, Co-Lead and Executive Director, IDEO.org.

Portions of the event are open to students, faculty, staff and members of the public. Check out the schedule below. And if you can’t attend in person, you can also tune into the livestream of LEAP’s opening session and LunchTime Talks here.

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Step in to the shoes of homeless youth with Media Design Practices

 

Performing their song, "The Road I Walk," at the gallery are from left, Marlon "Mr. Stranger," Kevin "Lil' Krazy aka Ghetto Boy" and Lorenzo "Mr. L.A."

Performing their song, “The Road I Walk,” at the gallery are from left, Marlon “Mr. Stranger,” Kevin “Lil’ Krazy aka Ghetto Boy” and Lorenzo “Mr. L.A.”

The road I walk every day, it’s no game,

I try to make my way.

 People see what they want to see.  

But that person is not me. 

Look at me, look at me…

I might surprise you. 

Who am I?…

Lyrics by Kevin Lil’ Krazy aka Ghetto Boy from the song The Road I Walk

The assignment for the first term Graduate Media Design Practices Field students was to use design to tell a story that reframes preconceived ideas of homelessness. One of the results was a powerful collaboration that asks viewers to “step into my shoes” to explore homelessness through stories told by youth who have been there.

In partnership with Jovenes, Inc., a nonprofit organization that provides housing and support services for homeless youth in Boyle Heights, three Art Center student teams got to work.

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Creativity 101: Harnessing the power of students’ imaginations

Photographs by Chris Hatcher, PHOT '05

Photographs by Chris Hatcher, PHOT ’05

In 30 minutes, visualize your creative process and recreate it using an 8-and-a-half-by-11 sheet of paper.

This is the first assignment in Creative Strategies, a popular undergraduate Product Design course taught by instructor Fridolin “Frido” Beisert PROD 98, INDU 08, faculty director of Art Center’s Product Design Department.

All 14 students accept the challenge. Walking to the front of the classroom, they each select a single sheet of colored construction paper and take a seat along the row of bare metal tables. As a digital timer, projected onto the wall, starts ticking, the students immediately start cutting, tearing, folding and drawing.

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Finalist in Ron Howard’s Project Imaginat10n experiences Art Center flashbacks. The good kind.

Kalman Apple's "A Day in the Country"

Kalman Apple’s “A Day in the Country”

Go Back to Art School in your head.  You can see it right? Germanic block letters tattooed between the shoulder blades, or etched in a delicate script on the hip or across the belly. I’m a little old fashioned that way, so I’ve kept it simply as a personal mantra. Whenever I’ve been stumped or creatively blocked, I invoke the mantra to help me get away from the mediocre solutions I’m hoping to avoid.

Recently, the meaning of that phrase came back to me-­‐ and this time from an unlikely place. In this instance, I was up against a seemingly impossible deadline to finish a film. I started shooting on a Wednesday for a project due by 6 AM on the following Tuesday. The deadline was for a contest Canon USA was sponsoring to promote its latest DSLR camera.

The contest was to be judged by Ron Howard and his daughter, Bryce Dallas Howard. You probably remember him best as a child star, brilliant director or the guy who introduces the magic of movies on the tram ride at Universal Studios. When I first heard about Project Imaginat10n, it sounded very much like an Art Center class assignment. Take ten still images, each representing an aspect of storytelling and create a 1-10 minute film inspired by those images. The genesis of this contest comes from a statement Ron Howard made years ago, “We’re all creative.” And to prove it, Canon has stepped up to provide the forum.

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Pasadena green-lights Art Center student’s design for Armenian genocide memorial

Catherine Menard’s design for the Pasadena Armenian Genocide Memorial.

This week the Pasadena City Council unanimously approved the memorial designed by Art Center Environmental Design student Catherine Menard. The Los Angeles Times reported that more than 150 supporters attended the Sept. 9 meeting, including members of Pasadena’s large Armenian community.

Menard’s design concept was selected by the Pasadena Armenian Genocide Memorial Committee (PASAGMC) in January, at the conclusion of a two-phase competition. The monument will be built at a proposed site in Pasadena’s Memorial Park once PASAGMC completes its fundraising campaign. Dedication of the public artwork is set for April 2015, coinciding with 100th anniversary commemorations of the Armenian Genocide.

Related:

Art Center student wins Pasadena Armenian genocide memorial competition

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Entering the Matrix with Media Design Practices’ dialectical bus tour

The data center at One Wilshire

The data center at One Wilshire

“How do I talk about infrastructure?” Norman Klein wonders aloud as Media Design Practices’ annual dialectical bus tour of Los Angeles gets underway on a sweltering Friday morning in September. This annual odyssey through the pivotal places informing the city’s past, present and future has become a rite of passage for students pursuing a masters degree in Art Center’s forward-thinking program exploring the subtextual ideas at the intersection of design, social impact and culture.

Norman Klein

Norman Klein

Klein, a media and urban theorist who divides his time teaching classes on the relationship between Los Angeles, history and forgetting at Art Center and CalArts, has been presiding over this event since its inception some ten years ago. The tour takes its name from the original concept, which placed him dialogue with then MDP faculty-member Peter Lunefeld, who is now a professor in UCLA’s Design/Media Arts department.  That lively meeting of the minds then formed the basis for the tours future pairings with Klein acting as the constant.

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How Alex Cabunoc set out to save the world, one laundry load at a time

Visitors to Art Center’s homepage may have found themselves wondering if that Brady Bunch-like grid of student selfies splayed out on Art Center’s homepage was some kind of post-modern meditation on ’70′s pop culture. And they’d be wrong. The real explanation —  a refreshed batch of student profiles — is a lot like Art Center itself: A practical solution to a real world need whose outcome is a lot more interesting than anyone might have expected going into the project.

Over the next few weeks, we’ll be rolling out a series of deeper dives into the creative lives of those profile subjects, with highlights from the body of work they’ve produced at Art Center. We’re kicking off the series with this look at Product Designer Alex Cabunoc’s truly impressive array of innovative social impact designs aimed at improving the lives of inhabitants rural communities in the developing world. For the project featured in the above video, Cabunoc teamed up with fellow student Ji A You to create the GiraDora foot-powered washing machine for a Designmatters challenge to alleviate the water shortage in Lima, Peru. The product he produced has vast potential to improve the health and quality of life of women in water-poor communities throughout the developing world. In the below Q&A, Cabunoc provides some personal context to his Art Center journey.

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