Archive for the ‘Alumni Relations’ Category

Spring fever: Grad Art alum Alexis Marguerite Teplin melds performance, painting and a passion for ballet in Stravinsky-themed Zürich exhibition

Thursday, April 17th, 2014
Alexis Marguerite Teplin

Elas, 2012, oil on linen by Alexis Marguerite Teplin (courtesy Mary Mary Gallery, Glasgow, Scotland)

Graduate Art alumna Alexis Marguerite Teplin’s practice is noted for a theatricality based in seduction, artificiality and cultural signification–themes that harken back to Igor Stravinsky’s scandalous 1913 ballet, Le Sacre du Printemps (The Rite of Spring), culminating in the “sacrificial dance” of a young girl.

Fitting, then, that California-born, London-based Teplin is among the artists invited by the Migros Museum für Gegenwartskunst, housed in a former brewery in Zürich, to create new work that addresses the ballet, its context and its history for Sacre 101—An Exhibition Based on The Rite of Spring.

In Teplin’s live performance piece P and C, taking place at the museum next Thursday, April 24, features the sound and movement of two actors (and of Teplin herself) performing in a burlesque manner in front of one of her large-scale paintings, wearing brightly colored costumes she designed. The artist was inspired by Natalia Goncharova, an avant-garde costume and set designer for Ballets Russes, the company that originally performed The Rite of Spring a century ago. P and C is Teplin’s second performance work; her first, The Party, was commissioned by London’s Serpentine Gallery.

On view through May 11, the Sacre 101 exhibition presents contemporary works alongside a selection of Sacre documentation, much of which is being shown in a museum context for the first time.

 

 

Art Center Spring 2014 graduation is around the corner

Monday, April 14th, 2014

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After years of all-nighters fueled by coffee, critiques, cramming for finals and collaboration, 192 Art Center students will graduate on Saturday. This ceremony includes the very first graduating class for the Graduate Environmental Design and Graduate Transportation Design Programs. In fact, we have a record number, 36, students accepting graduate level degrees on Saturday. Also notable, 25% of this graduating class attended one or more of Art Center’s Public Programs (Art Center at Night or Saturday High).

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From muscle machines to dinosaur skulls: Art Center’s March 2014 alumni notes

Wednesday, April 9th, 2014

It’s that time of month again. Time, that is, to catch up on the creative undertakings Art Center’s talented diaspora of alums have been plotting, planning, pitching, prototyping, publishing, publicizing, producing and plying. And that’s just the p’s.

Dive into the following digest of alumni accomplishments and works-in-progress. And for those alums among us, be sure to clue us in on your own news and notes for inclusion in our next dispatch. We don’t want to miss anything. This is Art Center, after all. And we’re nothing if not completists.

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Of animals, art and otherness: Q&A with incoming Grad Art chair, Diana Thater

Tuesday, April 8th, 2014
Diana Thater. Photo by Sigrid Rothe, 2012

Diana Thater. Photo by Sigrid Rothe, 2012

Just over two months ago, Art Center provost, Fred Fehlau announced that full-time faculty members, Diana Thater and Jason Smith, would assume the roles of Chair and Associate Chair of Art Center’s Graduate Art program after longtime Chair, Jeremy Gilbert-Rolfe vacates the position in summer, 2014.

Thater, a pioneering film, video and installation artist, has been a dynamic and esteemed member of the international art community, ever since she earned her MFA from Art Center’s Grad Art program in 1990.  She is a prolific artist who has exhibited around the world at first-rate institutions, including MOMA, the Walker Art Center and Dia Center for the Arts. Much of Thater’s work is informed by the social conscience she brings to her installation and video work exploring the relationship between humans and the natural world.

The Dotted Line recently visited Thater in her studio to discuss her plans for the Graduate Art Department as well as her current and future projects.

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Creative disruption: Image strategists on photography’s new frontier

Friday, April 4th, 2014
CicLAvia

Photographs by Annenberg Apprentice Dave Koga are part of Our Story, a digital visual narrative he curated in collaboration with CicLAvia.

“The advent of new technologies and a global population consumed by social media have turned photography on its head,” says Dennis Keeley, chair of Art Center’s Photography and Imaging Department. “The profession now demands a daunting versatility for survival—including skills in entrepreneurship, computational competency and critical thinking. Image-making now extends well beyond the traditionally constructed photograph to more immediate and interconnected processes. These contemporary practices and ideas utilize art, science and communications, and demand an intellectual flexibility, collaborative spirit, and a willingness to engage the world with strategy.”

To prepare photography students to meet the demands of this rapidly changing profession, Keeley and his colleagues developed a pilot class this Spring, Creative Disruption: Beyond the Classroom. Co-led by Everard Williams, Ann Cutting and Elisa Callow, the class embeds students in local nonprofits where they’re given a creative challenge and work in collaboration with the partner organization to tackle that challenge.

The class is part of an Art Center study, funded by a grant from the Annenberg Foundation, investigating and testing models for the future of photographic education.

Read on to learn about our first two Annenberg Apprentices, and their innovative work with two community-based organizations, CicLAvia and the Japanese American Cultural and Community Center.

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Art Center in the News: February-March 2014

Thursday, March 27th, 2014
Maggie Hendrie on the set of TakePart Live

Maggie Hendrie on the set of TakePart Live

Art Center students, faculty, staff and alumni have been making news while making their mark at on the art and design worlds. For those who may have missed a headline or two, we curated this handy highlight reel of our recent media clips:

Don’t miss two lengthy, live interview segments we arranged for Interaction Design Chair, Maggie Hendrie and ACCD student Alex Cabunoc on the new cable program TakePart Live—a show tailored to Millennials (age 18-34) that reaches 40 million-plus households through Participant Media’s Pivot TV network. (Participant Media is the award-winning, socially and politically progressive production company responsible for An Inconvenient TruthThe CoveLincoln, among other enlightening and edifying films and TV shows).

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Gunwolf: The student-created transmedia comic about a shoe-gazing Yakuza hitman

Tuesday, March 25th, 2014

LAMAG.com recently published the following piece about a transmedia comic book collaboration between Art Center alums, Nick Ebeling BFA FILM 01 and A.P. Menzies BFA FILM 00. Please join us in thanking LAMAG  for graciously allowing us to deliver this inspiring story of creative ingenuity to your digital doorstep. 

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Of one minute wonders and sustainable paper planes: February’s Art Center alumni notes

Monday, March 17th, 2014
Hiroshi Sugimoto's design for for his museum complex in Odawara, Japan

Hiroshi Sugimoto’s design for for his museum complex in Odawara, Japan

From art installations inspired by NASA’S space oddities to a self-styled museum in Japan: Art Center alums have been busy in February. Read on for more details about last month’s alumni accomplishments, including Designmatters’ new alumni engagement efforts.

News

Dan Goods GRPK 02 was featured in a story on Yahoo News about his work at NASA’s Jet Propulsion Laboratory (JPL).  Yahoo

Satyendra Pakhalé PROD 94 discussed his design process and curiosity in a One Minute Wonder video. One Minute Wonder

Hiroshi Sugimoto PHOT 74 has announced plans to design and build a new museum for his work, the Odawara Art Foundation, which will be located in Odawara Japan. Wall Street Journal Blog

Jennie Warren PHOT 05 collaborated with Welsh singer Cate Le Bon and illustrator Erin Althea and on a series of promotional images for Cate’s upcoming tour. Erin Althea’s Blog

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Art Center @ SXSW 2014: Choice program and party picks for artists, designers and innovators

Tuesday, March 11th, 2014

SXSW-2014

Lady Gaga announced, earlier this week, that she’d make her SXSW debut, headlining the music festival on March 13. But the biggest surprise was not that the mother of all little monsters would join the hordes of outliers, outcasts, oddballs and out there futurists making the pilgrimage to the annual Austin cultural convergence. It’s that she waited this long to get there.  “[I'll be performing] as part of the Born This Way Foundation night on the Doritos stage,” she said via video. “I believe being an individual and speaking your mind is one of the boldest things you can do. I will be celebrating that Thursday night. We are for the bold. This is a very special show…only people who prove their boldness are able to get in.”

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Spacing out with NASA resident artist (and Art Center alum) Dan Goods

Friday, March 7th, 2014
Dan Goods drilled a hole in a grain of sand to illustrate the Milky Way's small size in relation to the universe

Dan Goods drilled a hole in a grain of sand to illustrate the Milky Way’s small size in relation to the universe

Rebecca Gross is a writer-editor for the National Endowment for the Arts.This article was provided to Live Science in partnership with the National Endowment for the Arts for Live Science’s Expert Voices: Op-Ed & Insights.

When Dan Goods was studying graphic design, he figured he’d probably end up at an ad agency or some sort of commercial corporation. But these days, he tackles bigger artistic concerns than choosing an appropriate typeface, layout and color. Much bigger. Like Jupiter-sized big.

For the past 10 years, Goods has worked as a visual strategist at NASA’s Jet Propulsion Laboratory (JPL) in Pasadena, Calif. He works to translate the technical, data-driven language of JPL’s missions into engaging, public-friendly works of art. When negotiating his position, the original idea was that Goods would create visualizations communicating JPL’s work. But the artist pushed back: He didn’t want people simply to see the universe; he wanted them to feel it.

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