Art Center students, faculty, trustees, alumni and staff have been busy racking up awards, giving interviews and making news. Here is a selection of some recent coverage, including highlights from Car Classic and the recent announcement of a $15 million gift from Peter and Merle Mullin, the largest donation in the 83-year history of Art Center.
Archive for the ‘Alumni Relations’ Category
Artforum called Sharon Lockhart’s meditation on the visionary work of Israeli dance composer and textile artist Noa Eshkol (1924–2007) an “intimate conversation of ideas simulated across the gulf of history.” The New York Times hailed the five-channel film installation as a “subtle but virtuosic move.” And the Los Angeles Times described it as “a sensitive portrait of a formidable artist.”
If you didn’t get a chance to experience the Art Center alumna’s acclaimed exhibition in person at the Los Angeles County Museum of Art (LACMA) in 2012 or at The Jewish Museum in New York earlier this year, the catalog presents an opportunity to delve deeply into the two artists’ unusual “collaboration.” Edited by LACMA’s Stephanie Barron and Britt Salvesen, Sharon Lockhart | Noa Eshkol (Prestel Publishing) features an in-depth interview with Lockhart; photographs of the installation and of Eshkol-Wachman Movement Notation spherical models; a selection of Eshkol’s wall carpets, scores and drawings; as well as several essays.
It’s not the first time Lockhart, who completed her MFA in Fine Art/Painting in 1993, has trained her lens on the work — and sometimes literally the labors — of others. In this case, Lockhart says, she was drawn to Eshkol’s “radical” practice and the “labor of love” that Eshkol’s devoted students, many of them aging, enact in preserving and performing her rigorous compositions.
This story originally appeared in Art Center’s Fall 2013 Dot magazine, where you’ll find more images from Lockhart’s installation as well as profiles of other notable alumni at work.
Stuart Fingerhut, associate creative director at George P. Johnson experience marketing firm, is gushing over the thrill of seeing people engage with his first big car show exhibition for Toyota and Scion. We caught up with him during the L.A. Auto Show media preview days leading up to today’s public opening. “This is like completely bonkers for me,” he says. “As a designer, it feels like the pinnacle.”
“We’re telling the story of the brand in a physical space,” the Art Center Environmental Design alumnus explained about the design that will travel to other car confabs including Detroit, Frankfurt and Tokyo in 2014.
With designs ranging from a portable desk for low-income children in India to lighting inspired by the beauty found in Japanese metal craft, Art Center students and alumni brought home several awards last week from the 2013 Spark International Design Awards.
Students and professionals from more than 27 countries across the globe competed in the categories of Experience Design, Product Design, Spaces Design, Transport Design, Communication Design, App Design and Concept Design, with awards ranging from Bronze Awards to the highest award, the Spark! Award.
The day Max Knecht pulled a squid, a walrus, a deer and a bunny out of a bright green vintage suitcase is the day he landed his first big deal as a designer.
“It was a formal meeting in [Knock Knock company founder and CEO] Jen Bilik’s office,” recalls Knecht PROD 11, who was still a student at the time. “But bringing all those animal body parts in a suitcase broke the seriousness.”
These were no ordinary plush toys. An imaginative take on swapping identities, Knecht’s bright-colored animals had a clever postmodern flair. Each one separated into three segments, and he demonstrated for Bilik how these “lumps” could be zipped together in any combination. She loved the crisscross-creature concept and offered Knecht a buyout on the spot. Today six different Clump-O-Lumps are available on Knock Knock’s website.
It’s tempting to call moments like this magic, the proverbial rabbit pulled out of a hat. Or a lucky break, all about who you know.
But it was none of these.
This is a story about how even a 13-year-old can, with a little creativity, make a big difference in the lives of others.
Eighth-grader Hannah Megery had yet to choose her mitzvah (Hebrew for worthy deed) project for her upcoming bat mitzvah when her mother decided to take her and her sister Madeline on a tour of Art Center. The girls’ father, John Megery (ADVT ’95), had recently and unexpectedly passed away, and mother, Laurie, wanted them to see the school their father had attended and loved so much.