Archive for the ‘Alumni Relations’ Category

Extra! Extra! May-June Art Center alumni notes are hot off the press

Wednesday, July 22nd, 2015
Laura Leiman's RAAC project

Laura Leiman’s RAAC project

Here’s your early summer bounty of Art Center alumni notes, news and happenings, best enjoyed with a cool beverage, under a shady tree on a breezy afternoon.

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Celebrating the ADA’s 25th birthday with a primer of inclusive design at Art Center

Tuesday, July 21st, 2015

Kira Song's floatation vest for brain-injured athletes with limited motion.

Kira Song’s floatation vest for brain-injured athletes with limited motion.

As the nation prepares to celebrate the 25th anniversary of the Americans with Disabilities Act (ADA) on July 26, the community of makers at Art Center College of Design continues to innovate products and experiences that help improve the world for people who have essential life function limitations.

Since its founding 85 years ago, students, faculty and alumni have been making a difference through inclusive design by applying a human-centered theory to assistive products and experiences for populations challenged by issues of aging, race, gender, ability, chronic disease, psychological or developmental disorders, and more.

“We have a community of students who want to leverage their creativity to impact people’s lives,” said Product Design Chair Karen Hofmann (BS 97 Product) who has guided designers making significant contributions through rethinking how products can improve people’s lives for more than a decade. “That’s the most meaningful work designers can do.”

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Alumni video: Monster motorcycle mastermind Miguel Galluzzi on the future of two-wheeled transportation

Thursday, July 16th, 2015

Riding a motorcycle can be a near mystical experience. Under the right circumstances, a road warrior awakening can possess the potential to turn a wanderlust-y freedom seeker into a hardcore biker evangelist. For pioneering motorcycle designer Miguel Galluzzi (BFA 86 Transportation), that zeal took hold early on, when he received his first motorbike for his eighth birthday. Once overcame some initial disappointment—he was expecting a drum set—Galluzzi saddled up, hit the road and never looked back.

Galluzzi’s outsize passion for biking fueled his journey from his native Argentina to Art Center’s Transportation Design program and on to an illustrious career designing iconic motorcycles, including the Ducati Monster, the original “naked bike” which became a landmark of minimalist automotive design and defined the performance-based aesthetic of bike design for the decades that followed.

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Best summer job ever? American Apparel hires Film student Zak Marx to direct a slate of commercials

Tuesday, July 14th, 2015
Screen Shot 2015-07-13 at 2.59.35 PM

Current Film student, Zak Marx, between summer jobs for Nike and American Apparel. Photo by Photography and Imaging student, Christopher Stoltz.

Relevance is a loaded topic for anyone with creative aspirations. That goes double for members of the Instagram Generation seeking to forge a directing career on screens big or small. And multiply that to the power of three for anyone and everyone working in advertising.

The relevance of relevance certainly is not lost on Zak Marx, a current student in Art Center’s undergraduate Film Department who happens to qualify in all three of the above categories after scoring a coveted gig with American Apparel directing 12—count ‘em, 12!—commercial spots central to the brand’s image overhaul under its new CEO, Paula Schneider.

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Art Center friends of 30 years unite for exhibition at Hurley HQ to raise scholarship funds

Wednesday, July 8th, 2015
Julian Smith, Hayden Smith, Chris Lundy and Mark Smith worked together as the "Sarasota Brotherhood" to gather and ship the paintings for the exhibition.

Julian Smith, Hayden Smith, Chris Lundy and Mark Smith worked together as the “Sarasota Brotherhood” to gather and ship the paintings for the exhibition.

It’s no surprise that lifelong friendships are often forged out of the rigor and intensity of an Art Center education. Take Mark Smith (BFA 88 Graphic) and Chris Lundy (BFA 89 Illustration), who met at Art Center in 1985. What’s followed has been 30 years of artistic collaborations, a shared love of music, film and writing and surf days on the beach. When Chris was diagnosed this past September with glioblastoma multiforme, a cancerous tumor of the brain, the two friends met the challenge side by side. Inspired by each other and their shared Art Center experience, they decided to create a scholarship in Chris’s name.

On Saturday, July 18, an exhibition spearheaded by Mark will showcase Chris’s extraordinary paintings, with proceeds going to support the Chris Lundy Creative Scholarship. The fund will provide financial assistance to talented Art Center students. Mark offered to talk to us about the exhibition, which will take place at the headquarters of Hurley in Costa Mesa, and his friendship with Chris. Here’s our conversation:

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Looking to fire up your Fourth of July? Check out these blast-tacular movie explosions!

Thursday, July 2nd, 2015

Wherever you decide to celebrate the anniversary of our nation’s independence—in a small town watching a patriotic parade or an urban center sampling designer cocktails on a hotel rooftop—we know you are really just passing time until dark, waiting for the fireworks start.

To whet your appetite in anticipation of the pyrotechnic exhibition of your choice, we offer up some dynamite detonation displays from the silver screen.

No 4th of July celebration should go by without a viewing of the spectacular demolition of Paris in Michael Bay’s (BFA 88 Film) Armageddon.

An oldie but goodie, it is always worth watching the final scene of David Lean’s classic, The Bridge on the River Kwai.

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Design polymath Michael Sans immerses Bikini Berlin in a high-intensity trans-disciplinary experience

Tuesday, June 30th, 2015
Michael Sans with Art Center students in Berlin

Michael Sans with Art Center students in Berlin

“Inspiring and helping each other goes both ways,” says Product Design alumnus Michael Sans of his engagement with students at Art Center Bikini Berlin, the College’s satellite studio where he is managing director.

Sans’ own education began at the workbench of his woodworker grandfather in a small German town on the Rhine. He apprenticed as a cabinetmaker, briefly studied architecture in Florence, and turned to product design when he entered the program at Art Center Europe in Switzerland—emerging forever shaped by its “professional approach, intense schedule, small classes and perfect facilities.”

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The female gaze: Shestock photography agency focuses on women behind and in front of the camera

Thursday, June 25th, 2015
The stock photo agency Shestock is the brainchild of Photography alumna Karen Beard (pictured), who aims to change how women and girls are portrayed.

The stock photo agency Shestock is the brainchild of Photography alumna Karen Beard (pictured), who aims to change how women and girls are portrayed.

“Girls today are inundated daily with imagery that is overtly or covertly sexist,” says Photography alumna Karen Beard. “They have not developed the skills to question the visual language that surrounds them. I wanted to do something about that as a mother, and I realized that I could.”

In 2012 Beard founded Shestock, a stock photography agency that offers compelling and visceral female-centric images created exclusively by professional women photographers. Early on in her career, Beard was drawn to the freedom that stock photography made possible. “Stock allowed me this open free space to create, to make mistakes, to evolve as a photographer—it gave me an outlet for that and a place to put the images. If they sold, that was great. If people passed, that was fine too.”

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No developing world emergency is too great for UNICEF Innovation Lab lead and MDP alum Jeff Hall

Tuesday, June 23rd, 2015
Media Design Practices alumnus Jeffrey Hall, in black T-shirt, conducted fieldwork in Uganda before being named UNICEF’s Innovation Lab Lead for Indonesia.

Media Design Practices alumnus Jeffrey Hall, in black T-shirt, conducted fieldwork in Uganda before being named UNICEF’s Innovation Lab Lead for Indonesia.

As UNICEF’s Innovation Lab Lead for Indonesia, alumnus Jeffrey Hall has developed a simple standard for his projects: to use design to improve the quality of people’s daily lives. “I collaborate with some amazing people, both in the U.N. and the creative community, to see how innovative approaches can be applied to improving their programs, technology, process or partnerships,” says Hall.

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Art Center students pave the road into the future of autonomous cars

Friday, June 19th, 2015
First cars to travel The Arroyo Seco Parkway in 1940. Photo (detail): Los Angeles Public Library

First cars to travel The Arroyo Seco Parkway in 1940. Photo (detail): Los Angeles Public Library

In On the Road, Jack Kerouac wrote, “What is that feeling when you’re driving away from people and they recede on the plain till you see their specks dispersing? – it’s the too-huge world vaulting us, and it’s good-bye. But we lean forward to the next crazy venture beneath the skies.”

But what does it mean when that “next crazy venture” is fueled by a set of algorithms?

As we’ve previously reported, the arrival of autonomous cars could very well usher in a new era of safer roads. But might the public be hesitant to hand over the keys of their vehicle–often seen as a bedrock American symbol of freedom–to Apple, Google or Uber?

“The promise of the automobile 100 years ago was being able to go anywhere, anytime,” says alumnus Stewart Reed (69), chair of Art Center’s transportation design programs. “This idea freed people from structuring their lives around stagecoach or train schedules and opened up a world of new experiences.”

What wasn’t the promise 100 years ago? Moving 11,700 vehicles an hour at peak times through the Sepulveda Pass. (more…)