Posts Tagged ‘Anne Burdick’

MDP + UNICEF partnership honored with Core 77 Design Award

Friday, September 19th, 2014

Screen Shot 2014-09-19 at 9.53.51 AM

This Fall, UNICEF’s Innovation Lab in Kampala, Uganda, will embark upon its third year working with graduate students and faculty from Media Design Practices (MDP) at Art Center College of Design. The partnership is integrated into the design program’s unique curriculum, which recently received the prestigious 2014 Core 77 Design Award.

Student work with Ugandan youth was a significant factor in Core 77’s decision to recognize MDP with this honor. Students’ first-hand experience designing technology in a developing world context contributed to what the jury recognized as “…the kind of pure research in education that we believe is the future of education—through [a curriculum] that is not removed from the world because of the way that [it is] embedded in the world.”

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Required reading: Digital_Humanities, by Media Design Practices Chair Anne Burdick

Monday, September 30th, 2013

burdickWhat are the digital humanities? That’s the question posed in a new scholarly book co-authored by Anne Burdick, chair of the Graduate Media Design Department. And judging by the critical response—from movers and shakers in the field like Lev Manovich, Dan Cohen and Alan Liu—it’s a question many want answered.

In Digital_Humanities (MIT Press), Burdick—along with metaLAB (at) Harvard’s Jeffrey Schnapp and UCLA’s Johanna Drucker, Peter Lunenfeld and Todd Presner—explores geospatial analysis, data mining, corpus linguistics and other non-traditional modes of humanistic inquiry. Writing for Leonardo Reviews, media artist and scholar Dene Grigar urges everyone to read Digital_Humanities, no matter their academic discipline, as it describes an area of research that has “the potential of transforming higher education.” And in the Italian edition of WIRED, Matteo “Mister Bit” Bittanti names the book one of his best of 2012 and recommends that every Italian university student add it to their reading list. A free Open Access edition of the book is available at the MIT Press website.

This story originally appeared in Art Center’s Dot magazine. Check out Dot online for more news of alumni and faculty exhibitions, products, books, films and social impact.

Precognition 101: Media Design Practices’ visiting researchers explore the ability to predict the future

Wednesday, August 14th, 2013
"Brainwave Canon" (2011), an earlier project by visiting researcher Sitraka Rakotononiaina.

“Brainwave Canon” (2011), an earlier project by visiting researcher Sitraka Rakotononiaina.

Each summer, Art Center’s Media Design Practices (MDP) graduate program invites outside researchers to join its faculty researchers and post-graduate fellows to run design-driven investigative projects.

As part of this week’s graduation week festivities, MDP is hosting a free event tomorrow from 3–5 p.m. in the Wind Tunnel at South Campus to share with the public the result of this summer’s research.

“Design-driven investigations can generate new approaches to design, culture and technology,” says Anne Burdick, Chair of the department. “They can provide insights into people and their daily practices, and bring new knowledge to life.”

MDP’s summer research projects often result in works that don’t fit neatly into conventional categories, such as Curious Rituals by Nicolas Nova, which studied the gestures, postures and digital rituals that have emerged with the use of current technology, and Suspension of Disbelief (“The Promise”) by Ingrid Hora and Daniel Salomon, which explored the worship of objects through the creation of a fictional cult.

And this summer’s projects—one of which explores human precognitive abilities—promise to be just as unconventional.

This summer’s visiting researchers are Andrew Friend, associate lecturer in the Department of Spatial Practices, Central St. Martins College of Art and Design, University of the Arts London, and Sitraka Rakotoniaina, co-founder of Good One, a speculative design collective with friends coming from computer science and architecture backgrounds.

Together, Friend and Rakotoniaina will discuss their project The Prophecy Program, which is part of their ongoing research into the convergence of art and science through artifacts and experiences that address people’s perception of emerging technologies.

According to the duo, the project “looks at how the power of predicting the future has often been attributed to prophets or people with super capabilities, yet on closer inspection we all have the ability to experience a premonition of future events that cannot be otherwise foreseen. The Prophecy Program proposes that through undergoing the correct, intensive training one may be able to improve their pre-cognitive ability, in turn gaining an ability to project into, and (to a degree) take control of a future.”

Also on hand to discuss their research will be MDP faculty researchers Ben Hooker and Shona Kitchen, whose project Neighborhood Watch Files imagines a world in which drones are as ubiquitous as pets, as well as Art Center Fellow Tanner Teale and MDP Post-Graduate Fellow Jeremy Eichenbaum.

Immediately afterwards, there will be a reception and exhibition featuring work by MDP’s Field track students.

Research Review: 3–5 p.m.; Reception and Exhibition: 5–10 p.m.
Thursday, August 15, 2013
Art Center College of Design, South Campus, The Wind Tunnel
950 South Raymond Avenue, Pasadena, CA 91105

For Media Design Practices, two tracks better than one

Thursday, November 8th, 2012

From high-tech research to creating social change, the Media Design Practices program’s two new tracks foster a hotbed of ideas. Department Chair Anne Burdick explains how.

Dotted Line: Why did you recently introduce two tracks?

Anne Burdick: Bringing new practices to design and media is a key aim of our program. So when we see an emerging direction that offers our graduates opportunity and adventure, we go for it.

We saw our alumni generally heading in one of two very different directions: future-oriented research and experimental media or on-the-ground social engagement. We felt if we created a curricular experience tailored to these orientations, we could create a vibrant dialogue and an environment that becomes a hotbed for new ideas.

DL: Talk about the two tracks.

AB: The two tracks are Field and Lab. The curriculum for each is built on a project-based model in which students approach complex situations from multiple perspectives. But the time frame and context that structures their work differs substantially.

Lab track prepares students for work in high-tech, future-focused settings. Before working on a thesis project, Lab students work on five “inquiries”— three-week intensives in which they investigate recent advances in culture, science and technology. Each inquiry is team-taught with researchers, experts, and industry leaders.

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Made Up: Design’s Fictions at Wind Tunnel Gallery

Monday, February 7th, 2011

On Saturday, Jan. 29, Art Center’s Graduate Media Design presented the opening reception for Made Up: Design’s Fictions, showcasing the work of major and emerging international practices that forecast, hypothesize, muse, skylark, role-play, put on airs, freak out or otherwise fake it to produce work that is relevant to our increasingly confusing and accelerated world.

Held in the South Campus wind tunnel gallery, MAKING UP featured a panel discussion with Fiona Raby and Bruce Sterling, two of the world’s most influential voices at the intersection of fiction and design. The panel, led by MDP core faculty Tim Durfee and moderated by MDP Chair Anne Burdick, discussed tactical anachronisms, designing for ambiguous reality, and the re-emergence of speculative practice in the 21st century. It will be moderated by MDP Chair Anne Burdick.

Enjoy the photos below from the event:

Also, check out the video below of the OutRun video game concept car created by Garnet Hertz.

Making Up This Saturday

Wednesday, January 26th, 2011

Art Center’s Graduate Media Design presents Made Up: Design’s Fictions, showcasing the work of major and emerging international practices that forecast, hypothesize, muse, skylark, role-play, put on airs, freak out or otherwise fake it to produce work that is relevant to our increasingly confusing and accelerated world.

Held in the South Campus wind tunnel gallery (where jets were once tested!), a panel and opening reception, MAKING UP, will be this Saturday, Jan. 29.

MAKING UP will feature Fiona Raby and Bruce Sterling, two of the world’s most influential voices at the intersection of fiction and design, joining MADE UP curator and MDP core faculty Tim Durfee for a panel discussion on tactical anachronisms, designing for ambiguous reality, and the re-emergence of speculative practice in the 21st century. It will be moderated by MDP Chair Anne Burdick.

Organized by Durfee and Burdick, MADE UP is part of a larger initiative to bring emergent themes in the work of the Graduate Media Design Program into dialogue with similar trends in art, architecture and design worldwide.

Made Up: Design’s Fictions
Saturday, Jan. 29
Presentations and discussion, 5-7 p.m.
Exhibition opening reception, 7-10 p.m.

Wind Tunnel Gallery
Art Center South Campus
950 S. Raymond Ave., Pasadena, CA 91105

Graphic Design Department Hosts Upcoming Events

Thursday, October 28th, 2010

Each term Art Center’s Graphic Design Department brings together three LA-based design professionals to discuss a particular topic of interest to their students. This term, 3×3 will look into the issues surrounding graduate school.

Speakers include Chair of Graduate Media Design Anne Burdick, Art Center professor and alum Ramone Muñoz and Mike Neal, freelance design writer and recent graduate of the School of Visual Arts with an MFA in design criticism.

The group will address:

  • What are the philosophical and creative differences in graduate and undergraduate programs?
  • What are the unique characteristics of the top graduate programs?
  • How have graduates from particular schools shaped our field?
  • How one can best prepare for a graduate education?

It’s a must-attend event for all Art Center Graphic Design students.

3×3: WHY GRAD SCHOOL?
Thursday, Nov. 4, 7:30 pm
Los Angeles Times Media Center

Also next week, the Graphic Design Department is holding an internship preparation workshop for Graphic Design students with faculty member Petrula Vrontikis, a designer, author and educator and creative director and owner of Vrontikis Design Office.

Internship Preparation Workshop
Monday, Nov. 1, 1-2 pm
Boardroom, Hillside Campus

Graphic Design students, don’t miss either of these great events!

4 Hours Solid: Intimidating Title, Illuminating Event

Monday, May 10th, 2010

Dubbed “the event with the intimidating title” by its organizers, the first annual 4 Hours Solid took place on April 21 at Art Center’s South Campus and marked the first time the College  specifically showcased work and ideas from its four graduate programs—Graduate Art, Broadcast Cinema, Industrial Design (GradID) and Media Design (MDP).

Over 300 people attended the evening event, which included a panel discussion, exhibitions of recent student theses and work, student film screenings and a reception.

For the students showing their work, the evening provided a welcome opportunity to get feedback on their projects.

MDP student Haemi Yoon, who presented her thesis project that explores the down-time of everyday electronic objects, said she was surprised by the questions visitors asked her. “I thought people wouldn’t understand the project, but they totally got it,” said Yoon. “People asked me, ‘What do you think a future object will look like?’ and ‘Do you think these objects should have personalities?’ It was a great dialogue.” (more…)

Art Center Inaugurates Fifth President

Monday, May 3rd, 2010

President Buchman

“Come Art Center—meet your own demand,” Dr. Lorne Buchman urged the crowd assembled for his inauguration at Hillside Campus. “Let us bring to our future the very fortitude we exact from those we educate. Some of the same magic that for 80 years, brought to life those gods of design, art and human expression. It’s a mammoth but vital task. We know how to do this—it’s in our DNA. Conjure and imagine things that don’t yet exist. Designers, design your school.”

On Thursday, April 22, Art Center ushered in a new era as it inaugurated Buchman, its fifth president and chief executive officer. Named president last year after a nationwide 10-month search, Buchman is the former provost and president of Oakland’s California College of Arts and Crafts. Most recently, Buchman served as President of Saybrook Graduate School and Research Center. A trained theater director and scholar, he has held a number of faculty and administrative positions at the University of California, Berkeley.

Graduate Media Design Department Chair Anne Burdick, who served as Department Chair’s representative on the Presidential Search Committee, said that while many leaders in the art and design world were interviewed for the position, just one candidate was both a team builder and a change agent. “Only Lorne had that precise combination of empathy and chutzpah,” she told the audience.

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